Author: Reggie Nadelson
Publisher: Bloomsbury Publishing USA
ISBN: 0802718612
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
Dean Reed had one of the strangest careers in the history of popular culture. Failing to gain recognition for his music in his native United States, he achieved celebrity in South America in the early 1960s and then, unbelievably, became the biggest rock star in the Soviet Union, where he was awarded the Lenin Prize and his icons were sold alongside those of Josef Stalin. His albums went gold from Bulgaria to Berlin. He made highly successful movies and, naively earnest, was an unwitting acolyte for socialism; everywhere he went, he was mobbed by his fans. And then, in 1986, at the height of his fame, right after 60 Minutes had devoted a segment to him, finally giving him the recognition he had never attained at home, he drowned in mysterious circumstances in East Berlin. Drawn magnetically to his story, Reggie Nadelson pursued the mystery of Dean Reed's life and death across America and Eastern Europe, her own journey mirroring his. As she traveled, the Berlin Wall came down, the Soviet Union crumbled, and Reed became an increasingly alluring figure, his life an unrepeatable tale of the Cold War world. Encountering the characters- musicians and DJs, politicians and public figures, lovers and wives-who peopled Reed's life, Nadelson was drawn further and further into a seedy, often hilarious subculture of sex, politics, and rock 'n' roll. Part biography, part memoir and personal journey, Comrade Rockstar is an unforgettable chronicle of an utterly improbable life
Comrade Rockstar
Author: Reggie Nadelson
Publisher: Bloomsbury Publishing USA
ISBN: 0802718612
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
Dean Reed had one of the strangest careers in the history of popular culture. Failing to gain recognition for his music in his native United States, he achieved celebrity in South America in the early 1960s and then, unbelievably, became the biggest rock star in the Soviet Union, where he was awarded the Lenin Prize and his icons were sold alongside those of Josef Stalin. His albums went gold from Bulgaria to Berlin. He made highly successful movies and, naively earnest, was an unwitting acolyte for socialism; everywhere he went, he was mobbed by his fans. And then, in 1986, at the height of his fame, right after 60 Minutes had devoted a segment to him, finally giving him the recognition he had never attained at home, he drowned in mysterious circumstances in East Berlin. Drawn magnetically to his story, Reggie Nadelson pursued the mystery of Dean Reed's life and death across America and Eastern Europe, her own journey mirroring his. As she traveled, the Berlin Wall came down, the Soviet Union crumbled, and Reed became an increasingly alluring figure, his life an unrepeatable tale of the Cold War world. Encountering the characters- musicians and DJs, politicians and public figures, lovers and wives-who peopled Reed's life, Nadelson was drawn further and further into a seedy, often hilarious subculture of sex, politics, and rock 'n' roll. Part biography, part memoir and personal journey, Comrade Rockstar is an unforgettable chronicle of an utterly improbable life
Publisher: Bloomsbury Publishing USA
ISBN: 0802718612
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
Dean Reed had one of the strangest careers in the history of popular culture. Failing to gain recognition for his music in his native United States, he achieved celebrity in South America in the early 1960s and then, unbelievably, became the biggest rock star in the Soviet Union, where he was awarded the Lenin Prize and his icons were sold alongside those of Josef Stalin. His albums went gold from Bulgaria to Berlin. He made highly successful movies and, naively earnest, was an unwitting acolyte for socialism; everywhere he went, he was mobbed by his fans. And then, in 1986, at the height of his fame, right after 60 Minutes had devoted a segment to him, finally giving him the recognition he had never attained at home, he drowned in mysterious circumstances in East Berlin. Drawn magnetically to his story, Reggie Nadelson pursued the mystery of Dean Reed's life and death across America and Eastern Europe, her own journey mirroring his. As she traveled, the Berlin Wall came down, the Soviet Union crumbled, and Reed became an increasingly alluring figure, his life an unrepeatable tale of the Cold War world. Encountering the characters- musicians and DJs, politicians and public figures, lovers and wives-who peopled Reed's life, Nadelson was drawn further and further into a seedy, often hilarious subculture of sex, politics, and rock 'n' roll. Part biography, part memoir and personal journey, Comrade Rockstar is an unforgettable chronicle of an utterly improbable life
Gringos Get Rich
Author: Eunice Rojas
Publisher: University of Alabama Press
ISBN: 0817360972
Category : History
Languages : en
Pages : 244
Book Description
Documents counterimperialism in Chilean music since the 1960s Gringos Get Rich: Anti-Americanism in Chilean Music examines anti-Americanism in Latin America as manifested in Chilean music in recent history. From a folk-based movement in the 1960s and early 1970s to underground punk rock groups during the Pinochet regime, to socially conscious hip-hop artists of postdictatorship Chile, Chilean music has followed several left-leaning transnational musical trends to grapple with Chile's fluctuating relationship with the United States. Eunice Rojas's innovative analysis introduces US readers to a wide swath of Chilean musicians and their powerful protest songs and provides a representative and long view of the negative influences of the United States in Latin America. Much of the criticism of the United States in Chile's music centers on the perception of the United States as a heavy-handed source of capitalist imperialism that is exploitative of and threatening to Chile's poor and working-class public and to Chilean cultural independence and integrity. Rojas incorporates Antonio Gramsci's theories about the difficulties of struggles for cultural power within elitist capitalist systems to explore anti-Americanism and anti-capitalist music. Ultimately, Rojas shows how the music from various genres, time periods, and political systems attempts to act as a counterhegemonic alternative to Chile's political, cultural, and economic status quo. Rojas's insight is timely as a political trend toward the right continues in the Americas. There is also increased interest in and acceptance of popular song lyrics as literary texts. The book will appeal to Latin Americanists, ethnomusicologists, scholars of popular culture and international relations, students, and general readers.
Publisher: University of Alabama Press
ISBN: 0817360972
Category : History
Languages : en
Pages : 244
Book Description
Documents counterimperialism in Chilean music since the 1960s Gringos Get Rich: Anti-Americanism in Chilean Music examines anti-Americanism in Latin America as manifested in Chilean music in recent history. From a folk-based movement in the 1960s and early 1970s to underground punk rock groups during the Pinochet regime, to socially conscious hip-hop artists of postdictatorship Chile, Chilean music has followed several left-leaning transnational musical trends to grapple with Chile's fluctuating relationship with the United States. Eunice Rojas's innovative analysis introduces US readers to a wide swath of Chilean musicians and their powerful protest songs and provides a representative and long view of the negative influences of the United States in Latin America. Much of the criticism of the United States in Chile's music centers on the perception of the United States as a heavy-handed source of capitalist imperialism that is exploitative of and threatening to Chile's poor and working-class public and to Chilean cultural independence and integrity. Rojas incorporates Antonio Gramsci's theories about the difficulties of struggles for cultural power within elitist capitalist systems to explore anti-Americanism and anti-capitalist music. Ultimately, Rojas shows how the music from various genres, time periods, and political systems attempts to act as a counterhegemonic alternative to Chile's political, cultural, and economic status quo. Rojas's insight is timely as a political trend toward the right continues in the Americas. There is also increased interest in and acceptance of popular song lyrics as literary texts. The book will appeal to Latin Americanists, ethnomusicologists, scholars of popular culture and international relations, students, and general readers.
The Book Review Digest
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1940
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1940
Book Description
German Film & Literature
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 652
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 652
Book Description
The Hollywood Reporter
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 802
Book Description
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 802
Book Description
Colorado Heritage
Author:
Publisher:
ISBN:
Category : Colorado
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category : Colorado
Languages : en
Pages : 428
Book Description
New York
Author:
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 824
Book Description
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 824
Book Description
The Guinness Encyclopedia of Popular Music: Tillotson, Johnny to ZZ Top
Author: Colin Larkin
Publisher:
ISBN:
Category : Popular music
Languages : en
Pages : 808
Book Description
Publisher:
ISBN:
Category : Popular music
Languages : en
Pages : 808
Book Description
The Publishers Weekly
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 840
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 840
Book Description
Vision on
Author: John Wyver
Publisher: Wallflower Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 260
Book Description
Vision On narrates the turbulent yet distinguished history of one of the fundamental pillars of British broadcasting--the arts. This volume chronicles the years of dynamic and often controversial collaboration between broadcasters and the Arts Council, a key player in bringing art films to the wider public audience. Beginning with the earliest TV documentaries, the arts became central to the remit of public broadcasters, and by the 1980s Channel 4 and the Arts Council were boldly redefining the relationship of the arts and the media by commissioning and airing exclusive and innovative films. With detailed discussion of the cultural role of television programmes such as Civilisation (1966) and Arena (1974 onwards), close analysis of over 25 films and exclusive access to the Arts Council's collection of the 450 films supported between 1953 and 1999, this volume illuminates the vanguard role the arts have played in the proud history of British public broadcasting, and attempts to locate the place of arts broadcasting in today's multi-channel, multi-media world.
Publisher: Wallflower Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 260
Book Description
Vision On narrates the turbulent yet distinguished history of one of the fundamental pillars of British broadcasting--the arts. This volume chronicles the years of dynamic and often controversial collaboration between broadcasters and the Arts Council, a key player in bringing art films to the wider public audience. Beginning with the earliest TV documentaries, the arts became central to the remit of public broadcasters, and by the 1980s Channel 4 and the Arts Council were boldly redefining the relationship of the arts and the media by commissioning and airing exclusive and innovative films. With detailed discussion of the cultural role of television programmes such as Civilisation (1966) and Arena (1974 onwards), close analysis of over 25 films and exclusive access to the Arts Council's collection of the 450 films supported between 1953 and 1999, this volume illuminates the vanguard role the arts have played in the proud history of British public broadcasting, and attempts to locate the place of arts broadcasting in today's multi-channel, multi-media world.