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Author: Brooks Otis
Publisher: UNC Press Books
ISBN: 1469640112
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
Otis clarifies the moral and theological issues raised in the Ortesia and relates them to certain stylistic and structural qualities of the three plays. He tackles the central questions of guilt, retribution, and the relation between human and divine justice, and he sees a carefully prepared evolution in the trilogy from a primitive to a more civilized form of justice. Otis treats the trilogy as a poem, a play, and a work of theological and philosophical reflection. Originally published in 1981. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Brooks Otis
Publisher: UNC Press Books
ISBN: 1469640112
Category : Literary Criticism
Languages : en
Pages : 152
Get Book Here
Book Description
Otis clarifies the moral and theological issues raised in the Ortesia and relates them to certain stylistic and structural qualities of the three plays. He tackles the central questions of guilt, retribution, and the relation between human and divine justice, and he sees a carefully prepared evolution in the trilogy from a primitive to a more civilized form of justice. Otis treats the trilogy as a poem, a play, and a work of theological and philosophical reflection. Originally published in 1981. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: T. McAlindon
Publisher: Cambridge University Press
ISBN: 9780521566056
Category : Drama
Languages : en
Pages : 328
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Book Description
This study focuses on Romeo and Juliet, Julius Caesar, the four main tragedies and Antony and Cleopatra. Tom McAlindon argues that there were two models of nature in Renaissance culture, one hierarchical, in which everything has an appointed place, and the other contrarious, showing nature as a tense system of interacting opposites, liable to sudden collapse and transformation. This latter model informs Shakespeare's tragedy.
Author: Nuria Scapin
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110685639
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Greek tragedy occupies a prominent place in the development of early Greek thought. However, even within the partial renaissance of debates about tragedy’s roots in the popular thought of archaic Greece, its potential connection to the early philosophical tradition remains, with few exceptions, at the periphery of current interest. This book aims to show that our understanding of Aeschylus’ Oresteia is enhanced by seeing that the trilogy’s treatment of Zeus and Justice (Dikê) shares certain concepts, assumptions, categories of thought, and forms of expression with the surviving fragments and doxography of certain Presocratic thinkers (especially Anaximander, Xenophanes, Heraclitus, and Parmenides). By examining several aspects of the tragic trilogy in relation to Presocratic debates about theology and cosmic justice, it shows how such scrutiny may affect our understanding of the theological ‘tension’ and metaphysical assumptions underpinning the Oresteia’s dramatic narrative. Ultimately, it argues that Aeschylus bestows on the experience of human suffering, as it is given in the contradictory multiplicity of the world, the status of a profound form of knowledge: a meeting point between the human and divine spheres.
Author: Scarlett Thomas
Publisher: HMH
ISBN: 0547504659
Category : Fiction
Languages : en
Pages : 388
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Book Description
This “delightfully whimsical novel riffs on the premise that ordinary lives stubbornly resist the tidy order that a fiction narrative might impose on them” (Publishers Weekly). Can a story save your life? Meg Carpenter is broke. Her novel is years overdue. Her cell phone is out of minutes. And her moody boyfriend’s only contribution to the household is his sour attitude. So she jumps at the chance to review a pseudoscientific book that promises life everlasting. But who wants to live forever? Consulting cosmology and physics, tarot cards, koans (and riddles and jokes), new-age theories of everything, narrative theory, Nietzsche, Baudrillard, and knitting patterns, Meg wends her way through Our Tragic Universe, asking this and many other questions. Does she believe in fairies? In magic? Is she a superbeing? Is she living a storyless story? And what’s the connection between her off-hand suggestion to push a car into a river, a ship in a bottle, a mysterious beast loose on the moor, and the controversial author of The Science of Living Forever? Smart, entrancing, and boiling over with Thomas’s trademark big ideas, Our Tragic Universe is a book about how relationships are created and destroyed, how we can rewrite our futures (if not our histories), and how stories just might save our lives.
Author: Richard Rader
Publisher: Routledge
ISBN: 1317633873
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Theology and Existentialism in Aeschylus revivifies the complex question of fate and freedom in the tragedies of the famous Greek playwright. Starting with Sartre’s insights about radical existential freedom, this book shows that Aeschylus is concerned with the ethical ramifications of surrendering our lives to fatalism (gods, curses, inherited guilt) and thoroughly interrogates the plays for their complex insights into theology and human motivation. But can we reconcile the radical freedom of existentialism and the seemingly fatal world of tragedy, where gods and curses and necessities wreak havoc on individual autonomy? If forces beyond our control or comprehension are influencing our lives, what happens to choice? How are we to conceive of ethics in a world studiously indifferent to our choices? In this book, author Ric Rader demonstrates that few understood the importance of these questions better than the tragedians, whose literature dealt with a central theological concern: What is a god? And how does god affect, impinge upon, or even enable human freedom? Perhaps more importantly: If god is dead, is everything possible, or nothing? Tragedy holds the preeminent position with regard to these questions, and Aeschylus, our earliest surviving tragedian, is the best witness to these complex theological issues.
Author: Harry Lee Poe
Publisher: InterVarsity Press
ISBN: 0830839542
Category : Religion
Languages : en
Pages : 305
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Book Description
Theologian Harry Lee Poe and chemist Jimmy H. Davis argue that God's interaction with our world is a possibility affirmed equally by the Bible and the contemporary scientific record. Rather than confirming that the cosmos is closed to the actions of the divine, advancing scientific knowledge seems to indicate that the nature of the universe is actually open to the unique type of divine activity portrayed in the Bible.
Author: Neil deGrasse Tyson
Publisher: W. W. Norton & Company
ISBN: 9780393062243
Category : Religion
Languages : en
Pages : 392
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Book Description
A collection of essays on the cosmos, written by an American Museum of Natural History astrophysicist, includes "Holy Wars," "Ends of the World," and "Hollywood Nights."
Author: Nuria Scapin
Publisher: de Gruyter
ISBN: 9783110685527
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
Greek tragedy occupies a prominent place in the development of early Greek thought. Yet, its connection to the Presocratic tradition remains at the periphery of current interest. This book shows how Aeschylus' Oresteia - in its own dramatic lang
Author: Richard Rader
Publisher: Routledge
ISBN: 1317633881
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Theology and Existentialism in Aeschylus revivifies the complex question of fate and freedom in the tragedies of the famous Greek playwright. Starting with Sartre’s insights about radical existential freedom, this book shows that Aeschylus is concerned with the ethical ramifications of surrendering our lives to fatalism (gods, curses, inherited guilt) and thoroughly interrogates the plays for their complex insights into theology and human motivation. But can we reconcile the radical freedom of existentialism and the seemingly fatal world of tragedy, where gods and curses and necessities wreak havoc on individual autonomy? If forces beyond our control or comprehension are influencing our lives, what happens to choice? How are we to conceive of ethics in a world studiously indifferent to our choices? In this book, author Ric Rader demonstrates that few understood the importance of these questions better than the tragedians, whose literature dealt with a central theological concern: What is a god? And how does god affect, impinge upon, or even enable human freedom? Perhaps more importantly: If god is dead, is everything possible, or nothing? Tragedy holds the preeminent position with regard to these questions, and Aeschylus, our earliest surviving tragedian, is the best witness to these complex theological issues.
Author: Herbert Weisinger
Publisher: Taylor & Francis
ISBN: 1040004512
Category : Philosophy
Languages : en
Pages : 269
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Book Description
First published in 1953, Tragedy and the Paradox of the Fortunate Fall argues that our response to tragedy is made up of a series of responses: the impact of experience which produces the archetypes of belief; the formation of the archetype of rebirth; the crystallization of the archetype of rebirth in the myth and ritual of the ancient Near East; the transformation of myth and ritual in the religions of the ancient world, including Christianity; the formalization of the archetype of rebirth into the concept of felix culpa, the paradox of the fortunate fall and finally the secular utilization of the paradox of the fortunate fall as the substance out of which tragedy is made. This book will be of interest to students of literature, philosophy and history.
