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Author: Alma M. Garcia
Publisher: AltaMira Press
ISBN: 0759119635
Category : Social Science
Languages : en
Pages : 359
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Book Description
Contested Images: Women of Color in Popular Culture is a collection of 17 essays that analyze representations in popular culture of African American, Asian American, Latina, and Native American women. The anthology is divided into four parts: film images, beauty images, music, and television. The articles share two intellectual traditions: the authors, predominantly women of color, use an intersectionality perspective in their analysis of popular culture and the representation of women of color, and they identify popular culture as a site of conflict and contestation. Instructors will find this collection to be a convenient textbook for women’s studies; media studies; race, class, and gender courses; ethnic studies; and more.
Author: Alma M. Garcia
Publisher: AltaMira Press
ISBN: 0759119635
Category : Social Science
Languages : en
Pages : 359
Get Book Here
Book Description
Contested Images: Women of Color in Popular Culture is a collection of 17 essays that analyze representations in popular culture of African American, Asian American, Latina, and Native American women. The anthology is divided into four parts: film images, beauty images, music, and television. The articles share two intellectual traditions: the authors, predominantly women of color, use an intersectionality perspective in their analysis of popular culture and the representation of women of color, and they identify popular culture as a site of conflict and contestation. Instructors will find this collection to be a convenient textbook for women’s studies; media studies; race, class, and gender courses; ethnic studies; and more.
Author: Jane M. Gaines
Publisher: Univ of North Carolina Press
ISBN: 0807861642
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
Jane M. Gaines examines the phenomenon of images as property, focusing on the legal staus of mechanically produced visual and audio images from popular culture. Bridging the fields of critical legal studies and cultural studies, she analyzes copyright, trademark, and intellectual property law, asking how the law constructs works of authorship and who owns the country's cultural heritage.
Author: Birgit Mersmann
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110773570
Category : Art
Languages : en
Pages : 251
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Book Description
In many contemporary societies we encounter iconoclasm breaking out with renewed violence. Iconoclastic actions against objects of visual material culture and testimonials of history act as dynamite in the public sphere. They are expressions of political, religious, national, and identity conflicts. Even the freedom of art is threatened by censorship and cancel culture. Based on case studies from different world regions, contemporary iconoclasms in art, media, and cultural heritage are critically analyzed from both a global and an interdisciplinary perspective. Divided into three sections, the book discusses attacks on monuments and memorials, idol disputes in museums and the visual arts, and forms of mediated iconoclasm in contemporary art.
Author: Kelley Hays-Gilpin
Publisher: Rowman Altamira
ISBN: 9780759100657
Category : Art
Languages : en
Pages : 278
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Book Description
What does rock art say about gender and how can our understanding of gender shape the way that we view rock art? A significant contribution to the relatively unexplored field of gender in rock art, this volume contains a wealth of information for archaeologists, anthropologists, and art historians interested in past gender systems. Hays-Gilpin argues that art is at once a product of its physical and social environment and at the same time a tool of influence in shaping behavior and ideas within a society. Taking this stance, rock art is shown to be very often one of the strongest lines of evidence avaliable to scholars in understanding ritual practices, gender roles, and ideologicial constructs of prehistoric peoples. Subsequently issues of representation and the people who made these forms of art are also discussed.
Author: Elena Cooper
Publisher: Cambridge University Press
ISBN: 1107179726
Category : History
Languages : en
Pages : 319
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Book Description
The first in-depth study of the history of copyright protecting the visual arts, uncovering long-forgotten narratives of copyright history and reflecting on how those sharpen the critical lens through which we view copyright today. It will appeal to copyright lawyers, scholars and policy-makers, as well as to art historians and curators.
Author: Steven Ratuva
Publisher: ANU Press
ISBN: 1760463205
Category : Political Science
Languages : en
Pages : 305
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Book Description
Contested Terrain provides a cutting-edge, comprehensive and innovative approach to critically analysing the multidimensional and contested nature of security narratives, justified by different ideological, political, cultural and economic rationales. This is important in a complex and ever-changing situation involving a dynamic interplay between local, regional and global factors. Security narratives are constructed in multiple ways and are used to frame our responses to the challenges and threats to our sense of safety, wellbeing, identity and survival but how the narratives are constructed is a matter of intellectual and political contestation. Using three case studies from the Pacific (Fiji, Tonga and Solomon Islands), Contested Terrain shows the different security challenges facing each country, which result from their unique historical, political and socio-cultural circumstances. Contrary to the view that the Pacific is a generic entity with common security issues, this book argues for more localised and nuanced approaches to security framing and analysis.
Author: Johannes Riquet
Publisher: Springer Nature
ISBN: 3030217744
Category : Photography
Languages : en
Pages : 336
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Book Description
This volume explores the many facets and ongoing transformations of our visual identities in the twentieth and twenty-first centuries. Its chapters engage with the constitution of personal, national and cultural identities at the intersection of the verbal and the visual across a range of media. They are attentive to how the medialities and (im)materialities of modern image culture inflect our conceptions of identity, examining the cultural and political force of literature, films, online video messages, rap songs, selfies, digital algorithms, social media, computer-generated images, photojournalism and branding, among others. They also reflect on the image theories that emerged in the same time span—from early theorists such as Charles S. Peirce to twentieth-century models like those proposed by Roland Barthes and Jacques Derrida as well as more recent theories by Jacques Rancière, W. J. T. Mitchell and others. The contributors of Imaging Identity come from a wide range of disciplines including literary studies, media studies, art history, tourism studies and semiotics. The book will appeal to an interdisciplinary readership interested in contemporary visual culture and image theory.
Author: Pernille Hohnen
Publisher: Oxford University Press
ISBN: 9780199267620
Category : Business & Economics
Languages : en
Pages : 182
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Book Description
Pernille Hohnen has written a detailed ethnography of a Lithuanian market place in the mid-1990s and as such contributes significantly to the understanding of a phenomenon largely unaccounted for by anthropologists, namely shuttle trading, and a new form of transnationalism connected to thenumerous outdoor markets that were established all over Eastern and Central Europe during the 1990s, most of which still flourish. Traders go as far as China, India, Turkey, and Poland and bring back items for local consumption as well as for retail, not only within the country, but throughout theregion. The global extension of the local market is astonishing, not least on account of the personal ingenuity invested in an uncertain business where one can only learn the hard way. Furthermore, by combining a synchronic analysis of the market with an analysis of changing trading practices duringthe crucial 10-year period of the 1990s, the book sheds important light on processes of creativity and venture, as well as on the more gradual institutionalization of trading practices such as trade routes, trading routines, technology, and forms of political control.Both traders and their environment tend to evaluate the market place as somehow outside civilized society. The 'disorderly' nature of the market epitomizes contested social hierarchies and cultural categories, as well as privatized power relations in the form of racketeers which slowly gainlegitimacy. The analysis of the market place sheds light on changing discourses of ethnicity, gender and work in Lithuanian society as well as contributing to a more thorough theoretical understanding of 'transition'.
Author: Anne L. Schneider
Publisher: State University of New York Press
ISBN: 0791483835
Category : Political Science
Languages : en
Pages : 387
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Book Description
Public policy in the United States is marked by a contradiction between the American ideal of equality and the reality of an underclass of marginalized and disadvantaged people who are widely viewed as undeserving and incapable. Deserving and Entitled provides a close inspection of many different policy arenas, showing how the use of power and the manipulation of images have made it appear both natural and appropriate that some target populations benefit from policy, while others do not. These social constructions of deservedness and entitlement, unless challenged, become amplified over time and institutionalized into permanent lines of social, economic, and political cleavage. The contributors here express concern that too often public policy sends messages harmful to democracy and contributes significantly to the pattern of uneven political participation in the United States.
Author: Helen Westgeest
Publisher: Bloomsbury Publishing USA
ISBN: 150135308X
Category : Art
Languages : en
Pages : 241
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Book Description
The abundance of images in our everyday lives-and the speed at which they are consumed-seems to have left us unable to critique them. To rectify this situation, artists such as Daniel Richter, Jaune Quick-to-See Smith, and Artur Zmijewski have demonstrated that painting is brilliantly equipped to produce 'slow images' that enable, encourage and reward reflection. In this book, Helen Westgeest attempts to understand how various forms of slow painting can be used as tools to interrogate the visual mediations we encounter daily. Painting was expected to disappear in the digital age but, through interactive painting performances and painting-like manipulated photographs and videos, Westgeest shows how photography, video and new media art have themselves developed the visual strategies that painting had already mastered. Moreover, the fleeting nature of digital mass media appears to have unlocked a desire for more physically stable and enduring pictures, like paintings. Slow Painting charts how, in a world where the constant quest for speed can leave us exhausted, the appeal of this 'slower medium' has only grown.
