Author: Cathy A. Rakowski
Publisher: SUNY Press
ISBN: 9780791419052
Category : Business & Economics
Languages : en
Pages : 352
Book Description
The informal sector denotes the small-scale, unprotected, and loosely regulated activities and self-employment that proliferate in developing countries. This book is about the people who engage in informal activities and the people who study, interpret, intervene in, promote, or attempt to repress or regulate the sector. The authors bring together and evaluate for the first time competing theories, policies, and research findings on the informal sector, dealing with issues of power, ideology, and politics; basic research, applied research, program evaluation, and policymaking; exploitation, entrepreneurship, and opportunity; and poverty and the accumulation of wealth.
Contrapunto
Author: Cathy A. Rakowski
Publisher: SUNY Press
ISBN: 9780791419052
Category : Business & Economics
Languages : en
Pages : 352
Book Description
The informal sector denotes the small-scale, unprotected, and loosely regulated activities and self-employment that proliferate in developing countries. This book is about the people who engage in informal activities and the people who study, interpret, intervene in, promote, or attempt to repress or regulate the sector. The authors bring together and evaluate for the first time competing theories, policies, and research findings on the informal sector, dealing with issues of power, ideology, and politics; basic research, applied research, program evaluation, and policymaking; exploitation, entrepreneurship, and opportunity; and poverty and the accumulation of wealth.
Publisher: SUNY Press
ISBN: 9780791419052
Category : Business & Economics
Languages : en
Pages : 352
Book Description
The informal sector denotes the small-scale, unprotected, and loosely regulated activities and self-employment that proliferate in developing countries. This book is about the people who engage in informal activities and the people who study, interpret, intervene in, promote, or attempt to repress or regulate the sector. The authors bring together and evaluate for the first time competing theories, policies, and research findings on the informal sector, dealing with issues of power, ideology, and politics; basic research, applied research, program evaluation, and policymaking; exploitation, entrepreneurship, and opportunity; and poverty and the accumulation of wealth.
The Advertising Age Encyclopedia of Advertising
Author: John McDonough
Publisher: Routledge
ISBN: 1135949069
Category : Business & Economics
Languages : en
Pages : 1754
Book Description
For a full list of entries and contributors, a generous selection of sample entries, and more, visit the The "Advertising Age" Encyclopedia of Advertising website. Featuring nearly 600 extensively illustrated entries, The Advertising Age Encyclopedia of Advertising provides detailed historic surveys of the world's leading agencies and major advertisers, as well as brand and market histories; it also profiles the influential men and women in advertising, overviews advertising in the major countries of the world, covers important issues affecting the field, and discusses the key aspects of methodology, practice, strategy, and theory. Also includes a color insert.
Publisher: Routledge
ISBN: 1135949069
Category : Business & Economics
Languages : en
Pages : 1754
Book Description
For a full list of entries and contributors, a generous selection of sample entries, and more, visit the The "Advertising Age" Encyclopedia of Advertising website. Featuring nearly 600 extensively illustrated entries, The Advertising Age Encyclopedia of Advertising provides detailed historic surveys of the world's leading agencies and major advertisers, as well as brand and market histories; it also profiles the influential men and women in advertising, overviews advertising in the major countries of the world, covers important issues affecting the field, and discusses the key aspects of methodology, practice, strategy, and theory. Also includes a color insert.
Studies in Historical Improvisation
Author: Massimiliano Guido
Publisher: Taylor & Francis
ISBN: 1317048946
Category : Music
Languages : en
Pages : 236
Book Description
In recent years, scholars and musicians have become increasingly interested in the revival of musical improvisation as it was known in the Renaissance and Baroque periods. This historically informed practice is now supplanting the late Romantic view of improvised music as a rhapsodic endeavour—a musical blossoming out of the capricious genius of the player—that dominated throughout the twentieth century. In the Renaissance and Baroque eras, composing in the mind (alla mente) had an important didactic function. For several categories of musicians, the teaching of counterpoint happened almost entirely through practice on their own instruments. This volume offers the first systematic exploration of the close relationship among improvisation, music theory, and practical musicianship from late Renaissance into the Baroque era. It is not a historical survey per se, but rather aims to re-establish the importance of such a combination as a pedagogical tool for a better understanding of the musical idioms of these periods. The authors are concerned with the transferral of historical practices to the modern classroom, discussing new ways of revitalising the study and appreciation of early music. The relevance and utility of such an improvisation-based approach also changes our understanding of the balance between theoretical and practical sources in the primary literature, as well as the concept of music theory itself. Alongside a word-centred theoretical tradition, in which rules are described in verbiage and enriched by musical examples, we are rediscovering the importance of a music-centred tradition, especially in Spain and Italy, where the music stands alone and the learner must distil the rules by learning and playing the music. Throughout its various sections, the volume explores the path of improvisation from theory to practice and back again.
Publisher: Taylor & Francis
ISBN: 1317048946
Category : Music
Languages : en
Pages : 236
Book Description
In recent years, scholars and musicians have become increasingly interested in the revival of musical improvisation as it was known in the Renaissance and Baroque periods. This historically informed practice is now supplanting the late Romantic view of improvised music as a rhapsodic endeavour—a musical blossoming out of the capricious genius of the player—that dominated throughout the twentieth century. In the Renaissance and Baroque eras, composing in the mind (alla mente) had an important didactic function. For several categories of musicians, the teaching of counterpoint happened almost entirely through practice on their own instruments. This volume offers the first systematic exploration of the close relationship among improvisation, music theory, and practical musicianship from late Renaissance into the Baroque era. It is not a historical survey per se, but rather aims to re-establish the importance of such a combination as a pedagogical tool for a better understanding of the musical idioms of these periods. The authors are concerned with the transferral of historical practices to the modern classroom, discussing new ways of revitalising the study and appreciation of early music. The relevance and utility of such an improvisation-based approach also changes our understanding of the balance between theoretical and practical sources in the primary literature, as well as the concept of music theory itself. Alongside a word-centred theoretical tradition, in which rules are described in verbiage and enriched by musical examples, we are rediscovering the importance of a music-centred tradition, especially in Spain and Italy, where the music stands alone and the learner must distil the rules by learning and playing the music. Throughout its various sections, the volume explores the path of improvisation from theory to practice and back again.
Companion to Music in the Age of the Catholic Monarchs
Author:
Publisher: BRILL
ISBN: 9004329323
Category : History
Languages : en
Pages : 744
Book Description
The Companion to Music in the Age of the Catholic Monarchs, edited by Tess Knighton, offers a major new study that deepens and enriches our understanding of the forms and functions of music that flourished in late medieval Spanish society. The fifteen essays, written by leading authorities in the field, present a synthesis based on recently discovered material that throws new light on different aspects of musical life during the reign of Ferdinand and Isabel (1474-1516): sacred and secular music-making in royal and aristocratic circles; the cathedral music environment; liturgy and power; musical connections with Rome, Portugal and the New World; theoretical and unwritten musical practices; women as patrons and performers; and the legacy of Jewish musical tradition. Contributors are Mercedes Castillo Ferreira, Giuseppe Fiorentino, Roberta Freund Schwartz, Eleazar Gutwirth, Tess Knighton, Kenneth Kreitner, Javier Marín López, Ascensión Mazuela-Anguita, Bernadette Nelson, Pilar Ramos López, Emilio Ros-Fábregas, Juan Ruiz Jiménez, Richard Sherr, Ronald Surtz, and Jane Whetnall.
Publisher: BRILL
ISBN: 9004329323
Category : History
Languages : en
Pages : 744
Book Description
The Companion to Music in the Age of the Catholic Monarchs, edited by Tess Knighton, offers a major new study that deepens and enriches our understanding of the forms and functions of music that flourished in late medieval Spanish society. The fifteen essays, written by leading authorities in the field, present a synthesis based on recently discovered material that throws new light on different aspects of musical life during the reign of Ferdinand and Isabel (1474-1516): sacred and secular music-making in royal and aristocratic circles; the cathedral music environment; liturgy and power; musical connections with Rome, Portugal and the New World; theoretical and unwritten musical practices; women as patrons and performers; and the legacy of Jewish musical tradition. Contributors are Mercedes Castillo Ferreira, Giuseppe Fiorentino, Roberta Freund Schwartz, Eleazar Gutwirth, Tess Knighton, Kenneth Kreitner, Javier Marín López, Ascensión Mazuela-Anguita, Bernadette Nelson, Pilar Ramos López, Emilio Ros-Fábregas, Juan Ruiz Jiménez, Richard Sherr, Ronald Surtz, and Jane Whetnall.
Adams' New Musical Dictionary of Fifteen Thousand Technical Words, Phrases
Author: John S. Adams (of West Roxbury, Mass.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 284
Book Description
Experimentalisms in Practice
Author: Ana R. Alonso-Minutti
Publisher: Oxford University Press
ISBN: 0190842768
Category : Music
Languages : en
Pages : 369
Book Description
Experimentalisms in Practice explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions. Experimentalisms in Practice responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music experimentalism while providing new points of entry to further reevaluate the field.
Publisher: Oxford University Press
ISBN: 0190842768
Category : Music
Languages : en
Pages : 369
Book Description
Experimentalisms in Practice explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions. Experimentalisms in Practice responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music experimentalism while providing new points of entry to further reevaluate the field.
Treatise on Counterpoint
Author: Ernst Friedrich Richter
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 168
Book Description
An Encyclopaedia, Or Dictionary of Music ...
Author: John Feltham Danneley
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 416
Book Description
Treatise on Counterpoint. Translated and Adapted from the German of [the Work Entitled “Lehrbuch Des Einfachen und Doppelten Contrapunkts”] ... by F. Taylor
Author: Ernst Friedrich Richter
Publisher:
ISBN:
Category :
Languages : en
Pages : 178
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 178
Book Description
Manual of Simple and Double Counterpoint
Author: Ernst Friedrich Richter
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 188
Book Description
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 188
Book Description