Author:
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 240
Book Description
Contemporary Verse
Contemporary Verse
Author:
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 268
Book Description
Alan Crawley and Contemporary Verse
Author: Joan McCullagh
Publisher: UBC Press
ISBN: 0774844337
Category : Literary Criticism
Languages : en
Pages : 119
Book Description
Little magazines like Alan Crawley's Contemporary Verse are the life blood of literary culture. They provide an ongoing forum in which both well established and new poets can experiment and present their latest work, and it is often with the little magazines, therefore, that litearary change and oringiality have their beginnings. In this book Joan McCullagh shows how, between 1941 and 1952, the magazine charted the establishment of modernism in Canadian poetry by publishing, even before 1947, the largest, most impressive, and most representative collection of early forties' poetry in the country. Her extensive quotation from the hitherto unbpublished correspondence between Crawley and nearly every major poet of the forties also shows how important and valued a literary influence Crawley himself was as a critic and advisor behind the scenes.
Publisher: UBC Press
ISBN: 0774844337
Category : Literary Criticism
Languages : en
Pages : 119
Book Description
Little magazines like Alan Crawley's Contemporary Verse are the life blood of literary culture. They provide an ongoing forum in which both well established and new poets can experiment and present their latest work, and it is often with the little magazines, therefore, that litearary change and oringiality have their beginnings. In this book Joan McCullagh shows how, between 1941 and 1952, the magazine charted the establishment of modernism in Canadian poetry by publishing, even before 1947, the largest, most impressive, and most representative collection of early forties' poetry in the country. Her extensive quotation from the hitherto unbpublished correspondence between Crawley and nearly every major poet of the forties also shows how important and valued a literary influence Crawley himself was as a critic and advisor behind the scenes.
Bozart and Contemporary Verse
Author: Ernest Hartsock
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 436
Book Description
Cowboy Poetry Contemporary Verse by Duke Davis
Author: Duke Davis
Publisher: Cowboy Miner Productions
ISBN: 9780966209143
Category : Poetry
Languages : en
Pages : 220
Book Description
Duke is a cowboy, musician, songwriter, producer, poet, roper, actor and horseman. As a man of the saddle, he has day worked on ranches all over the West.
Publisher: Cowboy Miner Productions
ISBN: 9780966209143
Category : Poetry
Languages : en
Pages : 220
Book Description
Duke is a cowboy, musician, songwriter, producer, poet, roper, actor and horseman. As a man of the saddle, he has day worked on ranches all over the West.
The Oxford Book of Contemporary Verse, 1945-1980
Author: Dennis Joseph Enright
Publisher:
ISBN:
Category :
Languages : en
Pages : 299
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 299
Book Description
A Southern Verse
Author:
Publisher:
ISBN: 9781942084945
Category : Photography
Languages : en
Pages : 112
Book Description
The rural south is a region in which every part of the past is very much its present. Peter Stitt's collection of photographs are an expressive study of a landscape that can be, at times, both particularly straightforward and subtly peculiar. Each image is a contemporary representation of a memory, a feeling, or a meditation on the small towns of the rural South.
Publisher:
ISBN: 9781942084945
Category : Photography
Languages : en
Pages : 112
Book Description
The rural south is a region in which every part of the past is very much its present. Peter Stitt's collection of photographs are an expressive study of a landscape that can be, at times, both particularly straightforward and subtly peculiar. Each image is a contemporary representation of a memory, a feeling, or a meditation on the small towns of the rural South.
The Faber Book of Modern Verse
Author: Michael Roberts
Publisher:
ISBN: 9780571253814
Category : American poetry
Languages : en
Pages : 368
Book Description
First published in February 1936, just under a year from when the idea for it was first discussed, this is one of the most important and influential anthologies of the twentieth century. Since then three further editions by, in succession, Anne Ridler, Donald Hall and Peter Porter have been published. All took as their kernel the original selection by Michael Roberts. This "Faber Finds" reissue restores that pristine selection. More likely than not, the original idea was T. S. Eliot's, the choice of editor was undoubtedly his, and it was an inspired one. Michael Roberts was a poet himself, and a good one, but more important for this task was his acute awareness of the poetry scene, and his sense of the modern movement within it. Yes, his purpose was tendentious. He excludes some poets he admires such as Edmund Blunden and Walter de la Mare because (they) 'seem to me to have written good poems without having been compelled to make any notable development of poetic technique.' On the other hand, 'I have included only poems which seem to me to add to the resources of poetry, to be likely to influence the future development of poetry and language . . .' From the very start (and could there be a more arresting one?) with Gerard Manley Hopkins' "The Wreck of the Deutschland" Michael Roberts powerfully and consistently fulfils that aim. Philip Hobsbaum, in "The Oxford Companion to Twentieth-Century Poetry," says of "The Faber Book of Modern Verse," 'it also encapsulates, as no other literary document quite does, the innovative quality of the 1930s.'
Publisher:
ISBN: 9780571253814
Category : American poetry
Languages : en
Pages : 368
Book Description
First published in February 1936, just under a year from when the idea for it was first discussed, this is one of the most important and influential anthologies of the twentieth century. Since then three further editions by, in succession, Anne Ridler, Donald Hall and Peter Porter have been published. All took as their kernel the original selection by Michael Roberts. This "Faber Finds" reissue restores that pristine selection. More likely than not, the original idea was T. S. Eliot's, the choice of editor was undoubtedly his, and it was an inspired one. Michael Roberts was a poet himself, and a good one, but more important for this task was his acute awareness of the poetry scene, and his sense of the modern movement within it. Yes, his purpose was tendentious. He excludes some poets he admires such as Edmund Blunden and Walter de la Mare because (they) 'seem to me to have written good poems without having been compelled to make any notable development of poetic technique.' On the other hand, 'I have included only poems which seem to me to add to the resources of poetry, to be likely to influence the future development of poetry and language . . .' From the very start (and could there be a more arresting one?) with Gerard Manley Hopkins' "The Wreck of the Deutschland" Michael Roberts powerfully and consistently fulfils that aim. Philip Hobsbaum, in "The Oxford Companion to Twentieth-Century Poetry," says of "The Faber Book of Modern Verse," 'it also encapsulates, as no other literary document quite does, the innovative quality of the 1930s.'
Editing Modernity
Author: Dean Irvine
Publisher: University of Toronto Press
ISBN: 1442691654
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
The period between 1916 and 1956 was a unique interval in the history of Canadian publishing. During this period not only were a significant number of non-commercial literary, arts, and cultural magazines established, but it also happened that an unprecedented number of those involved in the creation and subsequent editing of this new type of magazine - the little magazine - were women. Based on extensive new archival and literary historical research, Editing Modernity examines these Canadian women writers and editors and their role in the production and dissemination of modernist and leftist little magazines. At once a history of literary women and of the emergent formations and conditions of cultural modernity in Canada, Irvine's study relates women's editorial work and poetry to a series of crises and transitions in modernist and leftist magazine communities, to the public hearings and published findings of the Massey Commission of 1949-51, and to the later development of feminist literary magazines and editorial collectives during the 1970s and 1980s. Writers and editors examined in this study include Dorothy Livesay, Anne Marriott, Floris McLaren, P.K. Page, Miriam Waddington, Flora Macdonald Denison, Florence Custance, Catherine Harmon, Aileen Collins, and Margaret Fairley.
Publisher: University of Toronto Press
ISBN: 1442691654
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
The period between 1916 and 1956 was a unique interval in the history of Canadian publishing. During this period not only were a significant number of non-commercial literary, arts, and cultural magazines established, but it also happened that an unprecedented number of those involved in the creation and subsequent editing of this new type of magazine - the little magazine - were women. Based on extensive new archival and literary historical research, Editing Modernity examines these Canadian women writers and editors and their role in the production and dissemination of modernist and leftist little magazines. At once a history of literary women and of the emergent formations and conditions of cultural modernity in Canada, Irvine's study relates women's editorial work and poetry to a series of crises and transitions in modernist and leftist magazine communities, to the public hearings and published findings of the Massey Commission of 1949-51, and to the later development of feminist literary magazines and editorial collectives during the 1970s and 1980s. Writers and editors examined in this study include Dorothy Livesay, Anne Marriott, Floris McLaren, P.K. Page, Miriam Waddington, Flora Macdonald Denison, Florence Custance, Catherine Harmon, Aileen Collins, and Margaret Fairley.
Contemporary American Literature
Author: John Matthews Manly
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 216
Book Description