Author: Priscilla P. Soucek
Publisher: Scholarly Pub Office Univ of
ISBN: 9781597407601
Category : History
Languages : en
Pages : 300
Book Description
Content and Context of the Visual Arts in the Islamic World
Author: Priscilla P. Soucek
Publisher: Scholarly Pub Office Univ of
ISBN: 9781597407601
Category : History
Languages : en
Pages : 300
Book Description
Publisher: Scholarly Pub Office Univ of
ISBN: 9781597407601
Category : History
Languages : en
Pages : 300
Book Description
Content and Context of Visual Arts in the Islamic World
Author: Priscilla Parsons Soucek
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Papers from a colloquium in memory of Richard Ettinghausen Institute of Fine Arts, New York University, 2-4 April 1980.
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Papers from a colloquium in memory of Richard Ettinghausen Institute of Fine Arts, New York University, 2-4 April 1980.
Bibliography of Art and Architecture in the Islamic World (2 Vol. Set)
Author: Susan Sinclair
Publisher: BRILL
ISBN: 9004170588
Category : Architecture
Languages : en
Pages : 1510
Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Publisher: BRILL
ISBN: 9004170588
Category : Architecture
Languages : en
Pages : 1510
Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Art, Trade and Culture in the Islamic World and Beyond
Author: Alison Ohta
Publisher:
ISBN: 9781909942905
Category : Art
Languages : en
Pages : 281
Book Description
The essays in this volume bring to light the artistic exchanges that occurred between successive Islamicdynasties and those further afield in China, Armenia, India and Europe from the 12th to the 19th centuries. All the articles present original research, many of them taking advantage of innovative scientific means allowing us to look at already familiar objects in a new light. Subjects include tile production during the reign of Qaytbay, book bindings associated with Qansuh al-Ghuri, depictions of fish on Mamluk textiles, the relationship between Mamluk metalwork and Rasulid Yemen and Italy respectively. A number of the articles are concerned with epigraphic inscriptions found on the buildings of the Fatimid, Mamluk and Ottoman periods, examining the inscriptions on the Mausoleum of Yahya al-Shibihi in Cairo, others trace the revival of building inscriptions in 19th century Egypt, and how a Mamluk inscription from the Madrasa Qartawiya in Tripoli is replicated in Istanbul during the Ottomanperiod. The relationship between ceilings of the Cappella Palatina in Palermo and the MoukhroutasPalace in Constantinople is also explored, as is the unacknowledged debt that European lacquer worksowes to Persian craftsmen. Other topics covered include the architecture of the Nusretiye Mosque in Istanbul, the role played by Armenian architects in the reshaping of Ottoman cities in the 19th century, the role of the hammam in Ottoman culture and representations of beauty on Iznik pottery. Arictles on Port St. Symeon ceramics, the Armenian patrons of Chinese export wares of the 18th century, the history of the art of khatam khari in Iran, the artistic, architectural and literary influences in India between the 15th and 17th centuries, the influence of Timurid architecture in 15th century Bidar and the influence of a 16th century Hindavi Sufi Romance are also included. "
Publisher:
ISBN: 9781909942905
Category : Art
Languages : en
Pages : 281
Book Description
The essays in this volume bring to light the artistic exchanges that occurred between successive Islamicdynasties and those further afield in China, Armenia, India and Europe from the 12th to the 19th centuries. All the articles present original research, many of them taking advantage of innovative scientific means allowing us to look at already familiar objects in a new light. Subjects include tile production during the reign of Qaytbay, book bindings associated with Qansuh al-Ghuri, depictions of fish on Mamluk textiles, the relationship between Mamluk metalwork and Rasulid Yemen and Italy respectively. A number of the articles are concerned with epigraphic inscriptions found on the buildings of the Fatimid, Mamluk and Ottoman periods, examining the inscriptions on the Mausoleum of Yahya al-Shibihi in Cairo, others trace the revival of building inscriptions in 19th century Egypt, and how a Mamluk inscription from the Madrasa Qartawiya in Tripoli is replicated in Istanbul during the Ottomanperiod. The relationship between ceilings of the Cappella Palatina in Palermo and the MoukhroutasPalace in Constantinople is also explored, as is the unacknowledged debt that European lacquer worksowes to Persian craftsmen. Other topics covered include the architecture of the Nusretiye Mosque in Istanbul, the role played by Armenian architects in the reshaping of Ottoman cities in the 19th century, the role of the hammam in Ottoman culture and representations of beauty on Iznik pottery. Arictles on Port St. Symeon ceramics, the Armenian patrons of Chinese export wares of the 18th century, the history of the art of khatam khari in Iran, the artistic, architectural and literary influences in India between the 15th and 17th centuries, the influence of Timurid architecture in 15th century Bidar and the influence of a 16th century Hindavi Sufi Romance are also included. "
Early Islamic Art and Architecture
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Art of the Islamic World
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394824
Category : Art
Languages : en
Pages : 241
Book Description
Family guide, Dazzling details in folded front cover.
Publisher: Metropolitan Museum of Art
ISBN: 1588394824
Category : Art
Languages : en
Pages : 241
Book Description
Family guide, Dazzling details in folded front cover.
Islamic Visual Culture, 1100-1800
Author: Oleg Grabar
Publisher: Taylor & Francis
ISBN: 104023870X
Category : History
Languages : en
Pages : 488
Book Description
Islamic Visual Culture, 1100-1800 is the second in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art 650-1100; Islamic Art and Beyond; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The focus of the present volume is on the key centuries - the eleventh through fourteenth - during which the main directions of traditional Islamic art were created and developed and for which classical approaches of the History of Art were adopted. Manuscript illustrations and the arts of objects dominate the selection of articles, but there are also forays into later times like Mughal India and into definitions of area and period styles, as with the Mamluks in Egypt and the Ottomans, or into parallels between Islamic and Christian medieval arts.
Publisher: Taylor & Francis
ISBN: 104023870X
Category : History
Languages : en
Pages : 488
Book Description
Islamic Visual Culture, 1100-1800 is the second in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art 650-1100; Islamic Art and Beyond; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The focus of the present volume is on the key centuries - the eleventh through fourteenth - during which the main directions of traditional Islamic art were created and developed and for which classical approaches of the History of Art were adopted. Manuscript illustrations and the arts of objects dominate the selection of articles, but there are also forays into later times like Mughal India and into definitions of area and period styles, as with the Mamluks in Egypt and the Ottomans, or into parallels between Islamic and Christian medieval arts.
Bulletin
Author: University of Michigan. Museum of Art
Publisher: UM Libraries
ISBN:
Category : Archaeology
Languages : en
Pages : 164
Book Description
Publisher: UM Libraries
ISBN:
Category : Archaeology
Languages : en
Pages : 164
Book Description
Arts of Allusion
Author: Margaret S. Graves
Publisher: Oxford University Press
ISBN: 0190695935
Category : Art
Languages : en
Pages : 572
Book Description
The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.
Publisher: Oxford University Press
ISBN: 0190695935
Category : Art
Languages : en
Pages : 572
Book Description
The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.
Nishapur
Author: Jens Kröger
Publisher: Metropolitan Museum of Art
ISBN: 0870997297
Category : Glass, Islamic
Languages : en
Pages : 270
Book Description
In 1935-40 and again in 1947, the Iranian Expedition of the Metropolitan Museum excavated the city of Nishapur, a flourishing center in medieval times located in eastern Iran. This is the fourth volume in a series dedicated to publishing the finds. It presents a survey of glass of the early Islamic period throughout the Near East, discusses the significance of the Nishapur glass findings, and provides a catalogue of the finds with a focus on glass-decorating techniques. Map and site plans, a glossary, a concordance, and an extensive bibliography are included. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870997297
Category : Glass, Islamic
Languages : en
Pages : 270
Book Description
In 1935-40 and again in 1947, the Iranian Expedition of the Metropolitan Museum excavated the city of Nishapur, a flourishing center in medieval times located in eastern Iran. This is the fourth volume in a series dedicated to publishing the finds. It presents a survey of glass of the early Islamic period throughout the Near East, discusses the significance of the Nishapur glass findings, and provides a catalogue of the finds with a focus on glass-decorating techniques. Map and site plans, a glossary, a concordance, and an extensive bibliography are included. Annotation copyright by Book News, Inc., Portland, OR