Piano Concerto in B-flat PDF Download
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Author: Josef Antonín t?pán
Publisher: A-R Editions, Inc.
ISBN: 0895791331
Category : Music
Languages : en
Pages : 112
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Book Description
Author: Josef Antonín t?pán
Publisher: A-R Editions, Inc.
ISBN: 0895791331
Category : Music
Languages : en
Pages : 112
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Book Description
Author: Christoph Schaffrath
Publisher: A-R Editions, Inc.
ISBN: 0895791005
Category : Music
Languages : en
Pages : 96
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Book Description
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Peter Ilyitch Tchaikovsky
Publisher: Courier Corporation
ISBN: 0486312461
Category : Music
Languages : en
Pages : 176
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Book Description
Two great concertos in a single edition: the Tchaikovsky Piano Concerto No. 1 in B-flat Minor, Op. 23, and the Rachmaninoff Piano Concerto No. 2 in C Minor, Op. 18.
Author: George Frideric Handel
Publisher:
ISBN:
Category : Concertos (Harp with chamber orchestra)
Languages : en
Pages : 30
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Book Description
Author: Edward Elgar
Publisher: Courier Corporation
ISBN: 0486491242
Category : Music
Languages : en
Pages : 99
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Book Description
This practice and performance edition of one of the most beloved pieces in the modern violin repertoire contains a piano reduction and a separate violin part.
Author: Jan Smaczny
Publisher: Cambridge University Press
ISBN: 9780521669030
Category : Music
Languages : en
Pages : 134
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Book Description
Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.
Author: Carl Ludwig Junker
Publisher: A-R Editions, Inc.
ISBN: 0895798581
Category : Concertos
Languages : en
Pages : 133
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Book Description
A pastor, critic, and writer by profession, Carl Ludwig Junker today is far better known for his books, articles, and published letters than for his musical compositions. As one of the most interesting and perceptive commentators and theorists of the late eighteenth century, Junker provided valuable information about contemporary musicians and music making during his lifetime. Junker also wrote twenty-four symphonies (now lost), thirteen piano pieces, and several songs. The concerto presented in this edition, opus 2, was published by Bossler in 1782. As Junkers only surviving concerto, it enriches our understanding and appreciation of the early piano concerto, a genre that would find its full realization in the hands of Haydn, Mozart, and Beethoven.
Author: Michael Thomas Roeder
Publisher: Hal Leonard Corporation
ISBN: 0931340616
Category : Concerto
Languages : en
Pages : 487
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Book Description
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Author: Marina Ritzarev
Publisher: Routledge
ISBN: 1351568590
Category : Music
Languages : en
Pages : 453
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Book Description
Little is known outside of Russia about the nation's musical heritage prior to the nineteenth century. Western scholarship has tended to view the history of Russian music as not beginning until the end of the eighteenth century. Marina Ritzarev's work shows this interpretation to be misguided. Starting from an examination of the rich legacy of Russian music up to 1700, she explores the development of music over the course of the eighteenth century, a period of especially intense Westernization and secularization. The book focuses on what is characteristic and crucial to Russian music during this period, rather than seeking to provide a comprehensive survey. The musical culture of the time is discussed against the rich background of social, political and cultural life, tying together many of the phenomena that used to be viewed separately. The book highlights the importance of previously marginalized sectors - serf culture, choral sacred culture, the contribution of foreign musicians, the significant influence of Freemasonry, the role of Ukrainian and West-European cultures and so on - as well as casting new light on the well-researched topic of Russian opera. Much new archival material is introduced, and revised biographies of the two leading eighteenth-century Russian composers, Maxim Berezovsky and Dmitry Bortniansky, are provided, as well as those of the serf composer Stepan Degtyarev and the Italian Giuseppe Sarti. The book places eighteenth-century Russian music on the European map, and will be of particular importance for the study of European musical cultures remote from such centres as Italy, Germany-Austria and France. Eighteenth-century Russian music is organically linked with its past and future and its contributory role in forming the Russian national identity and developing the Russian idiom is clarified.
