Structural Novelty and Tradition in the Early Romantic Piano Concerto PDF Download
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Author: Stephan D. Lindeman
Publisher: Pendragon Press
ISBN: 9781576470008
Category : Juvenile Nonfiction
Languages : en
Pages : 368
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Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Stephan D. Lindeman
Publisher: Pendragon Press
ISBN: 9781576470008
Category : Juvenile Nonfiction
Languages : en
Pages : 368
Get Book Here
Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: C. R. F. Maunder
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
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Book Description
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344
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Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author: Abraham Veinus
Publisher: Courier Corporation
ISBN: 0486211789
Category : Music
Languages : en
Pages : 337
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Book Description
The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
Author: Herbert Westerby
Publisher: Taylor & Francis
ISBN: 1040252192
Category : Music
Languages : en
Pages : 432
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Book Description
Originally published in 1924, and authored by a renowned pianist and musicologist, this book is a comprehensive study of the history and evolution of pianoforte music from its origins in the early 18th century to modern times. The book begins with a discussion of sixteenth-century English composers for the virginal. Special emphasis is given to works of the Romantic period and to national styles of piano music such as those of Chopin and the Polish school, Liszt and Magyar music, and Cesar Franck and music of The Netherlands. The book provides a bibliography and lists of major collective editions, publishers of piano music throughout the world, and journals for pianists.
Author: Gregory Barnett
Publisher: Routledge
ISBN: 1351573349
Category : Music
Languages : en
Pages : 415
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Book Description
This book, the first of its kind, is a study of Bolognese instrumental music during the height of the city's musical activity in the late seventeenth century. The period marked by a rapid expansion of the cappella musicale of the principal city church, San Petronio, by the founding of the Accademia Filarmonica, and by increasingly lavish patronage of musical events witnessed the proliferation of repertory for instrumental ensembles. This music not only reveals crucial stages in the development of the sonata and concerto but also recalls the elaborate church rituals and the opulent public and private celebrations in which they figured prominently. Moreover, the late seventeenth century saw the heyday of Bolognese music publishing, whose output of sonatas and related instrumental genres easily surpassed that of the once-dominating Venetian presses. The approach taken here departs from composer- and genre-centered monographs on Italian instrumental music in order to illuminate an array of topics that center on the Bolognese repertory: the social condition of instrumentalist-composers; the acumen of music publishers in the creation of the repertory; the diverse contexts of the instrumental dances; the influence of liturgical traditions on sonata topoi; the impact of psalmodic practice on tonal style; and the innovative climate that led to experiments with scoring and form in the earliest instrumental concertos. In sum, this book not only illustrates the historically significant and defining features of the music, but also links the surviving repertory to the flourishing musical culture in which it was created.
Author: Ethel R. Peyser
Publisher: Prabhat Prakashan
ISBN:
Category : Music
Languages : en
Pages : 603
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Book Description
Embark on a melodic journey through the ages with Ethel R. Peyser and Marion Bauer's illuminating exploration, "How Music Grew: From Prehistoric Times to the Present Day." Traverse the symphony of human history as you unravel the evolution of sound, rhythm, and harmony from ancient origins to contemporary compositions. As Peyser and Bauer's narrative unfolds, immerse yourself in the rich tapestry of musical traditions that have shaped cultures around the world. From the primal beats of early percussion to the intricate melodies of classical symphonies, witness the transformative power of music across civilizations and centuries. But amidst the crescendo of musical innovation, a compelling question arises: How has music transcended time and space to become a universal language that speaks to the human soul? Explore the innate connection between music and humanity, delving into the psychological, social, and spiritual dimensions of musical expression. Are you ready to tune into the harmonies of history and discover the rhythmic heartbeat of civilization in "How Music Grew"? Indulge in succinct, captivating paragraphs that guide you through the vibrant mosaic of musical evolution. From ancient rituals to modern symphonies, each chapter offers a window into the dynamic interplay between culture, creativity, and human experience. Join the chorus of voices echoing through the ages. Dive into "How Music Grew" and experience the timeless allure of melody, rhythm, and harmony that unites us all. Don't miss your chance to own a symphony of knowledge. Purchase "How Music Grew" today and embark on a harmonious journey through the annals of musical history.
Author: David Daniels
Publisher: Rowman & Littlefield
ISBN: 1442275219
Category : Music
Languages : en
Pages : 1464
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Book Description
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Author: Thomas Schmidt-Beste
Publisher: Cambridge University Press
ISBN: 0521762545
Category : Music
Languages : en
Pages : 279
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Book Description
An introductory survey of the most enduring and popular genre of instrumental music, perfect for students, teachers and performers.
