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Author: James Thurber
Publisher: Univ. Press of Mississippi
ISBN: 9780878054107
Category : Biography & Autobiography
Languages : en
Pages : 148
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Book Description
In Conversations with James Thurber this remarkable man who has been called America¿s twentieth-century Mark Twain and who was one of the great talkers of his time expresses his opinions on just about everything and recounts stories and anecdotes about his life which provided the basis for much of his humor writing. These entertaining interviews, conducted by Arthur Miller, Harvey Breit, George Plimpton, Arthur Gelb, and others, span twenty-two years, from 1939--1961. In them Thurber recalls his youth in Columbus, Ohio, his struggles as a student at Ohio State University, and his days of literary and journalistic apprenticeship in Europe as a code clerk and newspaperman who had to recreate entire stories from a few words of coded copy provided by the wire service. He tells too of his early days in New York City when he joined the staff of The New Yorker, of the origins of his drawings, of the pleasures that word games and mental puzzles gave him, and of his increasing blindness and its effect on his work and his perception of the world. As a man who like to express his opinions and to have an audience, Thurber enjoyed interviews and rarely refused to grant them. With the interview format he became so skilled that he perfected the interview-monologue into a Thurberesque art form, the oral equivalent of the autobiographical essay that he refined in his prose.
Author: James Thurber
Publisher: Univ. Press of Mississippi
ISBN: 9780878054107
Category : Biography & Autobiography
Languages : en
Pages : 148
Get Book Here
Book Description
In Conversations with James Thurber this remarkable man who has been called America¿s twentieth-century Mark Twain and who was one of the great talkers of his time expresses his opinions on just about everything and recounts stories and anecdotes about his life which provided the basis for much of his humor writing. These entertaining interviews, conducted by Arthur Miller, Harvey Breit, George Plimpton, Arthur Gelb, and others, span twenty-two years, from 1939--1961. In them Thurber recalls his youth in Columbus, Ohio, his struggles as a student at Ohio State University, and his days of literary and journalistic apprenticeship in Europe as a code clerk and newspaperman who had to recreate entire stories from a few words of coded copy provided by the wire service. He tells too of his early days in New York City when he joined the staff of The New Yorker, of the origins of his drawings, of the pleasures that word games and mental puzzles gave him, and of his increasing blindness and its effect on his work and his perception of the world. As a man who like to express his opinions and to have an audience, Thurber enjoyed interviews and rarely refused to grant them. With the interview format he became so skilled that he perfected the interview-monologue into a Thurberesque art form, the oral equivalent of the autobiographical essay that he refined in his prose.
Author: Michael J. Rosen
Publisher: Trillium
ISBN: 9780814214008
Category : Art
Languages : en
Pages : 312
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Book Description
First book to assemble the range of Thurber's art, from decades of cartoons that established the New Yorker to illustrations for advertisements, children's books, and others' books. Includes previously unpublished art.
Author: James Thurber
Publisher: NYRB Kids
ISBN: 9781590179376
Category : Children's stories
Languages : en
Pages : 0
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Book Description
In a cold, gloomy castle where all the clocks have stopped, a wicked Duke amuses himself by finding new and fiendish ways of rejecting the suitors for his niece, the good and beautiful Princess Saralinda.
Author: James Thurber
Publisher: HarperCollins Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 244
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Book Description
Contains 24 pieces in which the well-known humorist is largely concerned with the survival of our English language, currently being subjected to much erroneous use.
Author: Harrison Kinney
Publisher: Henry Holt
ISBN: 9780805039665
Category : Cartoonists
Languages : en
Pages : 1238
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Book Description
A biography of the New Yorker author and cartoonist examines Thurber's work and life, including his relationships with women, his eventual blindness and his subtle sense of humor
Author: John Steinbeck
Publisher: Univ. Press of Mississippi
ISBN: 9780878053605
Category : Biography & Autobiography
Languages : en
Pages : 148
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Book Description
Gathers interviews with Steinbeck from each period in his career and offers a brief profile on his life and accomplishments.
Author: James Thurber
Publisher: Penguin
ISBN: 0143130420
Category : Fiction
Languages : en
Pages : 98
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Book Description
Great American humorist James Thurber’s beloved, madcap, and eerily timely fairy tale about an island society robbed of the wonders of the letter O—in a stunning Deluxe Edition featuring flaps, deckle-edged paper, and the original, full-color illustrations Littlejack has a map that indicates the existence of a treasure on a far and lonely island, and Black has a ship to get there. So the two bad men team up and sail off on Black’s vessel, the Aeiu. The name, Black explains, is all the vowels except for O—which he hates since his mother got wedged in a porthole: They couldn’t pull her in, so they had to push her out. Black and Littlejack arrive at the port and demand the treasure. No one knows anything about it, so they have their henchmen ransack the place—to no avail. But Black has a better idea: He will take over the island and purge it of O. (“I'll issue an edict!”) The harsh limits of a life sans O (where shoe is she and woe is we) and how finally with a little luck and lots of pluck the islanders shake off their overbearing interlopers and discover the true treasure for themselves (Oh yes—and get back their O’s)—these are only some of the surprises that await readers of James Thurber’s timelessly zany fairy tale about two louts who try to lock up the language—and lose. It is a tour de force of wordplay that will delight fans of Lewis Carroll, Dr. Seuss, Edward Lear, and Roald Dahl, and a timely reminder of how people can band together in the name of freedom to overthrow a tyrant. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: James Thurber
Publisher: HarperCollins
ISBN: 0063075784
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
From iconic American humorist James Thurber, a celebrated and poignant memoir about his years at The New Yorker with the magazine’s unforgettable founder and longtime editor, Harold Ross “Extremely entertaining. . . . life at The New Yorker emerges as a lovely sort of pageant of lunacy, of practical jokes, of feuds and foibles. It is an affectionate picture of scamps playing their games around a man who, for all his brusqueness, loved them, took care of them, pampered and scolded them like an irascible mother hen.” —New York Times With a foreword by Adam Gopnik and illustrations by James Thurber At the helm of America’s most influential literary magazine from 1925 to 1951, Harold Ross introduced the country to a host of exciting talent, including Robert Benchley, Alexander Woollcott, Ogden Nash, Peter Arno, Charles Addams, and Dorothy Parker. But no one could have written about this irascible, eccentric genius more affectionately or more critically than James Thurber, whose portrait of Ross captures not only a complex literary giant but a historic friendship and a glorious era as well. "If you get Ross down on paper," warned Wolcott Gibbs to Thurber," nobody will ever believe it." But readers of this unforgettable memoir will find that they do. Offering a peek into the lives of two American literary giants and the New York literary scene at its heyday, The Years with Ross is a true classic, and a testament to the enduring influence of their genius.
Author: Robert Emmet Long
Publisher: Univ of California Press
ISBN: 9780520940369
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
James Ivory in Conversation is an exclusive series of interviews with a director known for the international scope of his filmmaking on several continents. Three-time Academy Award nominee for best director, responsible for such film classics as A Room with a View and The Remains of the Day, Ivory speaks with remarkable candor and wit about his more than forty years as an independent filmmaker. In this deeply engaging book, he comments on the many aspects of his world-traveling career: his growing up in Oregon (he is not an Englishman, as most Europeans and many Americans think), his early involvement with documentary films that first brought attention to him, his discovery of India, his friendships with celebrated figures here and abroad, his skirmishes with the Picasso family and Thomas Jefferson scholars, his usually candid yet at times explosive relations with actors. Supported by seventy illuminating photographs selected by Ivory himself, the book offers a wealth of previously unavailable information about the director's life and the art of making movies. James Ivory on: On the Merchant Ivory Jhabvala partnership: "I've always said that Merchant Ivory is a bit like the U. S. Govenment; I'm the President, Ismail is the Congress, and Ruth is the Supreme Court. Though Ismail and I disagree sometimes, Ruth acts as a referee, or she and I may gang up on him, or vice versa. The main thing is, no one ever truly interferes in the area of work of the other." On Shooting Mr. and Mrs. Bridge: "Who told you we had long 18 hour days? We had a regular schedule, not at all rushed, worked regular hours and had regular two-day weekends, during which the crew shopped in the excellent malls of Kansas City, Paul Newman raced cars somewhere, unknown to us and the insurance company, and I lay on a couch reading The Remains of the Day." On Jessica Tandy as Miss Birdseye in The Bostonians: "Jessica Tandy was seventy-two or something, and she felt she had to 'play' being an old woman, to 'act' an old woman. Unfortunately, I'couldn't say to her, 'You don't have to 'act' this, just 'be,' that will be sufficient.' You can't tell the former Blanche Du Bois that she's an old woman now." On Adapting E. M. Forster's novels "His was a very pleasing voice, and it was easy to follow. Why turn his books into films unless you want to do that? But I suppose my voice was there, too; it was a kind of duet, you could say, and he provided the melody." On India: "If you see my Indian movies then you get some idea of what it was that attracted me about India and Indians...any explanation would sound lamer than the thing warrants. The mood was so great and overwhelming that any explanation of it would seem physically thin....I put all my feeling about India into several Indian films, and if you know those films and like them, you see from these films what it was that attracted me to India." On whether he was influenced by Renoir in filming A Room with a View "I was certainly not influenced by Renoir in that film. But if you put some good looking women in long white dresses in a field dotted with red poppies, andthey're holding parasols, then people will say, ‘Renoir.’" On the Critics: "I came to believe that to have a powerful enemy like Pauline Kael only made me stronger. You know, like a kind of voodoo. I wonder if it worked that way in those days for any of her other victims—Woody Allen, for instance, or Stanley Kubrick." On Andy Warhol as a dinner guest: "I met him many times over the last twenty years of his life, but I can't say I knew him, which is what most people say, even those who were his intimates. Once he came to dinner with a group of his Factory friends at my apartment. I remember that he or someone else left a dirty plate, with chicken bones and knife and fork, in my bathroom wash basin. It seemed to be a symbolic gesture, to be a matter of style, and not just bad manners."
Author: James Thurber
Publisher: Harper Collins
ISBN: 9780060196561
Category : Humor
Languages : en
Pages : 312
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Book Description
"On the lawns and porches, and in the living rooms and backyards of my threescore years, there have been more dogs, written and drawn, real and imaginary, than I had guessed before I started this roundup." Here is James Thurber, arguably the greatest humorist of the twentieth century, on all things canine. In The Dog Department, Michael J. Rosen, a literary dogcatcher of sorts, has gathered together Thurber's best in show. Here we have the stylish prose and drawings from Thurber's Dogs (which connected the words "Thurber" and "Dog" as inseparably as "Bartlett" and "Quotation," as "Emily Post" and "Etiquette"), along with unpublished material from the Thurber archives, a great sheaf of uncollected cartoons, and two dozen "Talk of the Town" miniatures from The New Yorker — the consummate dog book from an artist of extraordinary pedigree. What other author can claim to have penned his own personal breed? The Thurber hound is a creature as unmistakable as Disney's mouse or Playboy's bunny. In The Dog Department you'll find standard poodles, Scottish terriers, an Airedale, a rough collie, an American Staffordshire terrier — all Thurber family members who inspired quintessential dog tales. For instance, there's Muggs, "the dog that bit people," an avocation that, each year, required Thurber's mother to send her famous chocolates to an ever-growing list of Muggs's victims. There's also a fair share about bloodhounds, German shepherd dogs, and pugs. But what you'll find remarkable and comforting is that reading Thurber from fifty or even seventy-five years ago is akin to reading about dogs today — or about dogs from the previous century, as Thurber grew up reading — or about dogs, we hope, from this new century we've just entered. The Dog Department is proof that Thurber's work defines the canine canon.
