Concerto grosso no. 6, for piano, violin, and string orchestra PDF Download
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Author: Alfred Schnittke
Publisher:
ISBN:
Category : Concerti grossi
Languages : en
Pages : 40
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Book Description
Author: Alfred Schnittke
Publisher:
ISBN:
Category : Concerti grossi
Languages : en
Pages : 40
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Book Description
Author: Georg Friedrich Händel
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
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Book Description
![Concerto grosso I [-XII] PDF](https://books.google.com/books/content/images/frontcover/ATkUAQAAMAAJ?fife=w80-h100)
Author: Arcangelo Corelli
Publisher:
ISBN:
Category : Concerti grossi
Languages : en
Pages : 32
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Book Description
Author: Arcangelo Corelli
Publisher:
ISBN:
Category : Concerti grossi
Languages : de
Pages : 26
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Book Description
Author: Arcangelo Corelli
Publisher:
ISBN:
Category : Concerti grossi
Languages : de
Pages : 40
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Book Description
Author: Arcangelo Corelli
Publisher:
ISBN:
Category : Christmas music
Languages : en
Pages : 60
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Book Description
Author: Arcangelo Corelli
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Antonio Vivaldi
Publisher:
ISBN:
Category : Concertos (Violin with string orchestra)
Languages : en
Pages : 24
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Book Description
Author: Albert Stoessel
Publisher:
ISBN:
Category : Concerti grossi
Languages : en
Pages :
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Book Description
Author: Peter J. Schmelz
Publisher: Oxford Keynotes
ISBN: 019065371X
Category : Music
Languages : en
Pages : 185
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Book Description
Concerto Grosso no. 1 is one of Alfred Schnittke's best-known and most compelling works, sounding the surface of late Soviet life while resonating with contemporary compositional currents around the world such as postmodernism. It marked a decisive point in Schnittke's development of the approach he called polystylism, which aimed to contain in a single composition the wide range of contemporary musical styles, including "jazz, pop, rock, or serial music." Thanks to it and his other similar compositions, Schnittke became one of the most-performed and most-recorded living composers at the end of the twentieth century. Peter J. Schmelz's Alfred Schnittke's Concerto Grosso no. 1 represents the first accessible and comprehensive study of this composition. The novel structure of the book engages with the piece conceptually, historically, musically, and phenomenologically, with the six movements of the composition framing the six chapters. Augmenting and complicating the insights of existing English, Russian, and German publications on the Concerto Grosso no. 1, the book adds new information from underused primary sources, including Schnittke's unpublished correspondence and his many published interviews. It engages further with his sketches for the piece, and with contemporary Soviet musical criticism, resulting in a more objective, historical account of this rich, multifaceted composition, its influences, and its impact on music making in the USSR and worldwide.
