Contributions from Walker Museum

Contributions from Walker Museum PDF Author: Walker Museum
Publisher:
ISBN:
Category : Paleontology
Languages : en
Pages : 324

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Open Field

Open Field PDF Author: Walker Art Center
Publisher:
ISBN: 9781935963004
Category : Art museums and community
Languages : en
Pages : 0

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Book Description
"Open Field: Conversations on the Commons is a Walker Postscript, the Walker Art Center's print-on-demand publishing imprint, which presents short and focused texts to delve more deeply, or broadly, into the rich concepts that animate the institution's diverse artistic programs." -- Colophon.

The Art of Noticing

The Art of Noticing PDF Author: Rob Walker
Publisher: Knopf
ISBN: 0525521259
Category : Self-Help
Languages : en
Pages : 258

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Book Description
A thought-provoking, gorgeously illustrated gift book that will spark your creativity and help you rediscover your passion with “simple, low-stakes activities [that] can open up the world.”—The New York Times Welcome to the era of white noise. Our lives are in constant tether to phones, to email, and to social media. In this age of distraction, the ability to experience and be present is often lost: to think and to see and to listen. Enter Rob Walker's The Art of Noticing—an inspiring volume that will help you see the world anew. Through a series of simple and playful exercises—131 of them—Walker maps ways for you to become a clearer thinker, a better listener, a more creative workplace colleague, and finally, to rediscover what really matters to you.

In the Spirit of Fluxus

In the Spirit of Fluxus PDF Author: Elizabeth Armstrong
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 200

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Allen Ruppersberg

Allen Ruppersberg PDF Author: Siri Engberg
Publisher:
ISBN: 9781935963165
Category : Conceptual art
Languages : en
Pages : 351

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Book Description
"Walker Art Center, Minneapolis, March 16-July 29, 2018, Hammer Museum, Los Angeles, February 10-May 12, 2019."

American Indian Art

American Indian Art PDF Author: Walker Art Center
Publisher: [Minneapolis] : Walker Art Center and Minneapolis Institute of Arts
ISBN:
Category : Indian art
Languages : en
Pages : 168

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Book Description
Illustrates a host of ancient and modern examples of American Indian art characterizing traditional themes and design.

Artists Who Make Books

Artists Who Make Books PDF Author: Andrew Roth
Publisher: Phaidon Press
ISBN: 9780714872643
Category : Art
Languages : en
Pages : 0

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Book Description
A vital survey of 32 internationally recognized artists who make books as part of their creative practice - features 500 images of these rarely seen works. The 'artist's book' has long been an important form of expression, and Artists Who Make Books showcases 32 internationally recognized artists who have integrated book production into their larger creative practice. This volume features a selection of books — many rarely seen — by every artist included, an accompanying text providing further context, and over 500 illustrations of covers and interior spreads. Insightful interviews with Tauba Auerbach, Paul Chan, and Walther König, and in-depth essays by Benjamin H. D. Buchloh and Lynda Morris round out this illuminating survey.

Digital Technologies and the Museum Experience

Digital Technologies and the Museum Experience PDF Author: Loïc Tallon
Publisher: Rowman Altamira
ISBN: 0759112371
Category : Business & Economics
Languages : en
Pages : 264

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Book Description
The biggest trend in museum exhibit design today is the creative incorporation of technology. Digital Technologies and the Museum Experience: Handheld Guides and Other Media explores the potential of mobile technologies (cell phones, digital cameras, MP3 players, PDAs) for visitor interaction and learning in museums, drawing on established practice to identify guidelines for future implementations.

2000 BC

2000 BC PDF Author: Bruce Conner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 292

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Book Description
Bruce Conner (1933-2008) first came to prominence in the late 1950s as a leader of the assemblage movement in California. Conner had close ties with poets of the San Francisco Renaissance (particularly Michael McClure) as well as with artists such as Wallace Berman, George Herms, Jess and Jay DeFeo. Conner's use of nylon stockings in his assemblages quickly won him notoriety, and saw his work included in Peter Selz's classic 1961 Art of Assemblage show at MoMA. Around this time, Conner also turned to film-making, and produced in swift succession a number of short films that helped to pioneer the rapid edit and the use of pop music among independent film-makers. Conner's innovative editing techniques and decidedly dark vision of American culture laid the foundation for later Hollywood directors such as Dennis Hopper (a friend and collaborator of Conner's, who frequently acknowledged his influence) and David Lynch. A long overdue and significant addition to the understanding of twentieth-century American art and cinema, 2000 BC: The Bruce Conner Story Part II represents the most comprehensive book to date on Conner's work from the 1950s to the present. The authors elucidate Conner's work in film, assemblage, drawing, printmaking, collage, and photograms, as well as his more ephemeral gestures, actions, protests and "escapes" from the art world. This beautifully designed clothbound monograph is a landmark publication for anyone interested in contemporary art, film, culture and the Beat era.

Participate

Participate PDF Author: Helen Armstrong
Publisher: Princeton Architectural Press
ISBN: 9781616890254
Category : Design
Languages : en
Pages : 160

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Book Description
Creativity is no longer the sole territory of the designer and other creative professionals. Amateurs are drawn to websites such as Flickr, Threadless, WordPress, YouTube, Etsy, and Lulu, approaching design with the expectation that they will fill in the content. Never has user-driven design been easier for the public to generate and distribute. How will such a fundamental shift toward bottom-up creation affect the design industry? Designing for Participatory Culture considers historical and contemporary models of making that provide ideas for harnessing user-generated content through participatory design. The authors discuss how designers can lead the new breed of widely distributed amateur creatives rather than be overrun by them. DPC challenges designers to transform audiences into users, and completed layouts into open-ended systems. The book opens with an introductory essay entitled 'Ceding Control,' which explores the general concept of participatory culture and the resulting emergence of systems-oriented models of co-creation. Four chapters Modularity, Flexibility, Community, and Technology explore the various approaches to participatory design through critical essays, case studies, and interviews with leading designers in the field.

Who Says, Who Shows, What Counts

Who Says, Who Shows, What Counts PDF Author: Essi Rönkkö
Publisher: Block Museum
ISBN: 9781732568426
Category :
Languages : en
Pages : 144

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Book Description
Who Says, Who Shows, What Counts invites readers to think critically about how artists, artworks, and museums engage with narratives of the past. Richly illustrated and written for a general audience, this book showcases the depth and breadth of more than fifty recent acquisitions to the Block Museum of Art's contemporary collection, including a wide-ranging selection of works by Dawoud Bey, Shan Goshorn, the Guerrilla Girls, Marisol, Kerry James Marshall, Catherine Opie, Man Ray, Cindy Sherman, Thomas Struth, Tseng Kwong Chi, and Kara Walker, among other artists. The book is a companion publication to the 2021 exhibition of the same name, presented to celebrate the museum's fortieth anniversary, and both draw inspiration from a work by conceptual artist Louise Lawler, Who Says, Who Shows, Who Counts (1990), and are organized around challenging questions of historical representation within artworks and institutions: How can art help us reflect upon, question, rewrite, or reimagine the past? Who has been represented in visual art, how, and by whom? How is history etched onto a landscape or erased from it? How do museums and dominant canons of art history shape our view of history and of the past? Who Says, Who Shows, What Counts demonstrates how an academic art museum's collection can facilitate multidisciplinary connections and tell stories about issues relevant to our lives.