Author: Antonio Vivaldi
Publisher: Schott & Company Limited
ISBN: 9783795795610
Category : Music
Languages : en
Pages : 40
Book Description
for 2 Violins and Piano
L' Estro Armonico (RV 522)
Author: Antonio Vivaldi
Publisher: Schott & Company Limited
ISBN: 9783795795610
Category : Music
Languages : en
Pages : 40
Book Description
for 2 Violins and Piano
Publisher: Schott & Company Limited
ISBN: 9783795795610
Category : Music
Languages : en
Pages : 40
Book Description
for 2 Violins and Piano
Concerto in A minor for two solo violins, strings and basso continuo
Author: Antonio Vivaldi
Publisher:
ISBN:
Category : Concertos (Violins (2) with string orchestra)
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Concertos (Violins (2) with string orchestra)
Languages : en
Pages : 32
Book Description
Concerti grossi for two violins
Author: Christoph Graupner
Publisher: A-R Editions, Inc.
ISBN: 0895793342
Category : Concerti grossi
Languages : en
Pages : 208
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895793342
Category : Concerti grossi
Languages : en
Pages : 208
Book Description
The Violin Concerto Through a Period of Nearly 300 Years
Author: Frederic Barclay Emery
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 704
Book Description
The Scoring of Baroque Concertos
Author: C. R. F. Maunder
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
Book Description
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
Book Description
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Classical Music
Author: Julian Johnson
Publisher: Simon and Schuster
ISBN: 1780741413
Category : Music
Languages : en
Pages : 197
Book Description
Pick up where Classic FM leaves off What does classical music mean to the Western World? How has it transformed over the centuries? With such a rich tradition, what relevance does it have today? Julian Johnson inspires readers to explore the field, and examines how music is related to some of the big ideas of Western experience including spirituality, emotion, the weight of history, and self identity.
Publisher: Simon and Schuster
ISBN: 1780741413
Category : Music
Languages : en
Pages : 197
Book Description
Pick up where Classic FM leaves off What does classical music mean to the Western World? How has it transformed over the centuries? With such a rich tradition, what relevance does it have today? Julian Johnson inspires readers to explore the field, and examines how music is related to some of the big ideas of Western experience including spirituality, emotion, the weight of history, and self identity.
Historical Dictionary of Baroque Music
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750
Author: Richard D. P. Jones
Publisher:
ISBN: 0199696284
Category : Biography & Autobiography
Languages : en
Pages : 450
Book Description
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.
Publisher:
ISBN: 0199696284
Category : Biography & Autobiography
Languages : en
Pages : 450
Book Description
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.
The International Cyclopedia of Music and Musicians
Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
The British Catalogue of Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 168
Book Description