Cornelis Corneliszoon Van Haarlem (1562-1638) PDF Download
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Author: Julie L. McGee
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 512
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Book Description
The book presents the first discussion of all the known prints executed after Cornelis' designs and considers the following topics in relationship to the prints: the engravers and publishers, the print market, the Latinists who provided the text for the prints and the Latin verses themselves. (Bibliotheca Humanistica & Reformatorica, Vol. XLVIII). With 105 plates.
Author: Julie L. McGee
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 512
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Book Description
The book presents the first discussion of all the known prints executed after Cornelis' designs and considers the following topics in relationship to the prints: the engravers and publishers, the print market, the Latinists who provided the text for the prints and the Latin verses themselves. (Bibliotheca Humanistica & Reformatorica, Vol. XLVIII). With 105 plates.
Author: P. J. J. van Thiel
Publisher:
ISBN: 9789070288969
Category : Painting, Dutch
Languages : nl
Pages : 588
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Book Description
Author: Stephen H. Goddard
Publisher: Sterling and Francine Clark Art Museum
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
Published in conjunction with an exhibit of works by engraver Hendrick Goltzius (1558-1617) and sculptor Willem Danielsz van Tetrode, probably born in Delft around 1525, that showed at various museums in the US between October 2001 and May 2002. There is no index. Distributed in the US by Yale University Press. Annotation c. Book News, Inc., Portland, OR (booknews.com)
Author: Amy Golahny
Publisher: Brill's Studies in Intellectua
ISBN: 9789004382664
Category : Art
Languages : en
Pages : 258
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Book Description
"Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists' attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt's art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists"--
Author: Nicholas Turner
Publisher: Getty Publications
ISBN: 0892364807
Category : Art
Languages : en
Pages : 346
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Book Description
V. 3 betr. u. a. Hans Jakob Plepp.
Author: N. D'Anvers
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 820
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Book Description
Author: Nancy R E. Bell
Publisher:
ISBN:
Category :
Languages : en
Pages : 706
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Book Description
Author:
Publisher: BRILL
ISBN: 9004435417
Category : History
Languages : en
Pages : 415
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Book Description
The Exemplary Hercules explores the reception of the ancient Greek hero Herakles – the Roman Hercules – in European culture from the Renaissance to the Enlightenment and beyond, raising questions about his role as model of the princely ruler.
Author: ElizabethA. Sutton
Publisher: Routledge
ISBN: 1351569058
Category : Art
Languages : en
Pages : 297
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Book Description
Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tradition, intellectual inquiry, and Dutch mercantilism. At the same time, by analyzing the marketing tactics of the publisher, Cornelis Claesz, this study illuminates how early modern epistemological processes were influenced by the commodification of knowledge. Sutton examines the book's construction and marketing to shed new light on the social milieus that shared interests in ethnography, trade, and travel. Exploring how the images and text function together, Sutton suggests that Dutch visual and intellectual traditions informed readers' choices for translating De Marees' text visually. Through the examination of early modern Dutch print culture, Early Modern Dutch Prints of Africa expands the boundaries of our understanding of the European imperial enterprise.
Author: Howard Jones
Publisher: BRILL
ISBN: 900447529X
Category : History
Languages : en
Pages : 238
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Book Description
The first Classical text was printed at Mainz in 1465. By the end of 1500 more than 350 printers in over 70 locations had contributed to the printing of more than 1500 separate editions. Almost every Classical Latin author had been printed, many in multiple editions, and the printing of Greek authors was well under way. Printing the Classical Text presents a comprehensive survey of this momentous period in the evolution of the Classical text. Since the course of Classical printing cannot be viewed separately from the course of printing generally, the opening chapter of the book locates Classical printing within the wider context by reviewing some of the cultural, intellectual, and commercial factors which affected the printing industry as a whole during the first fifty years of its development. The two central chapters are devoted respectively to the Latin and Greek editions themselves. With respect to Latin editions, which represent more than ninety percent of the whole, comprehensive chronological listings provide details of the printing history of each of the more than seventy authors represented. These are supplemented by a synoptic chart and by a running commentary in which the author identifies observable patterns and highlights the most distinctive features. The relatively small number of editions of Greek authors allows the author to accord them individual treatment in which each is examined in the context of its printer's instinctive publishing programme. This analysis is preceded by an account of the introduction of Greek studies into Italy, where all fifteenth-century editions of Greek authors were printed, and by a review of the typographical challenges which faced the earliest printers of Greek texts.The concluding chapter of the book takes up the controversial question of editorial quality. The author examines what the process of editing involved and attempts to assign to the earliest printed Classical editions their appropriate place in the evolution of the authoritative text in light of both the claims which the earliest editors themselves made and the less enthusiastic judgement rendered by modern critics.
