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Author:
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 28
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Book Description
Author:
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 28
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Book Description
Author: Camille Saint-Saëns
Publisher: Alfred Music
ISBN: 9781457478512
Category : Music
Languages : en
Pages : 68
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Book Description
A Violin solo with Piano Accompaniment composed by Carl Lipinsky.
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: John Thomas Scharf
Publisher:
ISBN:
Category : History
Languages : en
Pages : 1012
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Book Description
Author: Jacques Offenbach
Publisher:
ISBN:
Category : Cello and piano music
Languages : en
Pages : 126
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Book Description
Author: Abraham Veinus
Publisher: Courier Corporation
ISBN: 0486211789
Category : Music
Languages : en
Pages : 337
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Book Description
The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
Author: University of Oklahoma
Publisher:
ISBN:
Category :
Languages : en
Pages : 1260
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Book Description
Author: Antonio Bazzini
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 42
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Book Description
Author: University of Oklahoma
Publisher:
ISBN:
Category :
Languages : en
Pages : 1468
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Book Description
Author: Trevor Herbert
Publisher: Yale University Press
ISBN: 9780300100952
Category : Music
Languages : en
Pages : 426
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Book Description
This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries. The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone's development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.
