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Author: Panthea Reid
Publisher: Univ. Press of Mississippi
ISBN: 9781578062805
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
"So when I went down to ask my aunts if it would be all right to publish A Family's Affairs, they said it was okay so long as they didn't have to read it and if I would use a pen name." This collection of interviews from three decades features one of the South's most prominent contemporary writers, one of America's most dazzling practitioners of postmodern fiction. From the early sixties, when she published the award-winning A Family's Affairs, to the late nineties and the publication of Truth: Four Stories I Am Finally Old Enough to Tell, Ellen Douglas has written novels, short stories, essays, and a book of fairy tales. These conversations with Douglas reveal her earthy frankness and her disdain for "portentous declaration." In them, just as in her fiction, she expresses her love of people, language, and stories, her constant moral values, her inclusive compassion, her deeply felt obligations to others, and her keen sense of humor. She explains that "comedy is as serious as tragedy -- it's just funnier." Because she is an excellent, candid conversationalist, her light touch with "portentous" matters makes these interviews both dead serious and very funny. The first is with Hodding Carter III, who in 1971 was a young journalist and family friend from Greenville, Mississippi, the town where Douglas was living and rearing three sons. Carter is among her early interviewers who explore the mystique of the southern writer and the southern climate for literature. Douglas's string of new novels took her work forward into civil rights, women's roles, and questions about the institutions of family and marriage. The conversations illuminate this shift from southern tradition to concern over contemporary issues. Arranged chronologically, the interviews testify to the growth of Douglas's narrative sensibility and to the profound use of allusions in her work. As she discusses A Family's Affairs; Black Cloud, White Cloud; Where the Dreams Cross; Apostles of Light; The Rock Cried Out; A Lifetime Burning; The Magic Carpet and Other Tales; Can't Quit You, Baby; and Truth, her remarks exhibit a consistent concern with technique and craftsmanship, for which she is much admired. Of these sixteen interviews ten originally appeared in print between 1971 and 1999. Six have never before been published. Resurrecting lost material and exploring new insights, this collection offers the only comprehensive introduction to Douglas's lasting body of powerful work. It also provides the tools for the in-depth studies of her art which are sure to follow. "So when I went down to ask my aunts if it would be all right to publish A Family's Affairs, they said it was okay so long as they didn't have to read it and if I would use a pen name." This collection of interviews from three decades features one of the South's most prominent contemporary writers, one of America's most dazzling practitioners of postmodern fiction. From the early sixties, when she published the award-winning A Family's Affairs, to the late nineties and the publication of Truth: Four Stories I Am Finally Old Enough to Tell, Ellen Douglas has written novels, short stories, essays, and a book of fairy tales. These conversations with Douglas reveal her earthy frankness and her disdain for "portentous declaration." In them, just as in her fiction, she expresses her love of people, language, and stories, her constant moral values, her inclusive compassion, her deeply felt obligations to others, and her keen sense of humor. She explains that "comedy is as serious as tragedy -- it's just funnier." Because she is an excellent, candid conversationalist, her light touch with "portentous" matters makes these interviews both dead serious and very funny. The first is with Hodding Carter III, who in 1971 was a young journalist and family friend from Greenville, Mississippi, the town where Douglas was living and rearing three sons. Carter is among her early interviewers who explore the mystique of the southern writer and the southern climate for literature. Douglas's string of new novels took her work forward into civil rights, women's roles, and questions about the institutions of family and marriage. The conversations illuminate this shift from southern tradition to concern over contemporary issues. Arranged chronologically, the interviews testify to the growth of Douglas's narrative sensibility and to the profound use of allusions in her work. As she discusses A Family's Affairs; Black Cloud, White Cloud; Where the Dreams Cross; Apostles of Light; The Rock Cried Out; A Lifetime Burning; The Magic Carpet and Other Tales; Can't Quit You, Baby; and Truth, her remarks exhibit a consistent concern with technique and craftsmanship, for which she is much admired. Of these sixteen interviews ten originally appeared in print between 1971 and 1999. Six have never before been published. Resurrecting lost material and exploring new insights, this collection offers the only comprehensive introduction to Douglas's lasting body of powerful work. It also provides the tools for the in-depth studies of her art which are sure to follow.
Author: Panthea Reid
Publisher: Univ. Press of Mississippi
ISBN: 9781578062805
Category : Biography & Autobiography
Languages : en
Pages : 260
Get Book Here
Book Description
"So when I went down to ask my aunts if it would be all right to publish A Family's Affairs, they said it was okay so long as they didn't have to read it and if I would use a pen name." This collection of interviews from three decades features one of the South's most prominent contemporary writers, one of America's most dazzling practitioners of postmodern fiction. From the early sixties, when she published the award-winning A Family's Affairs, to the late nineties and the publication of Truth: Four Stories I Am Finally Old Enough to Tell, Ellen Douglas has written novels, short stories, essays, and a book of fairy tales. These conversations with Douglas reveal her earthy frankness and her disdain for "portentous declaration." In them, just as in her fiction, she expresses her love of people, language, and stories, her constant moral values, her inclusive compassion, her deeply felt obligations to others, and her keen sense of humor. She explains that "comedy is as serious as tragedy -- it's just funnier." Because she is an excellent, candid conversationalist, her light touch with "portentous" matters makes these interviews both dead serious and very funny. The first is with Hodding Carter III, who in 1971 was a young journalist and family friend from Greenville, Mississippi, the town where Douglas was living and rearing three sons. Carter is among her early interviewers who explore the mystique of the southern writer and the southern climate for literature. Douglas's string of new novels took her work forward into civil rights, women's roles, and questions about the institutions of family and marriage. The conversations illuminate this shift from southern tradition to concern over contemporary issues. Arranged chronologically, the interviews testify to the growth of Douglas's narrative sensibility and to the profound use of allusions in her work. As she discusses A Family's Affairs; Black Cloud, White Cloud; Where the Dreams Cross; Apostles of Light; The Rock Cried Out; A Lifetime Burning; The Magic Carpet and Other Tales; Can't Quit You, Baby; and Truth, her remarks exhibit a consistent concern with technique and craftsmanship, for which she is much admired. Of these sixteen interviews ten originally appeared in print between 1971 and 1999. Six have never before been published. Resurrecting lost material and exploring new insights, this collection offers the only comprehensive introduction to Douglas's lasting body of powerful work. It also provides the tools for the in-depth studies of her art which are sure to follow. "So when I went down to ask my aunts if it would be all right to publish A Family's Affairs, they said it was okay so long as they didn't have to read it and if I would use a pen name." This collection of interviews from three decades features one of the South's most prominent contemporary writers, one of America's most dazzling practitioners of postmodern fiction. From the early sixties, when she published the award-winning A Family's Affairs, to the late nineties and the publication of Truth: Four Stories I Am Finally Old Enough to Tell, Ellen Douglas has written novels, short stories, essays, and a book of fairy tales. These conversations with Douglas reveal her earthy frankness and her disdain for "portentous declaration." In them, just as in her fiction, she expresses her love of people, language, and stories, her constant moral values, her inclusive compassion, her deeply felt obligations to others, and her keen sense of humor. She explains that "comedy is as serious as tragedy -- it's just funnier." Because she is an excellent, candid conversationalist, her light touch with "portentous" matters makes these interviews both dead serious and very funny. The first is with Hodding Carter III, who in 1971 was a young journalist and family friend from Greenville, Mississippi, the town where Douglas was living and rearing three sons. Carter is among her early interviewers who explore the mystique of the southern writer and the southern climate for literature. Douglas's string of new novels took her work forward into civil rights, women's roles, and questions about the institutions of family and marriage. The conversations illuminate this shift from southern tradition to concern over contemporary issues. Arranged chronologically, the interviews testify to the growth of Douglas's narrative sensibility and to the profound use of allusions in her work. As she discusses A Family's Affairs; Black Cloud, White Cloud; Where the Dreams Cross; Apostles of Light; The Rock Cried Out; A Lifetime Burning; The Magic Carpet and Other Tales; Can't Quit You, Baby; and Truth, her remarks exhibit a consistent concern with technique and craftsmanship, for which she is much admired. Of these sixteen interviews ten originally appeared in print between 1971 and 1999. Six have never before been published. Resurrecting lost material and exploring new insights, this collection offers the only comprehensive introduction to Douglas's lasting body of powerful work. It also provides the tools for the in-depth studies of her art which are sure to follow.
Author: Ellen Douglas
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 4
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Book Description
"This issue we present the conclusion of the two-part interview between Rebecca Hood-Adams and Greenville novelist Ellen Douglas. Ms. Douglas' new novel The rock cried out was published in September by Harcourt Brace Jovanovich and was chosen as an alternate Book-of-the-Month Club selection. The novel is set in the 1960's and early 1970's in south Mississippi. Ellen Douglas has gained national critical recognition as the recipient of a Houghton Mifflin Fellowship and a nomination for the National Book Award. In this interview, conducted November 1, 1978, she discusses her sense of place as a Southern woman writer."--P. 8.
Author: Ellen Douglas
Publisher: Penguin
ISBN: 0140121021
Category : Fiction
Languages : en
Pages : 273
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Book Description
“It is rare when a book this fine enters the world of contemporary American literature.” – The Boston Globe Two women share a Mississippi household for fifteen years, rolling out piecrusts and making conversation. Cornelia is rich, white, and pampered, the mistress of the house, who oversees a seemingly perfect world of smooth surfaces and stubborn silence. Tweet, her housekeeper, is a poor, black, world-weary woman with a ghost-ridden past. As the years go by, Cornelia and Tweet each endure moments of uncertainty and despair; each, in her time of need, is rescued by the other. In the footsteps of Southern writers like Peter Taylor, Eudora Welty, and Flannery O’Connor, Ellen Douglas celebrates the resiliency of the human spirit in this story of two women bound by transgression and guilt, memory and illusion, gratitude and love. “Ellen Douglas is not just one of our best Southern novelists. She is one of our best American novelists.” – The New York Times Book Review
Author: Ellen Douglas
Publisher: Univ. Press of Mississippi
ISBN: 9781617033476
Category : Fiction
Languages : en
Pages : 332
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Book Description
A revised edition of the New York Times bestselling classic: the epic story of the golden years of American space exploration, told by the men who rode the rockets On October 4, 1957, the Soviet Union launched Sputnik I, and the space race was born. Desperate to beat the Russians into space, NASA put together a crew of the nation's most daring test pilots: the seven men who were to lead America to the moon. The first into space was Alan Shepard; the last was Deke Slayton, whose irregular heartbeat kept him grounded until 1975. They spent the 1960s at the forefront of NASA's effort to conquer space, and Moon Shot is their inside account of what many call the twentieth century's greatest feat--landing humans on another world. Collaborating with NBC's veteran space reporter Jay Barbree, Shepard and Slayton narrate in gripping detail the story of America's space exploration from the time of Shepard's first flight until he and eleven others had walked on the moon.
Author: Joseph R. Urgo
Publisher: Univ. Press of Mississippi
ISBN: 1628468548
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
Although he spent the bulk of his life in Oxford, Mississippi-far removed from the intellectual centers of modernism and the writers who created it—William Faulkner (1897–1962) proved to be one of the American novelists who most comprehensively grasped modernism. In his fiction he tested its tenets in the most startling and insightful ways. What, then, did such contemporaries as Ernest Hemingway, Eudora Welty, and Walker Evans think of his work? How did his times affect and accept what he wrote? Faulkner and His Contemporaries explores the relationship between the Nobel laureate, ensconced in his “postage stamp of native soil,” and the world of letters within which he created his masterpieces. In this anthology, essays focus on such topics as how Faulkner's literary antecedents (in particular, Willa Cather and Joseph Conrad) influenced his writing, his literary/aesthetic feud with rival Ernest Hemingway, and the common themes he shares with fellow southerners Welty and Evans. Several essays examine the environment in which Faulkner worked. Deborah Clarke concentrates on the rise of the automobile industry. W. Kenneth Holditch shows how the city of New Orleans acted as a major force in Faulkner's fiction, and Grace Elizabeth Hale examines how the civil rights era of Faulkner's later career compelled him to deal with his ideas about race and rebellion in new ways.
Author: Ellen Douglas
Publisher: LSU Press
ISBN: 9780807121634
Category : Fiction
Languages : en
Pages : 460
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Book Description
This rich, leisurely tale chronicles the lives of three generations in the family of Kate Anderson, a young, genteel southern widow residing in the small Mississippi town of Homochitto. An intimate examination of the significance of family, this novel, Douglas' first, is a statement of how people survive crises not only through their own courage but also through the support of those who cannot turn away from them. The layers of birth, childhood, courtship, marriage, illness, and death - seen through the gradually maturing eyes of Anna, Kate's granddaughter - reveal the tapestry of shared experiences, joys, and sorrows that bond a family and build its history.
Author: Ellen Douglas Bellamy
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 36
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Book Description
Author: Ellen Moore
Publisher: Routledge
ISBN: 1351171755
Category : Business & Economics
Languages : en
Pages : 224
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Book Description
This book explores tensions surrounding news media coverage of Indigenous environmental justice issues, identifying them as a fruitful lens through which to examine the political economy of journalism, American history, human rights, and contemporary U.S. politics. The book begins by evaluating contemporary American journalism through the lens of "deep media", focusing especially on the relationship between the drive for profit, professional journalism, and coverage of environmental justice issues. It then presents the results of a framing analysis of the Standing Rock movement (#NODAPL) coverage by news outlets in the USA and Canada. These findings are complemented by interviews with the Standing Rock Sioux Tribe, whose members provided their perspectives on the media and the pipeline. The discussion expands by considering the findings in light of current U.S. politics, including a Trump presidency that employs "law and order" rhetoric regarding people of color and that often subjects environmental issues to an economic "cost-benefit" analysis. The book concludes by considering the role of social media in the era of "Big Oil" and growing Indigenous resistance and power. Examining the complex interplay between social media, traditional journalism, and environmental justice issues, Journalism, Politics, and the Dakota Access Pipeline: Standing Rock and the Framing of Injustice will be of great interest to students and scholars of environmental communication, critical political economy, and journalism studies more broadly.
Author: Ellen Hopkins
Publisher: Simon and Schuster
ISBN: 1442423595
Category : Young Adult Fiction
Languages : en
Pages : 624
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Book Description
Love—good and bad—forces three teens’ worlds to tilt in a riveting novel from New York Times bestselling author Ellen Hopkins. Three teens, three stories—all interconnected through their parents’ family relationships. As the adults pull away, caught up in their own dilemmas, the lives of the teens begin to tilt... Mikayla, almost eighteen, is over-the-top in love with Dylan, who loves her back. But what happens to that love when Mikayla gets pregnant the summer before their senior year—and decides to keep the baby? Shane turns sixteen that same summer and falls hard in love with his first boyfriend, Alex, who happens to be HIV positive. Shane has lived for four years with his little sister’s impending death. Can he accept Alex’s love, knowing that his life, too, will be shortened? Harley is fourteen—a good girl searching for new experiences, especially love from an older boy. She never expects to hurdle toward self-destructive extremes in order to define who she is and who she wants to be. Love, in all its forms, has crucial consequences in this standalone novel.
Author: Laurie Champion
Publisher: Bloomsbury Publishing USA
ISBN: 031307643X
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon. Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes:^L^DBLA brief biography^L^DBLA discussion of major works and themes^^DBLA survey of the writer's critical reception^L^DBLA bibliography of primary and secondary sources