Consort Music of Four Parts, Ed. A. Ashbee PDF Download
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Author: John Jenkins
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Jenkins
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Thomas Lupo
Publisher: Fretwork Publishing
ISBN:
Category : Music
Languages : en
Pages : 132
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Book Description
Thomas Lupo (1571-1627): The Four-Part Consort Music. Fantasia 1-4, Fantasia [Air] 5-7, Fantasia 8-10, Fantasia [Air] 11-13. Introduction, Critical Commentary and scores. Performing parts available direct from the publishers.
Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378
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Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Author: Stewart Carter
Publisher: Indiana University Press
ISBN: 0253005280
Category : Music
Languages : en
Pages : 558
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Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Author: Michael Fleming
Publisher: Taylor & Francis
ISBN: 1317147162
Category : Music
Languages : en
Pages : 422
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Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
Author: Thomas Lupo
Publisher: Fretwork Publishing
ISBN:
Category : Canons, fugues, etc. (Viols (5))
Languages : en
Pages : 90
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Book Description
Thomas Lupo (1571-1627). The complete five-part consort music volume 2. Fantasias 19-35, for viol consort, edited by Richard Charteris. Parts available direct from the publisher. Published in 1998.
Author: Thomas Lupo
Publisher: Fretwork Publishing
ISBN:
Category : Canons, fugues, etc. (Viols (5))
Languages : en
Pages : 94
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Book Description
Thomas Lupo (1571-1627). The complete five-part consort music volume 2. Fantasias 19-35, for viol consort, edited by Richard Charteris. Parts available direct from the publisher. Published in 1998.
Author: John Ward
Publisher: Stainer & Bell, Limited
ISBN:
Category : Music
Languages : en
Pages : 152
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Book Description
Author: John Jenkins
Publisher: London : Stainer and Bell
ISBN:
Category : Instrumental music
Languages : en
Pages : 208
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Book Description
Author: Ian Payne
Publisher: Routledge
ISBN: 1351546724
Category : Music
Languages : en
Pages : 300
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Book Description
This complete scholarly edition of the collection of manuscript choreographies from c.1565-c.1675 associated with the Inns of Court is the first full-length study of these sources to be published. It offers practical reconstructions of the dances and provides a selection of musical settings simply but idiomatically arranged for four-part instrumental ensemble or keyboard. ? Part One centres on the manuscript sources which transmit the Almain, and on the trends and influences that shaped its evolution in Britain from c. 1549 to c. 1675, taking account of both music and choreography.? In viewing the Almain within its broader historical context, Ian Payne throws new light on the dance, arguing that, together with the ?measures? which accompany it in the choreographies, it owes an even greater debt to the English country dance than has hitherto been acknowledged, a popular style that received its fullest expression in Playford's English Dancing Master of 1651. ? The second part of the book focuses on the dances themselves. The steps are described in detail and reconstructions provided for the nine Almains and some of the other measures included in the manuscripts. Part Three comprises a complete critical edition of the manuscripts. ? These easily performable versions of the dances will be an invaluable aid to those wishing to learn the dances, reconstruct them for stagings of Shakespeare's plays or Jacobean masques, and for dance historians.
