Author: Konrad Kwiet
Publisher: Bloomsbury Publishing USA
ISBN: 0313051488
Category : History
Languages : en
Pages : 308
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Book Description
The murder of six million Jews during the Holocaust is a crime that has had a lasting and massive impact on our time. Despite the immense, ever-increasing body of Holocaust literature and representation, no single interpretation can provide definitive answers. Shaped by different historical experiences, political and national interests, our approximations of the Holocaust remain elusive. Holocaust responses—past, present, and future—reflect our changing understanding of history and the shifting landscapes of memory. This book takes stock of the attempts within and across nations to come to terms with the murders. Volume editors establish the thematic and conceptual framework within which the various Holocaust responses are being analyzed. Specific chapters cover responses in Germany and in Eastern Europe; the Holocaust industry; Jewish ultra-Orthodox reflections; and the Jewish intellectuals' search for a new Jewish identity. Experts comment upon the changes in Christian-Jewish relations since the Holocaust; the issue of restitution; and post-1945 responses to genocide. Other topics include Holocaust education, Holocaust films, and the national memorial landscapes in Germany, Poland, Israel, and the United States.
Author:
Publisher:
ISBN:
Category : Electronic books
Languages : en
Pages : 287
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Book Description
Author: Konrad Kwiet
Publisher: Praeger
ISBN:
Category : History
Languages : en
Pages : 320
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Book Description
Fourteen experts address issues of Holocaust representation, interpretation, and remembrance in rapidly shifting landscapes of memory.
Author: Northern Centre for Contemporary Art (Sunderland, Tyne and Wear, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
The senseless horror of the Holocaust continues to send shockwaves through history. Few would question its profound influence on post-war philosophy, morality, theological and political thinking. Yet the impact of the Holocaust on the Fine Arts, and in particular on contemporary art, has still not received the attention it deserves. This new publication accompanies a pioneering touring exhibition. It comprises a series of illustrated essays by leading experts, addressing: the art produced by victims of the Holocaust during the Holocaust; the influence of the Holocaust on artists who were not camp inmates, working during the war and in the post-war period; Holocaust memorials and their significance; and the work of a younger generation of artists, many of them non-Jews, whose relationship to the Holocaust is more oblique. Among the artists included are R. B. Kitaj, Picasso, Francis Bacon, Magdalena Abakanowicz, Christian Boltanski, Melvin Charney, Shimon Attie, Zoran Music, Susanna Pieratzki, Mick Rooney and Nancy Spero. The works selected have in common a determination not to rely on over-used visual stereotypes, nor to indulge in nostalgia, morbidity or sentimentality. Aesthetically compelling, they force us to reassess a subject all too often dismissed as overworked, and to reconsider the nature and potential of artistic activity 'after Auschwitz', as the century nears its end.
Author: Michael L. Morgan
Publisher: State University of New York Press
ISBN: 0791478297
Category : Philosophy
Languages : en
Pages : 252
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Book Description
Emil Fackenheim (1916–2003), one of the most important Jewish philosophers of the twentieth century, called on the world at large not only to bear witness to the Holocaust as an unprecedented assault on Judaism and on humanity, but also to recognize that the question of what it means to philosophize—indeed, what it means to be human—must be raised anew in its wake. The Philosopher as Witness begins with two recent essays written by Fackenheim himself and includes responses to the questions that Fackenheim posed to philosophy, Judaism, and humanity after the Holocaust. The contributors to this book dare to extend that questioning through a critical examination of Fackenheim's own thought and through an exploration of some of the ramifications of his work for fields of study and realms of religious life that transcend his own.
Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 8
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Book Description
Author: Northern Centre for Contemporary Art (Sunderland, Tyne and Wear, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
The senseless horror of the Holocaust continues to send shockwaves through history. Few would question its profound influence on post-war philosophy, morality, theological and political thinking. Yet the impact of the Holocaust on the Fine Arts, and in particular on contemporary art, has still not received the attention it deserves. This new publication accompanies a pioneering touring exhibition. It comprises a series of illustrated essays by leading experts, addressing: the art produced by victims of the Holocaust during the Holocaust; the influence of the Holocaust on artists who were not camp inmates, working during the war and in the post-war period; Holocaust memorials and their significance; and the work of a younger generation of artists, many of them non-Jews, whose relationship to the Holocaust is more oblique. Among the artists included are R. B. Kitaj, Picasso, Francis Bacon, Magdalena Abakanowicz, Christian Boltanski, Melvin Charney, Shimon Attie, Zoran Music, Susanna Pieratzki, Mick Rooney and Nancy Spero. The works selected have in common a determination not to rely on over-used visual stereotypes, nor to indulge in nostalgia, morbidity or sentimentality. Aesthetically compelling, they force us to reassess a subject all too often dismissed as overworked, and to reconsider the nature and potential of artistic activity 'after Auschwitz', as the century nears its end.
Author: Jennifer Taylor
Publisher:
ISBN: 9781611490565
Category : Holocaust, Jewish (1939-1945)
Languages : en
Pages : 0
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Book Description
Focusing on films, works of fiction, memorials and museums, National Responses to the Holocaust opens up new ways of thinking about how different nations including Lithuania, Poland, France, Germany, Austria, Italy, the United States and Israel have responded to the Holocaust during the past 60 years.
Author: Donald J. Dietrich
Publisher: Syracuse University Press
ISBN: 9780815630296
Category : History
Languages : en
Pages : 260
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Book Description
Delineates the roles that individuals and their churches played in confronting Hitler. Written by both Jewish and Christian scholars, these essays focus on the Christian responses to Nazism and delineate the roles that individuals and their churches played in confronting Hitler.
Author: Ernst van Alphen
Publisher: Stanford University Press
ISBN: 9780804729154
Category : Art
Languages : en
Pages : 252
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Book Description
In the face of strong moral and aesthetic pressure to deal with the Holocaust in strictly historical and documentary modes, this book discusses why and how reenactment of the Holocaust in art and imaginative literature can be successful in simultaneously presenting, analyzing, and working through this apocalyptic moment in human history. In pursuing his argument, the author explores such diverse materials and themes as: the testimonies of Holocaust survivors; the works of such artists and writers as Charlotte Salomon, Christian Boltanski, and Armando; and the question of what it means to live in a house built by a jew who was later transported to the death camps. He shows that reenactment, as an artistic project, also functions as a critical strategy, one that, unlike historical methods requiring a mediator, speaks directly to us and lures us into the Holocaust. We are then placed in the position of experiencing and being the subjects of that history. We are there, and history is present--but not quite. A confrontation with Nazism or with the Holocaust by means of a re-enactment takes place within the representational realm of art. Our access to this past is no longer mediated by the account of a witness, by a narrator, by the eye of a photographer. We do not respond to a re-presentation of the historical event, but to a presentation or performance of it, and our response is direct or firsthand in a different way. That different way of "keeping in touch is the subject of inquiry that propels this study.
