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Author: Hal Foster
Publisher: Mit Press
ISBN: 9780262560818
Category : Art
Languages : en
Pages : 313
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Book Description
Surrealism has long been seen as its founder, André Breton,wanted it to be seen: as amovement of love and liberation. In Compulsive Beauty, Foster reads surrealism from its other,darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive towarddeath.To this end Foster first restages the difficult encounter of surrealism with Freudianpsychoanalysis, then redefines the crucial categories of surrealism - the marvelous, convulsivebeauty, objective chance - in terms of the Freudian uncanny,or the return of familar things madestrange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacomettiin mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy.This leads him finally to propose as a summa of surrealism a body of work often shunted to itsmargins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connectionsnot only between sadism and masochism butal so between surrealism and fascism.At this pointCompulsive Beauty turns to the social dimension of the surrealist uncanny. First Foster reads thesurrealist repertoire of automatons and mannequins as a reflection on the uncanny processes ofmechanization and commodification. Then he considers the surrealist use of outmoded images as anattempt to work through the historical repression effected by these same processes. In a briefconclusion he discusses the fate of surrealism today ina world become surrealistic.Compulsive Beautynot only offers a deconstructive reading of surrealism, long neglected by Anglo-American arthistory, it also participates in a postmodern reconsideration of modernism, the dominant accounts ofwhich have obscured its involvements in desire and trauma, capitalist shock and technologicaldevelopment.Hal Foster is Associate Professor of Art History and Comparative Literature at CornellUniversity. He is an editor of the journal OCTOBER.
Author: Hal Foster
Publisher: Mit Press
ISBN: 9780262560818
Category : Art
Languages : en
Pages : 313
Get Book Here
Book Description
Surrealism has long been seen as its founder, André Breton,wanted it to be seen: as amovement of love and liberation. In Compulsive Beauty, Foster reads surrealism from its other,darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive towarddeath.To this end Foster first restages the difficult encounter of surrealism with Freudianpsychoanalysis, then redefines the crucial categories of surrealism - the marvelous, convulsivebeauty, objective chance - in terms of the Freudian uncanny,or the return of familar things madestrange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacomettiin mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy.This leads him finally to propose as a summa of surrealism a body of work often shunted to itsmargins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connectionsnot only between sadism and masochism butal so between surrealism and fascism.At this pointCompulsive Beauty turns to the social dimension of the surrealist uncanny. First Foster reads thesurrealist repertoire of automatons and mannequins as a reflection on the uncanny processes ofmechanization and commodification. Then he considers the surrealist use of outmoded images as anattempt to work through the historical repression effected by these same processes. In a briefconclusion he discusses the fate of surrealism today ina world become surrealistic.Compulsive Beautynot only offers a deconstructive reading of surrealism, long neglected by Anglo-American arthistory, it also participates in a postmodern reconsideration of modernism, the dominant accounts ofwhich have obscured its involvements in desire and trauma, capitalist shock and technologicaldevelopment.Hal Foster is Associate Professor of Art History and Comparative Literature at CornellUniversity. He is an editor of the journal OCTOBER.
Author: Nicholas Royle
Publisher: Manchester University Press
ISBN: 9780719055614
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
This is the first book-length study of the uncanny, an important concept for contemporary thinking and debate across a range of disciplines and discourses, including literature, film, architecture, cultural studies, philosophy, psychoanalysis, and queer theory. Much of this importance can be traced back to Freud's essay of 1919, "The uncanny," where he was perhaps the first to foreground the distinctive nature of the uncanny as a feeling of something not simply weird or mysterious but, more specifically, as something strangely familiar. As a concept and a feeling, however, the uncanny has a complex history going back to at least the Enlightenment. Nicholas Royle offers a detailed historical account of the emergence of the uncanny, together with a series of close readings of different aspects of the topic. Following a major introductory historical and critical overview, there are chapters on the death drive, déjà-vu, "silence, solitude and darkness," the fear of being buried alive, doubles, ghosts, cannibalism, telepathy, and madness, as well as more "applied" readings concerned, for example, with teaching, politics, film, and religion. This is a major critical study that will be welcomed by students and academics but will also be of interest to the general reader.
Author: Lisa A. Dickson
Publisher: Routledge
ISBN: 1134102062
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
This volume explores the relationship among beauty, violence, and representation in a broad range of artistic and cultural texts, including literature, visual art, theatre, film, and music. Charting diversifying interests in the subject of violence and beauty, dealing with the multiple inflections of these questions and representing a spectrum of voices, the volume takes its place in a growing body of recent critical work that takes violence and representation as its object. This collection offers a unique opportunity, however, to address a significant gap in the critical field, for it seeks to interrogate specifically the nexus or interface between beauty and violence. While other texts on violence make use of regimes of representation as their subject matter and consider the effects of aestheticization, beauty as a critical category is conspicuously absent. Furthermore, the book aims to "rehabilitate" beauty, implicitly conceptualized as politically or ethically regressive by postmodern anti-aesthetics cultural positions, and further facilitate its come-back into critical discourse.
Author: Allen S. Weiss
Publisher: SUNY Press
ISBN: 9780791421550
Category : Philosophy
Languages : en
Pages : 180
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Book Description
Perverse Desire and the Ambiguous Icon analyzes the limits of the applicability of psychoanalytic theory to aesthetic discourse, and in doing so expands the range of non-normative paradigms of spectatorial identification and sexual identity. These considerations are based on the epistemological premises that the ideal seldom coincides with the empirical, and that identification is always partial, fragmented, heterogeneous, mixed, such that total identification would be tantamount to delirium. The imagination is but the ephemera of partial objects torn from culture and history, the transgression by fragmentation of a contemporary cosmos all too unified and all too controlled to admit the most singular, and idiosyncratic, phantasms of our desires. Thus we must posit an aesthetics where theory and interpretation are juxtaposed to, or traced above, the effects of the passions, where a muscular contraction or spasm is worth as much as a concept. It is here, at the fragile limit between iconophilia and iconoclasm, that the ironies and exigencies of poetic justice reside.
Author: Lily Bailey
Publisher: Canbury Press
ISBN: 0993040748
Category : Young Adult Nonfiction
Languages : en
Pages : 257
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Book Description
WASHINGTON POST TOP 50 NON-FICTION BOOK 'Extremely compelling' - The Guardian 'Searing... funny, eloquent and honest' - Psychologies 'Remarkable... I hope this book finds a wide readership' - Washington Post __________________________________________ As a child, Lily Bailey knew she was bad. By the age of 13, she had killed someone with a thought, spread untold disease, and spied upon her classmates. Only by performing a series of secret routines could she correct her wrongdoing. But it was never enough. She had a severe case of Obsessive Compulsive Disorder, and it came with a bizarre twist. This true story is from a startling new voice in non-fiction. It lights up the workings of the mind like Mark Haddon or Matt Haig. Anyone who wants to know about OCD, and how to fight back, should read this book. Immerse yourself in a new world. Reviews Model and journalist Bailey offers an authentic and stunning account of her struggle with Obsessive Compulsive Disorder in this beautifully-rendered memoir. - Publishers Weekly I laughed, I cried. I could not put this book down. Intensely moving with flashes of black humour, Because We Are Bad is the compelling account of one young woman's experience of Obsessive Compulsive Disorder. - Rosanna Greenstreet writes for The Guardian Often as chilling as Sylvia Plath's The Bell Jar, but also full of so much inner and external turbulence that it reminded me at times of The Bourne Identity and Memento.Because We Are Bad is an intense heart-rending roller coaster of a book... - Will Black, Huffpost UK A harrowingly honest memoir of profound psychological struggle. In her courageous book, the author offers compelling insight into the pain and destructive power of OCD as well as the resilience of a young woman determined to beat the odds. - Kirkus Reviews A fascinating read. It's brilliantly written; I felt inside your head - Ray D'Arcy Show, RTE Radio 1 Because We Are Bad is an emotional, challenging read. Lily takes us deep into the heart of the illness but she is also a deft writer, and even the darkest moments are peppered with wit and wry observations. - James Lloyd, OCD-UK Remarkable. She writes with literary poise and a gift for mordant observation and self-deprecating humor that belie her youth. I hope this book finds a wide readership. - Scott Stossel, Washington Post It's a fascinating read... Buy the book! Buy the book! - Jo Good, BBC Radio London
Author: Amaleena Damlé
Publisher: Peter Lang
ISBN: 9783039119004
Category : Art
Languages : en
Pages : 250
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Book Description
Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms. The series publishes studies of individual authors and artists, comparative studies and interdisciplinary projects.
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
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Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Author: Krzysztof Fijalkowski
Publisher: Routledge
ISBN: 1317221923
Category : Philosophy
Languages : en
Pages : 299
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Book Description
Emerging from the disruption of the First World War, surrealism confronted the resulting ‘crisis of consciousness’ in a way that was arguably more profound than any other cultural movement of the time. The past few decades have seen an expansion of interest in surrealist writers, whose contribution to the history of ideas in the twentieth-century is only now being recognised. Surrealism: Key Concepts is the first book in English to present an overview of surrealism through the central ideas motivating the popular movement. An international team of contributors provide an accessible examination of the key concepts, emphasising their relevance to current debates in social and cultural theory. This book will be an invaluable guide for students studying a range of disciplines, including Philosophy, Anthropology, Sociology and Cultural Studies, and anyone who wishes to engage critically with surrealism for the first time. Contributors: Dawn Ades, Joyce Cheng, Jonathan P. Eburne, Krzysztof Fijalkowski, Guy Girard, Raihan Kadri, Michael Löwy, Jean-Michel Rabaté, Michael Richardson, Donna Roberts, Bertrand Schmitt, Georges Sebbag, Raymond Spiteri, and Michael Stone-Richards.
Author: Richard J. Lane
Publisher: Manchester University Press
ISBN: 9780719064371
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
This book explores the persistence of absolute in Benjamin's work by sketching out the relationship between philosphy and theology apparent in his diverse writings, from the early youth movement essays to the later books, essays and fragments. Lane examines Benjamin from two main perspectives: a history-of-ideas approach situating Benjamin in relation to the new German-Jewish thinking at the turn of the twentieth-century, as well as the German youth movements, Surrealism and the "Georgekreis"; and a conceptual approach examining more critical issues in relation to Benjamin and Kant, modern aesthetics and narrative order.
Author: Cory Anderson
Publisher: Roaring Brook Press
ISBN: 1250268109
Category : Young Adult Fiction
Languages : en
Pages : 285
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Book Description
A 2022 William C. Morris YA Debut Award Finalist, What Beauty There Is is Cory Anderson's stunning novel about brutality and beauty, and about broken people trying to survive—"Intense, brutal, and searingly honest," perfect for fans of Patrick Ness, Laura Ruby, and Meg Rosoff. To understand the truth, you have to start at the beginning. Ava Bardem lives in isolation, a life of silence. For seventeen years, Ava’s father, a merciless man, has controlled her fate. He’s taught her to love no one. But then she meets Jack. Living in poverty, Jack Dahl is holding his breath. He and his younger brother have nothing—except each other. With their parents gone, Jack faces a stark choice: lose his brother to foster care or find the drug money that sent his father to prison. He chooses the money. Suddenly, Jack’s and Ava’s fates become intimately—and dangerously—linked as Ava’s father hunts for the same money as Jack. When he picks up on Jack’s trail, Ava must make her own wrenching choice: remain silent or speak and fight for Jack’s survival. Choices. They come at a price.
