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Author: Katie Lavers
Publisher: Routledge
ISBN: 1317190130
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
In this volume, twenty-four creators come together with three scholars to discuss Contemporary Circus, bridging the divide between practice and theory. Lavers, Leroux, and Burtt offer conversations across four key themes: Apparatus, Politics, Performers, and New Work. Extensively illustrated with fifty photos of Contemporary Circus productions, and extensively annotated, Contemporary Circus thematically groups and contextualises extracts of conversations to provide a sophisticated and wide-ranging study supported by critical theory. Of interest to both practitioners and scholars, Contemporary Circus uses the lens of ‘contestation,’ or calling things into question, to provide a portal into ways of seeing today’s circus performance. Conversations with: Lachlan Binns and Jascha Boyce (Gravity and Other Myths), Tilde Björfors (Cirkus Cirkör), Kim ‘Busty Beatz’ Bowers (Hot Brown Honey), Shana Carroll (The 7 Fingers), David Clarkson (Stalker), Philippe Decouflé (Compagnie DCA), Fez Faanana (Briefs), Mike Finch (Circus Oz), Daniele Finzi Pasca (Compagnia Finzi Pasca), Sean Gandini (Gandini Juggling), Firenza Guidi (ElanFrantoio, NoFit State Circus), Jo Lancaster and Simon Yates (Acrobat), Johann Le Guillerm (Cirque Ici), Yaron Lifschitz (Circa), Chelsea McGuffin (Company 2), Phia Ménard (Compagnie Non Nova), Jennifer Miller (Circus Amok), Adrien Mondot (Compagnie Adrien M and Claire B), Charlotte Mooney and Tina Koch (Ockham’s Razor), Philippe Petit (high wire artist), and Elizabeth Streb (STREB EXTREME ACTION).
Author: Katie Lavers
Publisher: Routledge
ISBN: 1317190130
Category : Performing Arts
Languages : en
Pages : 296
Get Book Here
Book Description
In this volume, twenty-four creators come together with three scholars to discuss Contemporary Circus, bridging the divide between practice and theory. Lavers, Leroux, and Burtt offer conversations across four key themes: Apparatus, Politics, Performers, and New Work. Extensively illustrated with fifty photos of Contemporary Circus productions, and extensively annotated, Contemporary Circus thematically groups and contextualises extracts of conversations to provide a sophisticated and wide-ranging study supported by critical theory. Of interest to both practitioners and scholars, Contemporary Circus uses the lens of ‘contestation,’ or calling things into question, to provide a portal into ways of seeing today’s circus performance. Conversations with: Lachlan Binns and Jascha Boyce (Gravity and Other Myths), Tilde Björfors (Cirkus Cirkör), Kim ‘Busty Beatz’ Bowers (Hot Brown Honey), Shana Carroll (The 7 Fingers), David Clarkson (Stalker), Philippe Decouflé (Compagnie DCA), Fez Faanana (Briefs), Mike Finch (Circus Oz), Daniele Finzi Pasca (Compagnia Finzi Pasca), Sean Gandini (Gandini Juggling), Firenza Guidi (ElanFrantoio, NoFit State Circus), Jo Lancaster and Simon Yates (Acrobat), Johann Le Guillerm (Cirque Ici), Yaron Lifschitz (Circa), Chelsea McGuffin (Company 2), Phia Ménard (Compagnie Non Nova), Jennifer Miller (Circus Amok), Adrien Mondot (Compagnie Adrien M and Claire B), Charlotte Mooney and Tina Koch (Ockham’s Razor), Philippe Petit (high wire artist), and Elizabeth Streb (STREB EXTREME ACTION).
Author: Ernest Albrecht
Publisher: Scarecrow Press
ISBN: 1461706548
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
The fun, energy, and hard work integral to the exciting world of the circus is lovingly captured in The Contemporary Circus: Art of the Spectacular, an in depth look at the creative process of today's circuses. Through numerous personal interviews with directors, designers, composers and performers, author Ernest Albrecht provides a unique inside view of the journey through which the most innovative and exciting modern circuses are produced, from the director and production team to the performers, and from designing the circus to setting it to music. Case studies of specific productions by the Big Apple Circus, Ringling Bros. and Barnum & Bailey, and Cirque du Soleil illuminate the artistic give-and-take necessary in such a collaborative process, proving the circus a true art form, one as artistic as theatre or dance. A variety of performers such as animal trainers, dancers, and clowns discuss their approach to their individual specialties, and the text concludes with an examination of the world's circuses and schools and their methods for training circus artists. A full photo spread of 30 beautiful photos will help inspire and enlighten artists and fans alike.
Author: Franziska Trapp
Publisher: Taylor & Francis
ISBN: 1040124623
Category : Performing Arts
Languages : en
Pages : 214
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Book Description
What are the characteristics of contemporary circus? In what way does contemporary circus differ from theater, dance, and performance? Where do hybrid forms exist? Where are there observable commonalities? Despite the diversity of contemporary circus performances, are there generalizable characteristics that unite the performances? What potential do these questions have for dramaturgical practice? This book adapts a cultural-semiotic approach to analyze contemporary circus performances. It offers the first comprehensive documentation and interpretation of the art form based on the reading theories of cultural, literature, theater, and dance studies. The volume thereby provides a dramaturgy of contemporary circus, which reveals its generalizable characteristics, fundamental techniques and structures, and the effects they produce. At the same time, theories and methods are modified and further developed regarding the characteristics of the circus. This book is designed for students and scholars in the field of theater and performance studies, as well as for artists, dramaturges, and directors working in the field of circus.
Author: Gillian Arrighi
Publisher: Cambridge University Press
ISBN: 1108485162
Category : Art
Languages : en
Pages : 329
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Book Description
An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.
Author: Jan T. Gregor
Publisher: First Edition Design Pub.
ISBN: 1506903487
Category : Performing Arts
Languages : en
Pages : 544
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Book Description
Author: Louis Patrick Leroux
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773598707
Category : Performing Arts
Languages : en
Pages : 396
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Book Description
With a billion-dollar industry centred in Montreal, the province of Quebec has established itself as a major hub for contemporary circus. Cirque du Soleil has a global presence, and troupes such as Cirque Éloize and 7 doigts de la main are state-of-the-art innovators. The National Circus School of Montreal - the only state-funded elite training facility in North America - is an influential leader in artistry and technique. Montreal-based Cirque du Soleil’s Cirque du Monde supports arts for social change on many continents and is renowned for its social-circus training and research. Cirque Global is the first book-length study of this new variety of circus and its international impact. The contributors offer critical perspectives on this rapidly developing art form and its aesthetics, ethics, business practices, pedagogical implications, and discursive significations. Essays explore creative, entrepreneurial, and cultural forces that are shaping Quebec’s dynamic nouveau cirque. Lavishly illustrated with photographs from circus performances, the volume showcases Quebec circus’s hybrid forms, which have merged the ethos and aesthetics of European circuses with American commercial and industrial creativity. Cirque Global is the definitive study of the phenomenon of Quebec circus and is an important model for future research on contemporary circus.
Author: George Speaight
Publisher: London : Tantivy Press ; San Diego : A.S. Barnes
ISBN:
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
Author: Franziska Trapp
Publisher: Taylor & Francis
ISBN: 1000889343
Category : Art
Languages : en
Pages : 232
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Book Description
This collection aims to map a diversity of approaches to the artform by creating a 360° view on the circus. The three sections of the book, Aesthetics, Practice, Culture, approach aesthetic developments, issues of artistic practice, and the circus’ role within society. This book consists of a collection of articles from renowned circus researchers, junior researchers, and artists. It also provides the core statements and discussions of the conference UpSideDown—Circus and Space in a graphic recording format. Hence, it allows a clear entry into the field of circus research and emphasizes the diversity of approaches that are well balanced between theoretical and artistic point of views. This book will be of great interest to students and scholars of circus studies, emerging disciples of circus and performance.
Author: Jason Price
Publisher: Bloomsbury Publishing
ISBN: 1137550627
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
This book offers a concise history of popular theatre since the early twentieth century. Using key popular culture theories and critical perspectives, Jason Price analyses popular theatres across different cultural and political contexts, drawing on a diverse range of international artists and theatre-makers who have worked with popular forms, including Vsevolod Meyerhold, Blue Blouse, Bertolt Brecht, Erwin Piscator, the San Francisco Mime Troupe, the Bread and Puppet Theatre and more. As well as defining what 'popular' means in relation to performance and the audiences who watch it, the book considers some of the political frameworks and causes that popular theatre has been placed in service of, such as socialism, the New Left and the gay rights movement. It also addresses the uses of cabaret, puppetry and circus outside their native popular contexts, examining the role they play in avant-garde and experimental theatre practices. In doing so, Price encourages readers to look beyond popular theatre as a simple form of entertainment and to consider its potential as a form of political activism, as a community-builder, and as a valuable tool for artistic experimentation.
Author: Ernest J. Albrecht
Publisher:
ISBN: 9780813013640
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
In the 1970s a group of men and women with few ties to the circus emerged from the counterculture revolution and took to the streets, where they discovered how to entertain an audience. At a time when the Big Top was beset by shabby excess, escalating costs, and competition from movies and TV, the young performers dedicated themselves to skill and intimacy, beginning the movement Ernest Albrecht describes as the "new American circus", a reinvention of the circus as an authentic form of art. The first - and most radical - aspect of this movement was its revival of the traditions of the great one-ring shows of Europe and Russia. Focusing on artistry, not spectacle, the new American circus incorporated such allied arts as music and dance and embraced a notion of ensemble that was compatible with the communal ethic of the seventies. Working from interviews and other primary sources, Albrecht traces this history to the present (including current controversies over animal performers and efforts to secure subsidies), sketching the leading players in the new circus and profiling the shows they founded.
