Author: Ross C. Murfin
Publisher: University Alabama Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 212

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Author: Paul Wake
Publisher: Manchester University Press
ISBN: 1847796745
Category : Literary Criticism
Languages : en
Pages : 408

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Variously described as ‘the average pilgrim’, a ‘wanderer’, and ‘a Buddha preaching in European clothes’, Charlie Marlow is the voice behind Joseph Conrad’s ‘Youth’ (1898), Heart of Darkness (1899), Lord Jim (1900) and Chance (1912). Conrad’s Marlow offers a comprehensive account and critical analysis of one of Conrad’s most celebrated creations, asking both who and what is Marlow: a character or a narrator, a biographer or an autobiographical screen, a messenger or an interpreter, a bearer of truth or a misguided liar? Reading Conrad’s fiction alongside the work of Walter Benjamin, Maurice Blanchot, Jacques Derrida and Martin Heidegger, and offering an investigation into the connection between narrative and death, this book argues that Marlow’s essence is located in his liminality – in his constantly shifting position – and that the emergence of meaning in his stories is at all points bound up with the process of his storytelling.

Author: Peter Mallios
Publisher: Stanford University Press
ISBN: 0804775710
Category : Literary Criticism
Languages : en
Pages : 485

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Our Conrad is about the American reception of Joseph Conrad and its crucial role in the formation of American modernism. Although Conrad did not visit the country until a year before his death, his fiction served as both foil and mirror to America's conception of itself and its place in the world. Peter Mallios reveals the historical and political factors that made Conrad's work valuable to a range of prominent figures—including Fitzgerald, Faulkner, Richard Wright, Woodrow Wilson, and Theodore and Edith Roosevelt—and explores regional differences in Conrad's reception. He proves that foreign-authored writing can be as integral a part of United States culture as that of any native. Arguing that an individual writer's apparent (national, gendered, racial, political) identity is not always a good predictor of the diversity of voices and dialogues to which he gives rise, this exercise in transnational comparativism participates in post-Americanist efforts to render American Studies less insular and parochial.

Author: Johan Adam Warodell
Publisher: Cambridge University Press
ISBN: 1316512193
Category : Literary Criticism
Languages : en
Pages : 237

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Brings the vibrant details of Conrad's writing to the forefront for study and analyzes newly-discovered artworks, maps, and manuscript pages.

Author: Gene M. Moore
Publisher: Cambridge University Press
ISBN: 9780521554480
Category : Literary Criticism
Languages : en
Pages : 300

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This book offers the first comprehensive, international survey of more than eighty films and videos based on the life and work of Joseph Conrad. Essays by leading film and literary scholars examine the films, both in the context of film history and technology, and in terms of the theoretical and practical problems facing directors - including Alfred Hitchcock, Orson Welles, Francis Ford Coppola and Andrzej Wajda - who have attempted to put Conrad on film. Conrad was the first major English author to adapt his work for the screen, and the story of his unpublished 'film-play' is told in an important chapter. The challenges of finding visual analogues for Conrad's narrative irony and filmic equivalents for his narrators are also examined. The volume is well illustrated and includes a detailed filmography and film bibliography, making it a landmark study of Conrad films and film adaptations in general.

Author: Daniel R. Schwarz
Publisher: University of Missouri Press
ISBN: 9780826213273
Category : Literary Criticism
Languages : en
Pages : 212

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Book Description
Leading Conradian scholar Daniel R. Schwarz assembles his work from over the past two decades into one crucial volume, providing a significant reexamination of a seminal figure who continues to be a major focus in the twenty-first century. Schwarz touches on virtually all of Joseph Conrad's work including his masterworks and the later, relatively neglected fiction. In his introduction and in the persuasive and insightful essays that follow, Schwarz explores how the study of Conrad has changed and why Conrad is such a focus of interest in terms of gender, postcolonial, and cultural studies. He also demonstrates how Conrad helps define the modernist cultural tradition. Exploring such essential works as Heart of Darkness, Lord Jim, Nostromo, and "The Secret Sharer," Schwarz addresses issues raised by recent theory, discussing the ways in which contemporary readers, including, of course, himself, have come to read Conrad differently. He does so without abandoning crucial Conradian themes such as the disjunction between interior and articulated motives and the discrepancies between dimly acknowledged needs, obsessions, and compulsions and actual behavior. Schwarz also touches on the extent to which Conrad's conservative desires for a few simple moral and political ideas were often at odds with his profound skepticism. A powerful close reader of Conrad's complex texts, Schwarz stresses how from their opening paragraphs Conrad's works establish a grammar of psychological, political, and moral cause and effect. Rereading Conrad sheds new light on an author who has spoken to readers for over a century. Schwarz's essays take account of recent developments in theory and cultural studies, including postcolonial, feminist, gay, and ecological perspectives, and show how reading Conrad has changed in the face of the theoretical explosion that has occurred over the past two decades. Because for over three decades Schwarz has been an important figure in defining how we read Conrad and in studying modernism, including how we respond to the relationship between modern literature and modern art, scholars, teachers, and students will take great pleasure in this new collection of his work.

Author: Vilashini Cooppan
Publisher: Stanford University Press
ISBN: 0804772509
Category : Literary Criticism
Languages : en
Pages : 534

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Worlds Within tracks the changing forms of novels and nations against a long, postcolonial twentieth century. While globalization has sometimes been understood to supersede national borders, this book distances itself from before-and-after sequences in order to trace the intersection between national and global politics. Drawing from psychoanalytic and deconstructive accounts of identity, difference, and desire, Worlds Within explores the making and unmaking of ideas of nation, globe, race, and gender in the late imperialism of Joseph Conrad, the anticolonial nationalism and nascent Third-Worldism of W. E. B. Du Bois and Frantz Fanon, and the decolonizing nationalisms and postcolonial cosmopolitanisms of novelistic descendants, such as the Indian and Indo-Caribbean writers Salman Rushdie, Amitav Ghosh, V.S. Naipaul, and David Dabydeen, the anglophone and francophone African writers Chinua Achebe, Nggi wa Thiong'o, Assia Djebar, and Tsitsi Dangarembga, and the Cuban postmodern novelist and theorist Severo Sarduy. Across this global field, national identity is subtended by transnational affiliations and expressed through diverse and intersecting literary forms.

Author: Richard Niland
Publisher: Oxford University Press
ISBN: 0199580340
Category : History
Languages : en
Pages : 236

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Book Description
This book analyses the relationship between Conrad's work and three major subjects: the philosophy of history, nationalism (in Europe and Latin America), and Conrad's interest in French Romanticism and Napoleon Bonaparte. As well as discussing more well-known works, Niland re-evaluates the long-neglected late novels The Rover and Suspense.

Author: J. H. Stape
Publisher: Cambridge University Press
ISBN: 1139825178
Category : Literary Criticism
Languages : en
Pages : 433

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Book Description
The Cambridge Companion to Joseph Conrad offers a wide-ranging introduction to the fiction of Joseph Conrad, one of the most influential novelists of the twentieth century. Through a series of essays by leading Conrad scholars aimed at both students and the general reader, the volume stimulates an informed appreciation of Conrad's work based on an understanding of his cultural and historical situations and fictional techniques. A chronology and overview of Conrad's life precede chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad's narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.

Author: O. Bohlmann
Publisher: Springer
ISBN: 023037400X
Category : Literary Criticism
Languages : en
Pages : 255

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Book Description
Otto Bohlmann's fascinating study offers detailed and exhaustive evidence that the major philosophical aspects of Conrad's novels exhibit a powerful existential strain, foreshadowing many central concerns of twentieth-century modernism. Through both wide and close reading, Dr Bohlmann illuminates more thoroughly than any previous scholar the remarkable extent to which Conrad's fiction is replete with ideas, attitudes and even phrases reminiscent of Kierkegaard, Nietzsche, Jaspers, Marcel, Heidegger, Sartre and Camus.