Oboe Concerto in D Minor, Op.9 No.2 PDF Download
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Author: Tomaso Albinoni
Publisher: Serenissima Music
ISBN: 9781608742868
Category :
Languages : en
Pages : 0
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Book Description
Tomaso Albinoni's Oboe Concerto in D minor has long been regarded as one of the finest concertos composed for the instrument. It was published in Amsterdam in 1722, the second of the 12 Concerti a cinque, Op.9. The date of composition and the premiere is unknown, but the work has increased in popularity in the later half of the 20th century to the present day along with the movement for historically appropriate performance practice. The edition offered here is a new one prepared by Richard W. Sargeant Jr. working from the copies of the 1722 print available online at IMSLP. This study score is a reduced-format version of the large score and also includes the editor's realization of the continuo part. Besides the large score, the orchestra parts and an oboe and piano reduction are also available from Serenissima Music.
Author: Tomaso Albinoni
Publisher: Serenissima Music
ISBN: 9781608742868
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Tomaso Albinoni's Oboe Concerto in D minor has long been regarded as one of the finest concertos composed for the instrument. It was published in Amsterdam in 1722, the second of the 12 Concerti a cinque, Op.9. The date of composition and the premiere is unknown, but the work has increased in popularity in the later half of the 20th century to the present day along with the movement for historically appropriate performance practice. The edition offered here is a new one prepared by Richard W. Sargeant Jr. working from the copies of the 1722 print available online at IMSLP. This study score is a reduced-format version of the large score and also includes the editor's realization of the continuo part. Besides the large score, the orchestra parts and an oboe and piano reduction are also available from Serenissima Music.
Author: Tomaso Albinoni
Publisher:
ISBN:
Category :
Languages : de
Pages : 20
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Book Description
Author: Tomaso Albinoni
Publisher:
ISBN:
Category :
Languages : de
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 846
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Book Description
Author: Tomaso Albinoni
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: Alberto Bachmann
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508
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Book Description
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
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Book Description
Author: C. R. F. Maunder
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
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Book Description
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author: Anthony Pople
Publisher: Cambridge University Press
ISBN: 9780521399760
Category : Music
Languages : en
Pages : 136
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Book Description
Described by Aaron Copland as 'among the finest creations in the modern repertoire', Alban Berg's Violin Concerto has become a twentieth-century classic. In this authoritative and highly readable guide to the work the reader is introduced not only to the concerto itself but to all that surrounded and determined its composition. This is a book about musical culture in the 1930s, about the Second Viennese School, about tonality, atonality and serialism, about Berg's own musical development, compositional method and the private significance the Violin Concerto held for him. The book describes the genesis of the work, its performance history and critical reception and, in two detailed musical chapters, provides a section-by-section account of the book and a closer analysis of the musical language and structure. Anthony Pople's ability to combine musical anecdote with scholarly discussion makes this guide compelling reading for the amateur and the specialist alike.
Author: David Daniels
Publisher: Rowman & Littlefield
ISBN: 1442275219
Category : Music
Languages : en
Pages : 1464
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Book Description
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
