Conference on International Cultural, Educational, and Scientific Exchanges, Princeton University, November 25-26, 1946. (Sponsored by the Board on Resources of American Libraries and the International Relations Board) PDF Download
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Author: American Library Association. Board on Resources of American Libraries
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Category :
Languages : en
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Author: American Library Association. Board on Resources of American Libraries
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Category :
Languages : en
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Author: Edwin Everitt Williams
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Category : Conference on International Cultural, Educational and Scientific Exchanges
Languages : en
Pages : 240
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Category : Union catalogs
Languages : en
Pages : 712
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Author: University of California, Los Angeles. Library
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Category : Library catalogs
Languages : en
Pages : 1062
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Category : Reference
Languages : en
Pages : 1658
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Author: Academy of Natural Sciences of Philadelphia. Library
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Category : Natural history
Languages : en
Pages : 768
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Author: Columbia University. Libraries. Library of the School of Library Service
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Category : Library catalogs
Languages : en
Pages : 860
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Author: American Library Association
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Category : Library science
Languages : en
Pages : 1098
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Category : American literature
Languages : en
Pages : 632
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Author: Monika Dommann
Publisher: Cornell University Press
ISBN: 1501734997
Category : Law
Languages : en
Pages : 354
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Copyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost effortless, debates about protecting authors' rights are nothing new. In this sweeping account of the evolution of copyright law since the mid-nineteenth century, Monika Dommann explores how radical media changes—from sheet music and phonographs to photocopiers and networked information systems—have challenged and transformed legal and cultural concept of authors' rights. Dommann provides a critical transatlantic perspective on developments in copyright law and mechanical reproduction of words and music, charting how artists, media companies, and lawmakers in the United States and western Europe approached the complex tangle of technological innovation, intellectual property, and consumer interests. From the seemingly innocuous music box, invented around 1800, to BASF's magnetic tapes and Xerox machines, she demonstrates how copyright has been continuously destabilized by emerging technologies, requiring new legal norms to regulate commercial and private copying practices. Without minimizing digital media's radical disruption to notions of intellectual property, Dommann uncovers the deep historical roots of the conflict between copyright and media—a story that can inform present-day debates over the legal protection of authorship.
