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Author: François Truffaut
Publisher: Cooper Square Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 616
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Book Description
This collection of letters written between the influential director and his esteemed colleagues, like Alfred Hitchcock, Louis Malle, and Jean-Luc Godard, emerges as an insightful account of both the film industry and one of its most influential, articulate directors. 81 illustrations.
Author: François Truffaut
Publisher: Cooper Square Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 616
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Book Description
This collection of letters written between the influential director and his esteemed colleagues, like Alfred Hitchcock, Louis Malle, and Jean-Luc Godard, emerges as an insightful account of both the film industry and one of its most influential, articulate directors. 81 illustrations.
Author: Dudley Andrew
Publisher: John Wiley & Sons
ISBN: 1118321200
Category : Performing Arts
Languages : en
Pages : 642
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Book Description
A Companion to François Truffaut “An unprecedented critical tribute to the director who, in France, wound up becoming the most controversial figure of the New Wave he helped found.” Raymond Bellour, Centre National de la Recherche Scientifique “This exciting collection breaks through the widely held critical view that Truffaut abandoned the iconoclasm of his early work for an academicism he had consistently railed against in his own film criticism. Indeed, if ‘fever’ and ‘fire’ were Truffaut’s most consistent motifs, the essays in this collection live up to his lifelong, burning passion for the cinema. Written by world-famous scholars, the essays exhaustively explore the themes and styles of the films, as well as Truffaut’s relationships to André Bazin, Alfred Hitchcock, and the directors of the New Wave, his ground-breaking and controversial film criticism, and his position in the complex politics of French cultural life from the Popular Front to 1968 and after.” Angelo Restivo, Georgia State University Although the New Wave, one of the most influential aesthetic revolutions in the history of cinema, might not have existed without him, François Truffaut has largely been ignored by film scholars since his death almost thirty years ago. As an innovative theoretician, an influential critic, and a celebrated filmmaker, Truffaut formulated, disseminated, and illustrated the ideals of the New Wave with exceptional energy and distinction. Yet no book in recent years has focused on Truffaut’s value, and his overall contribution to cinema deserves to be redefined not only to reinstate him in his proper place but to let us rethink how cinema developed during his lifetime. In this new Companion, thirty-four original essays by leading film scholars offer new readings of individual films and original perspectives on the filmmaker’s background, influences, and consequence. Hugely influential around the globe, Truffaut is assessed by international contributors who delve into the unique quality of his narratives and establish the depth of his distinctively styled work. An extended interview with French filmmaker Arnaud Desplechin tracks Truffaut’s controversial stature within French cinema and vividly identifies how he thinks and works as a director, adding an irreplaceable perspective to this essential volume.
Author: Christina Luke
Publisher: Oxford University Press
ISBN: 0190914416
Category : Social Science
Languages : en
Pages : 289
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Book Description
Known as "the Pearl of the Mediterranean," Izmir invokes a city and countryside blessed with good fortune; it is known to many as the homeland of Ephesus, Bergama, and Sardis. Yet, Turkey's third largest city has an especially vexed past. The Greek pursuit of the Megali Idea leveraged Classical history for 19th century political gains, and in so doing also foreshadowed the "Asia Minor Catastrophe." Princeton University's work at Sardis played into the duplicitous agendas of western archaeologists, learned societies, and diplomats seeking to structure heritage policy and international regulations in their favor, from the 1919 Paris Peace Conference to the League of Nations. A Pearl in Peril reveals the voices of those on the ground. It also explores how Howard Crosby Butler, William Hepburn Buckler, and William Berry penetrated the inner circle of world leaders, including Woodrow Wilson, Lloyd George, and Eleftherios Venizelos. On the smoldering ashes of Anatolia's scorched earth, foreign intervention continued apace with plans for large-scale development. A Pearl in Peril tackles the untold story of Julian Huxley's admiration of the US Tennessee Valley Authority's "principals of persuasion" in the context of the industrial landscapes and pursuit of modernity in the Aegean. The promise of UNESCO, too, brought diplomacy dollars deployed to foster "mutual understanding" through preservation programs at Sardis. Yet, from this same pot of money came support for "open intelligence" at the international fairs held in Izmir's Kültürpark, a turnkey battleground of the Cold War. Ironically, it was UNESCO's colossal Abu Simbel project in Egypt that led the US to abandon their preservation initiatives in Turkey. Five decades on, groves of organic olives, marble quarries and gold mines not only threaten the erasure of sacred landscapes, but also ensure the livelihood of local communities. Ultimately, A Pearl in Peril offers a bold assessment of diplomatic practice, perspectives of contemporary heritage, and the challenges of unprecedented expansion of city and countryside.
Author: Mark Feeney
Publisher: University of Chicago Press
ISBN: 0226239705
Category : Performing Arts
Languages : en
Pages : 598
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Book Description
“People will be arguing over Nixon at the Movies as much as, for more than half a century, the country at large has been arguing about Nixon.”—Greil Marcus Richard Nixon and the film industry arrived in Southern California in the same year, 1913, and they shared a long and complex history. The president screened Patton multiple times before and during the invasion of Cambodia, for example. In this unique blend of political biography, cultural history, and film criticism, Mark Feeney recounts in detail Nixon’s enthusiastic viewing habits during his presidency, and takes a new and often revelatory approach to Nixon’s career and Hollywood’s, seeing aspects of Nixon’s character, and the nation’s, refracted and reimagined in film. Nixon at the Movies is a “virtuosic” examination of a man, a culture, and a country in a time of tumult (Slate). “By Feeney's count, Nixon, an unabashed film buff, watched more than 500 movies during the 67 months of his presidency, all carefully listed in an appendix titled ‘What the President Saw and When He Saw It.’ Nixon concentrated intently on whatever was on the screen; he refused to leave even if the picture was a dud and everyone around him was restless. He was omnivorous, would watch anything, though he did have his preferences…Only rarely did he watch R-rated or foreign films. He liked happy endings. Movies were obviously a means of escape for him, and as the Watergate noose tightened, he spent ever more time in the screening room.”—The New York Times
Author: Charlotte Chandler
Publisher: Rowman & Littlefield
ISBN: 081541143X
Category : Biography & Autobiography
Languages : en
Pages : 450
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Book Description
This lusty, high-spirited book was forged from conversations, conducted over the course of fourteen years, between Federico Fellini--the great master director-- and author Charolette Chandler.
Author: Pedro Blas González
Publisher: Rowman & Littlefield
ISBN: 1666906239
Category : Political Science
Languages : en
Pages : 183
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Book Description
The main premise of Philosophical Perspective on Cinema is simple: Can a visual medium such as cinema put in greater perspective diverse aspects of human experience? Films are usually sorted by genres, but by applying metaphysical/existential categories to cinema, the author enables readers to reflect on the nature and essence of existence by making life appear less transparent to itself. Undoubtedly, the connection between sensual reality and philosophical reflection is often glossed over when the emphasis is placed on theoretical abstractions, and not life itself. While this work is a reflection on the philosophy of existence, the author embraces a practical approach to the metaphysical/existential foundation of human existence.
Author: Jonathan Kirshner
Publisher: Cornell University Press
ISBN: 0801465842
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period-including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves-were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood's embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters' interior lives.
Author: Mark Harris
Publisher: Penguin
ISBN: 1101202858
Category : History
Languages : en
Pages : 522
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Book Description
The epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever It's the mid-1960s, and westerns, war movies and blockbuster musicals-Mary Poppins, The Sound of Music-dominate the box office. The Hollywood studio system, with its cartels of talent and its production code, is hanging strong, or so it would seem. Meanwhile, Warren Beatty wonders why his career isn't blooming after the success of his debut in Splendor in the Grass; Mike Nichols wonders if he still has a career after breaking up with Elaine May; and even though Sidney Poitier has just made history by becoming the first black Best Actor winner, he's still feeling completely cut off from opportunities other than the same "noble black man" role. And a young actor named Dustin Hoffman struggles to find any work at all. By the Oscar ceremonies of the spring of 1968, when In the Heat of the Night wins the 1967 Academy Award for Best Picture, a cultural revolution has hit Hollywood with the force of a tsunami. The unprecedented violence and nihilism of fellow nominee Bonnie and Clyde has shocked old-guard reviewers but helped catapult Warren Beatty and Faye Dunaway into counterculture stardom and made the movie one of the year's biggest box-office successes. Just as unprecedented has been the run of nominee The Graduate, which launched first-time director Mike Nichols into a long and brilliant career in filmmaking, to say nothing of what it did for Dustin Hoffman, Simon and Garfunkel, and a generation of young people who knew that whatever their future was, it wasn't in plastics. Sidney Poitier has reprised the noble-black-man role, brilliantly, not once but twice, in Guess Who's Coming to Dinner and In the Heat of the Night, movies that showed in different ways both how far America had come on the subject of race in 1967 and how far it still had to go. What City of Nets did for Hollywood in the 1940s and Easy Riders, Raging Bulls for the 1970s, Pictures at a Revolution does for Hollywood and the cultural revolution of the 1960s. As we follow the progress of these five movies, we see an entire industry change and struggle and collapse and grow-we see careers made and ruined, studios born and destroyed, and the landscape of possibility altered beyond all recognition. We see some outsized personalities staking the bets of their lives on a few films that became iconic works that defined the generation-and other outsized personalities making equally large wagers that didn't pan out at all. The product of extraordinary and unprecedented access to the principals of all five films, married to twenty years' worth of insight covering the film industry and a bewitching storyteller's gift, Mark Harris's Pictures at a Revolution is a bravura accomplishment, and a work that feels iconic itself.
Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813595169
Category : Art
Languages : en
Pages : 525
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Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author: Richard Brody
Publisher: Macmillan + ORM
ISBN: 1429924314
Category : Performing Arts
Languages : en
Pages : 721
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Book Description
From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.
