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Author: Matthias Wittmann
Publisher:
ISBN: 9781399509114
Category : Iran
Languages : en
Pages : 0
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Book Description
Counter-Memories are memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. They have the potential to destabilise official narratives and normative orders of remembering. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. 'Counter-Memories in Iranian Cinema' establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.
Author: Matthias Wittmann
Publisher:
ISBN: 9781399509114
Category : Iran
Languages : en
Pages : 0
Get Book Here
Book Description
Counter-Memories are memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. They have the potential to destabilise official narratives and normative orders of remembering. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. 'Counter-Memories in Iranian Cinema' establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.
Author: Michelle Langford
Publisher: Bloomsbury Publishing
ISBN: 075564817X
Category : History
Languages : en
Pages : 522
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Book Description
This volume brings together scholarship from both established scholars and early career academics to provide fresh insights and new research on the cinema of Iran. The book is organised around eight broad themes including cinema before and after the revolution, stylistic innovation, documentary, gender, and genre. Encompassing a diverse range of methodological approaches and disciplinary frameworks including film studies, cultural studies, and political economy, each chapter is a self-contained study on a specific topic engaging with the national and transnational history of Iranian cinema which combined provide readers with original new insights into Iranian film and filmmakers, from fiction films to art house and popular cinema. The Handbook includes analysis of the works of established filmmakers such as Bahram Beyzaie, Rakhshan Banetemad, Abbas Kiarostami and Mohsen Makhmalbaf, as well as the output of emerging voices such as Ida Panahandeh and Shahram Mokri. Covering well-known topics as well as cutting edge ones such the sonic and visual manifestations of the urban environment in Iranian films, this book is a vital resource for understanding Iran and its unique cinematic culture.
Author: Hamid Dabashi
Publisher: Univ of California Press
ISBN: 0520397185
Category : Art
Languages : en
Pages : 369
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Book Description
"When Abbas Kiarostami suddenly passed away in July 2016, he was already an iconic figure in world cinema-and his reputation as a master filmmaker has only grown since. In this book, celebrated scholar Hamid Dabashi offers a new way of looking at Kiarostami's art world, one that questions the very idea of film philosophy. Dabashi's authoritative account of the philosophical resonances of Kiarostami's oeuvre offers an iconoclastic critique of the field's Eurocentrism and, in vivid prose, makes the case for a new method of appreciating the work of this essential figure. The result is a provocative perspective on the totality of Kiarostami's legacy that, with deep roots in Iranian aesthetic and Persian poetic and philosophical traditions, overcomes film's provincial preoccupation with its Western heritage and charts a new path forward for film philosophy."--
Author: Sarah Gensburger
Publisher: Berghahn Books
ISBN: 1805391089
Category : History
Languages : en
Pages : 399
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Book Description
In the wake of recent protests against police violence and racism, calls to dismantle problematic memorials have reverberated around the globe. This is not a new phenomenon, however, nor is it limited to the Western world. De-Commemoration focuses on the concept of de-commemoration as it relates to remembrance. Drawing on research from experts on memory dynamics across various disciplines, this extensive collection seeks to make sense of the current state of de-commemoration as it transforms contemporary societies around the world.
Author: Arta Khakpour
Publisher: NYU Press
ISBN: 1479841587
Category : History
Languages : en
Pages : 298
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Book Description
12. Narratives of Silence: Persian Fiction of the 1980-1988 Iran-Iraq War -- Appendix A: Only the Dead Witnessed the End of the War -- Appendix B: My Brother's Blue Eyes -- Appendix C: Two Poems -- Appendix D: A Chapter from The Pomegranate Alone -- Appendix E: A Letter to the Saad Family -- Select Bibliography -- About the Contributors -- Index
Author: Maryam Ghodrati
Publisher: Vernon Press
ISBN:
Category : Social Science
Languages : en
Pages : 158
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Book Description
"Embodied Testimonies, Gendered Memories, and the Poetics of Trauma" is a collection of academic essays that uses mainstream and postcolonial trauma theory in the analysis of literary and artistic representations of traumatic history. This collection prioritizes historical and personal accounts from the perspectives of Iranian, Arab, Jewish, and Black women to highlight the ways in which gender, race, and religion shape experiences of trauma. By drawing attention to individual experiences of suffering — both visible and invisible — the authors reconsider the basis for collective and socio-political engagement. The book re-examines established postcolonial trauma theory, which can occasionally overemphasize the collectivity of traumatic experience and subsume individual stories under ideological nationalism. Each chapter in this collection explores methods of balancing the pain of the individual and the community through analyses of art, literature, and film. Together, these chapters demonstrate the importance of embracing a dynamic and diverse approach to the representation of trauma that makes marginalized survivors visible while also recognizing the complexities of gendered and racialized experiences of trauma.
Author: Debbie Olson
Publisher: Lexington Books
ISBN: 1498563813
Category : Social Science
Languages : en
Pages : 515
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Book Description
This collection seeks to broaden the discussion of the child image by close analysis of the child and childhood as depicted in non-Western cinemas. Each essay offers a counter-narrative to Western notions of childhood by looking critically at alternative visions of childhood that does not privilege a Western ideal. Rather, this collection seeks to broaden our ideas about children, childhood, and the child’s place in the global community. This collection features a wide variety of contributors from around the world who offer compelling analyses of non-Western, non-Hollywood films starring children.
Author: Maryam Ghorbankarimi
Publisher: EUP
ISBN: 9781474477628
Category :
Languages : en
Pages : 264
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Book Description
This book, the first English language study of her films and career, Iranian director Rakhshan Banietemad contains chapters by some of the most prominent scholars of Iranian cinema, as well as younger scholars with fresh points of view.
Author: Hamid Reza Sadr
Publisher: Bloomsbury Publishing
ISBN: 0857713701
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
Recent, post-revolutionary Iranian cinema has of course gained the attention of international audiences who have been struck by its powerful, poetic and often explicitly political explorations. Yet mainstream, pre-revolutionary Iranian cinema, with a history stretching back to the early twentieth century, has been perceived in the main as lacking in artistic merit and, crucially, as apolitical in content. This highly readable history of Iran as revealed through the full breadth of its cinema re-reads the films themselves to tell the full story of shifting political, economic and social situations. Sadr argues that embedded within even the seemingly least noteworthy of mainstream Iranian films, we find themes and characterisations which reveal the political contexts of their time and which express the ideological underpinnings of a society. Beginning with the introduction of cinema to Iran through the Iranian monarchy, the book covers the broad spectrum of Iran's cinema, offering vivid descriptions of all key films. "Iranian Cinema" looks at recurring themes and tropes, such as the rural versus the 'corrupt' city and, recently, the preponderance of images of childhood, and asks what these have revealed about Iranian society. The author brings the story up to date explaining Iranian filmmaking after the events of September 11, from Mohsen Makhmalbaf's astonishing Kandahar to Saddiq Barmak's angry work Osama, to explore this most recent and breathtaking revival in Iranian cinema.
Author: Fatehrad Azadeh Fatehrad
Publisher: Edinburgh University Press
ISBN: 1474456421
Category : History
Languages : en
Pages : 240
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Book Description
An Iranian immigrant struggling to integrate into 1970s German society, the filmmaker Sohrab Shahid Saless (1944-98) has become a neglected figure in discussions of diaspora cinema. In this - the first English-language book to reflect on his work and its implications for creativity in the diasporic conditions of urban displacement - a range of international scholars provide a comprehensive account of Shahid Saless's films and production methods. Outlining his affinity with celebrated directors like Chantal Akerman and Abbas Kiarostami, as well as visual artists like Romuald Karmakar, the contributors firmly position Shahid Saless as a filmmaker who speaks forcefully to the traumas of displacement and migration.
