Author: Samuel Richardson
Publisher: Cambridge University Press
ISBN: 1316123243
Category : Literary Criticism
Languages : en
Pages : 606
Book Description
Samuel Richardson (1689–1761), renowned master printer and celebrated English novelist, wrote hundreds of letters during his lifetime. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of these letters. This volume contains his correspondences, many published for the first time, with three very different young women, all seeking to find their voice within family and society while corresponding with a celebrated author and moralist. Sarah Wescomb and Frances Grainger, two young, unmarried correspondents, sought paternal advice from the middle-aged author and in the process contested stances taken in his novels. Laetitia Pilkington, an accused adulteress, offers poignant glimpses into an impoverished woman's struggles to survive in Grub Street. The scholarly apparatus in this volume provides ample information about these three women's lives and their milieu, giving fascinating insights into eighteenth-century English social and literary history.
Correspondence with Sarah Wescomb, Frances Grainger and Laetitia Pilkington
Author: Samuel Richardson
Publisher: Cambridge University Press
ISBN: 1316123243
Category : Literary Criticism
Languages : en
Pages : 606
Book Description
Samuel Richardson (1689–1761), renowned master printer and celebrated English novelist, wrote hundreds of letters during his lifetime. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of these letters. This volume contains his correspondences, many published for the first time, with three very different young women, all seeking to find their voice within family and society while corresponding with a celebrated author and moralist. Sarah Wescomb and Frances Grainger, two young, unmarried correspondents, sought paternal advice from the middle-aged author and in the process contested stances taken in his novels. Laetitia Pilkington, an accused adulteress, offers poignant glimpses into an impoverished woman's struggles to survive in Grub Street. The scholarly apparatus in this volume provides ample information about these three women's lives and their milieu, giving fascinating insights into eighteenth-century English social and literary history.
Publisher: Cambridge University Press
ISBN: 1316123243
Category : Literary Criticism
Languages : en
Pages : 606
Book Description
Samuel Richardson (1689–1761), renowned master printer and celebrated English novelist, wrote hundreds of letters during his lifetime. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of these letters. This volume contains his correspondences, many published for the first time, with three very different young women, all seeking to find their voice within family and society while corresponding with a celebrated author and moralist. Sarah Wescomb and Frances Grainger, two young, unmarried correspondents, sought paternal advice from the middle-aged author and in the process contested stances taken in his novels. Laetitia Pilkington, an accused adulteress, offers poignant glimpses into an impoverished woman's struggles to survive in Grub Street. The scholarly apparatus in this volume provides ample information about these three women's lives and their milieu, giving fascinating insights into eighteenth-century English social and literary history.
Samuel Richardson as Anonymous Editor and Printer
Author: John A. Dussinger
Publisher: Anthem Press
ISBN: 1785273558
Category : Literary Criticism
Languages : en
Pages : 135
Book Description
During the first two decades of his career, Richardson’s role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723-24) and The Weekly Miscellany (1732-41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither the Duke of Wharton, the owner of The True Briton, nor William Webster, the desperately impecunious producer of The Weekly Miscellany, launched their journals with the objective of advancing radical views about political equality for women. But almost inadvertently this middle-aged, rotund printer at Salisbury Court was quietly feminizing journalism. After his first experiments in Wharton’s anti-Walpole journal he developed his satiric powers in the Miscellany by creating not only his own feisty counterpart to Pope’s coquette Belinda but even partnering with Sarah Chapone’s subversive Delia. As an outlier in what was perceived to be a corrupt, predatory political world, Richardson readily assumed a female voice to express his resistance.
Publisher: Anthem Press
ISBN: 1785273558
Category : Literary Criticism
Languages : en
Pages : 135
Book Description
During the first two decades of his career, Richardson’s role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723-24) and The Weekly Miscellany (1732-41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither the Duke of Wharton, the owner of The True Briton, nor William Webster, the desperately impecunious producer of The Weekly Miscellany, launched their journals with the objective of advancing radical views about political equality for women. But almost inadvertently this middle-aged, rotund printer at Salisbury Court was quietly feminizing journalism. After his first experiments in Wharton’s anti-Walpole journal he developed his satiric powers in the Miscellany by creating not only his own feisty counterpart to Pope’s coquette Belinda but even partnering with Sarah Chapone’s subversive Delia. As an outlier in what was perceived to be a corrupt, predatory political world, Richardson readily assumed a female voice to express his resistance.
The Sentimental Novel in the Eighteenth Century
Author: Albert J. Rivero
Publisher: Cambridge University Press
ISBN: 1108418929
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
Provides twenty-first century readers with a new, comprehensive and suggestive account of the sentimental novel in the eighteenth century.
Publisher: Cambridge University Press
ISBN: 1108418929
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
Provides twenty-first century readers with a new, comprehensive and suggestive account of the sentimental novel in the eighteenth century.
Charlotte Lennox
Author: Susan Carlile
Publisher: University of Toronto Press
ISBN: 144261708X
Category : Literary Criticism
Languages : en
Pages : 524
Book Description
Charlotte Lennox (c.1729-1804) was an eighteenth-century London author whose most celebrated novel, The Female Quixote (1752), is just one of eighteen works published over forty-three years. Her stories of independent women influenced Jane Austen, especially in her novels Northanger Abbey and Sense and Sensibility. Susan Carlile’s biography places Lennox in the context of intellectual and cultural history and focuses on her role as a central figure in the professionalization of authorship in England. Lennox participated in the most important literary and social discussions of her time, including debates concerning female authorship, the elevation of Shakespeare to national poet, and the role of periodicals as didactic texts for an increasingly literate population. Lennox also contributed to making Greek drama available for English-language audiences and pioneered the serialization of novels in magazines. Carlile’s work is the first biographical treatment to consider a new cache of correspondence released in the 1970s and reveals how Lennox was part of an ambitious and progressive literary and social movement.
Publisher: University of Toronto Press
ISBN: 144261708X
Category : Literary Criticism
Languages : en
Pages : 524
Book Description
Charlotte Lennox (c.1729-1804) was an eighteenth-century London author whose most celebrated novel, The Female Quixote (1752), is just one of eighteen works published over forty-three years. Her stories of independent women influenced Jane Austen, especially in her novels Northanger Abbey and Sense and Sensibility. Susan Carlile’s biography places Lennox in the context of intellectual and cultural history and focuses on her role as a central figure in the professionalization of authorship in England. Lennox participated in the most important literary and social discussions of her time, including debates concerning female authorship, the elevation of Shakespeare to national poet, and the role of periodicals as didactic texts for an increasingly literate population. Lennox also contributed to making Greek drama available for English-language audiences and pioneered the serialization of novels in magazines. Carlile’s work is the first biographical treatment to consider a new cache of correspondence released in the 1970s and reveals how Lennox was part of an ambitious and progressive literary and social movement.
A Genealogy of the Gentleman
Author: Mary Beth Harris
Publisher: Rutgers University Press
ISBN: 1644533308
Category : Literary Criticism
Languages : en
Pages : 158
Book Description
A Genealogy of the Gentleman argues that eighteenth-century women writers made key interventions in modern ideals of masculinity and authorship through their narrative constructions of the gentleman. It challenges two latent critical assumptions: first, that the gentleman’s masculinity is normative, private, and therefore oppositional to concepts of performance; and second, that women writers, from their disadvantaged position within a patriarchal society, had no real means of influencing dominant structures of masculinity. By placing writers such as Mary Davys, Eliza Haywood, Charlotte Lennox, Elizabeth Inchbald, and Mary Robinson in dialogue with canonical representatives of the gentleman author—Joseph Addison and Richard Steele, David Hume, Samuel Johnson, and Samuel Richardson—Mary Beth Harris shows how these women carved out a space for their literary authority not by overtly opposing their male critics and society’s patriarchal structure, but by rewriting the persona of the gentleman as a figure whose very desirability and appeal were dependent on women’s influence. Ultimately, this project considers the import of these women writers’ legacy, both progressive and conservative, on hegemonic standards of masculinity that persist to this day.
Publisher: Rutgers University Press
ISBN: 1644533308
Category : Literary Criticism
Languages : en
Pages : 158
Book Description
A Genealogy of the Gentleman argues that eighteenth-century women writers made key interventions in modern ideals of masculinity and authorship through their narrative constructions of the gentleman. It challenges two latent critical assumptions: first, that the gentleman’s masculinity is normative, private, and therefore oppositional to concepts of performance; and second, that women writers, from their disadvantaged position within a patriarchal society, had no real means of influencing dominant structures of masculinity. By placing writers such as Mary Davys, Eliza Haywood, Charlotte Lennox, Elizabeth Inchbald, and Mary Robinson in dialogue with canonical representatives of the gentleman author—Joseph Addison and Richard Steele, David Hume, Samuel Johnson, and Samuel Richardson—Mary Beth Harris shows how these women carved out a space for their literary authority not by overtly opposing their male critics and society’s patriarchal structure, but by rewriting the persona of the gentleman as a figure whose very desirability and appeal were dependent on women’s influence. Ultimately, this project considers the import of these women writers’ legacy, both progressive and conservative, on hegemonic standards of masculinity that persist to this day.
Revising the Eighteenth-Century Novel
Author: Hilary Havens
Publisher: Cambridge University Press
ISBN: 1108493858
Category : Language Arts & Disciplines
Languages : en
Pages : 243
Book Description
Recovers and analyzes novel manuscripts and post-publication revisions to construct a new narrative about eighteenth-century authorship.
Publisher: Cambridge University Press
ISBN: 1108493858
Category : Language Arts & Disciplines
Languages : en
Pages : 243
Book Description
Recovers and analyzes novel manuscripts and post-publication revisions to construct a new narrative about eighteenth-century authorship.
Samuel Richardson in Context
Author: Peter Sabor
Publisher: Cambridge University Press
ISBN: 1108327168
Category : Literary Criticism
Languages : en
Pages : 390
Book Description
Since the publication of his novel Pamela; or Virtue Rewarded in 1740, Samuel Richardson's place in the English literary tradition has been secured. But how can that place best be described? Over the three centuries since embarking on his printing career the 'divine' novelist has been variously understood as moral crusader, advocate for women, pioneer of the realist novel and print innovator. Situating Richardson's work within these social, intellectual and material contexts, this new volume of essays identifies his centrality to the emergence of the novel, the self-help book, and the idea of the professional author, as well as his influence on the development of the modern English language, the capitalist economy, and gendered, medicalized, urban, and national identities. This book enables a fuller understanding and appreciation of Richardson's life, work and legacy, and points the way for future studies of one of English literature's most celebrated novelists.
Publisher: Cambridge University Press
ISBN: 1108327168
Category : Literary Criticism
Languages : en
Pages : 390
Book Description
Since the publication of his novel Pamela; or Virtue Rewarded in 1740, Samuel Richardson's place in the English literary tradition has been secured. But how can that place best be described? Over the three centuries since embarking on his printing career the 'divine' novelist has been variously understood as moral crusader, advocate for women, pioneer of the realist novel and print innovator. Situating Richardson's work within these social, intellectual and material contexts, this new volume of essays identifies his centrality to the emergence of the novel, the self-help book, and the idea of the professional author, as well as his influence on the development of the modern English language, the capitalist economy, and gendered, medicalized, urban, and national identities. This book enables a fuller understanding and appreciation of Richardson's life, work and legacy, and points the way for future studies of one of English literature's most celebrated novelists.
Samuel Richardson and the theory of tragedy
Author: James Smith
Publisher: Manchester University Press
ISBN: 1784997978
Category : Literary Collections
Languages : en
Pages : 194
Book Description
Samuel Richardson and the theory of tragedy is a bold new interpretation of one of the greatest European novels, Samuel Richardson's Clarissa. It argues that this text needs to be rethought as a dangerous exploration of the ethics of tragedy, on the scale of the great arguments of post-Romantic tragic theory, from Hölderlin to Nietzsche, to Benjamin, Lacan and beyond. Taking the reader through the novel from beginning to end, it also acts as a guidebook for newcomers to Richardson's notoriously massive text, and situates it alongside Richardson's other works and the epistolary novel form in general. Filled with innovative close readings that will provoke scholars, students and general readers of the novel alike, it will also serve as a jumping off point for anyone interested in the way the theory of tragedy continues to be the privileged meeting point between literature and philosophy.
Publisher: Manchester University Press
ISBN: 1784997978
Category : Literary Collections
Languages : en
Pages : 194
Book Description
Samuel Richardson and the theory of tragedy is a bold new interpretation of one of the greatest European novels, Samuel Richardson's Clarissa. It argues that this text needs to be rethought as a dangerous exploration of the ethics of tragedy, on the scale of the great arguments of post-Romantic tragic theory, from Hölderlin to Nietzsche, to Benjamin, Lacan and beyond. Taking the reader through the novel from beginning to end, it also acts as a guidebook for newcomers to Richardson's notoriously massive text, and situates it alongside Richardson's other works and the epistolary novel form in general. Filled with innovative close readings that will provoke scholars, students and general readers of the novel alike, it will also serve as a jumping off point for anyone interested in the way the theory of tragedy continues to be the privileged meeting point between literature and philosophy.
On Declaring Love
Author: Fred Parker
Publisher: Routledge
ISBN: 0429663641
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
"What did she say? – Just what she ought, of course. A lady always does." This book explores the act of declaring love in works of literature written between the middle of the eighteenth century and the death of Jane Austen - and uncovers the uncertain boundaries of the self in the force-field of courtship. Declaring love is understood as the hazardous attempt to find public, social terms which can communicate personal feelings and bring intimacy into being. This was a period highly sensitive to the propriety and artificiality of public forms, and hence peculiarly alive to problems around the idea of saying what you feel, problems experienced especially though not exclusively by women. Through this historical lens the author considers the ways in which we may become entangled with one another through language, the limits to our operation as independent individuals, and whether in love you can only feel what you can tell. The first part of the book examines eighteenth-century attitudes towards the independent or disengaged self, performance culture, and the feasibility of sincerity, through readings of a wide range of different works. This provides the basis for a discussion of Austen's novels in the final two chapters, focused on the dynamics of courtship and the moment of proposal, and making much of the role of Austen's narrative voice in supporting the subjectivity of the one in love.
Publisher: Routledge
ISBN: 0429663641
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
"What did she say? – Just what she ought, of course. A lady always does." This book explores the act of declaring love in works of literature written between the middle of the eighteenth century and the death of Jane Austen - and uncovers the uncertain boundaries of the self in the force-field of courtship. Declaring love is understood as the hazardous attempt to find public, social terms which can communicate personal feelings and bring intimacy into being. This was a period highly sensitive to the propriety and artificiality of public forms, and hence peculiarly alive to problems around the idea of saying what you feel, problems experienced especially though not exclusively by women. Through this historical lens the author considers the ways in which we may become entangled with one another through language, the limits to our operation as independent individuals, and whether in love you can only feel what you can tell. The first part of the book examines eighteenth-century attitudes towards the independent or disengaged self, performance culture, and the feasibility of sincerity, through readings of a wide range of different works. This provides the basis for a discussion of Austen's novels in the final two chapters, focused on the dynamics of courtship and the moment of proposal, and making much of the role of Austen's narrative voice in supporting the subjectivity of the one in love.
Samuel Richardson and the Art of Letter-Writing
Author: Louise Curran
Publisher: Cambridge University Press
ISBN: 1107131510
Category : Literary Collections
Languages : en
Pages : 285
Book Description
Examines Samuel Richardson's letters and novels, and explores the interconnection between fiction and correspondence in eighteenth-century literature.
Publisher: Cambridge University Press
ISBN: 1107131510
Category : Literary Collections
Languages : en
Pages : 285
Book Description
Examines Samuel Richardson's letters and novels, and explores the interconnection between fiction and correspondence in eighteenth-century literature.