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Languages : fr
Pages : 0
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Languages : fr
Pages : 0
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Author: Louis Sébastien Mercier
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Languages : en
Pages :
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Author: Mahesse Kolé
Publisher: African Books Collective
ISBN: 9956553220
Category : Social Science
Languages : en
Pages : 259
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At a time when Côte d’Ivoire was experiencing a military-political crisis and was split in two (2002), the Coupé-Décalé appeared as a real innovation in the Ivorian musical universe. It caused a “sensation” with cultural practices, a dress code, choreographic concepts and musical forms that were atypical of the time. While pre-existing genres, such as Reggae, Hip Hop and Zuglou, are positioned as “committed” music, Coupé-Décalé, on the other hand, is in a completely different register: that of bringing joy, setting the mood, forgetting the sad reality of this difficult period. Nearly two decades later, the Coupé-Décalé continues to enjoy great popularity among a community of fans who are sensitive to the ideology promoted and the social practices that derive from it. This study develops a reflection on the Coupé-Décalé, a form of cultural mediation that consolidates a subcultural identity. It aims first to show the pictorial and imagined representations of the youth subculture through musical content, then to examine the actors, practices and interactions that lead to the development of the musical work, and finally, to demonstrate how the public and the producers, through the reception of the music and the identification with the Coupé-Décalé, constitute a subculture. In short, the Coupé-Décalé is a subcultural identity. It specifies a new relationship to politics, to social norms and, above all, a quest for pleasure, endangerment and amusement. Au moment où la Côte d’Ivoire connaît une crise militaro-politique et est coupée en deux (2002), le Coupé- Décalé apparaît comme une véritable innovation dans l’univers musical ivoirien. Il fait “ sensation” avec des pratiques culturelles, un code vestimentaire, des concepts chorégraphiques et des formes musicales atypiques à l’époque. Pendant que les genres préexistants notamment le Reggae, le Hip Hop et le Zouglou se positionnent comme des musiques “engagées”, le Coupé-Décalé, quant à lui, s’inscrit dans un tout autre registre : celui d’apporter de la joie, de mettre de l’ambiance, d’oublier la triste réalité de cette période difficile. Près de deux décennies plus tard, le Coupé-Décalé continue de jouir d’une grande popularité auprès d’une communauté de fans sensibles à l’idéologie promue et aux pratiques sociales qui en découlent. Cette étude développe une réflexion sur le Coupé-Décalé, une forme de médiation culturelle qui consolide une identité sous-culturelle. Elle veut d’abord montrer les représentations imagées et imaginées de la sous- culture jeune à travers les contenus musicaux, ensuite examiner les acteurs, pratiques et interactions qui conduisent à l’élaboration de l’œuvre musicale, et enfin, démontrer en quoi le public et les producteurs, à travers la réception de la musique et l’identification au Coupé-Décalé, constituent une sous-culture. En définitive, le Coupé-Décalé constitue une identité sous-culturelle. Il précise un nouveau rapport au politique, aux normes sociales et surtout une quête vers le plaisir, l’enjaillement et l’amusement.
Author: Mary E. Bond
Publisher: UBC Press
ISBN: 9780774805650
Category : Language Arts & Disciplines
Languages : en
Pages : 1102
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In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Henry Alfred Todd
Publisher:
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Category : Electronic journals
Languages : en
Pages : 416
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Author: Eberhard Bons
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311038311X
Category : Religion
Languages : en
Pages : 367
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Lexicography, together with grammatical studies and textual criticism, forms the basis of biblical exegesis. Recent decades have seen much progress in this field, yet increasing specialization also tends to have the paradoxical effect of turning exegesis into an independent discipline, while leaving lexicography to the experts. The present volume seeks to renew and intensify the exchange between the study of words and the study of texts. This is done in reference to both the Hebrew source text and the earliest Greek translation, the Septuagint. Questions addressed in the contributions to this volume are how linguistic meaning is effected, how it relates to words, and how words may be translated into another language, in Antiquity and today. Etymology, semantic fields, syntagmatic relations, word history, neologisms and other subthemes are discussed. The main current and prospective projects of biblical lexicology or lexicography are presented, thus giving an idea of the state of the art. Some of the papers also open up wider perspectives of interpretation.
Author:
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Category : History
Languages : en
Pages : 630
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Includes proceedings and reports of International Congress of Historical Sciences for years 1928, 1933 and 1938; and other international congresses and meetings.
Author: Madame de Staël (Anne-Louise-Germaine)
Publisher:
ISBN:
Category : German literature
Languages : en
Pages : 604
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Author: Larisa Cercel
Publisher: Narr Francke Attempto Verlag
ISBN: 3823376411
Category : Literary Criticism
Languages : en
Pages : 310
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Übersetzen ist in einem fundamentalen Sinne hermeneutisch: Jede Übersetzung ist das Ergebnis eines jeweils anderen Verstehens und Auslegens des Originals durch den Übersetzer. Das vorliegende Buch beschäftigt sich mit dieser Grunderkenntnis der Übersetzungspraxis und reflektiert sie auf übersetzungstheoretischer Ebene. So wird anschaulich gezeigt, wie die unumgängliche human-, d.h. übersetzungsbedingte Dimension des Übersetzungsprozesses mit den wissenschafltichen Anforderungen der Übersetzungsforschung vereinbart werden kann. Das Buch plädiert für eine konstruktive Artikulation der hermeneutischen Tradition und der neuen Übersetzungstheorie in einer interdisziplinären Perspektive und zeigt Wege zur Konstitution einer Übersetzungswissenschaft auf hermeneutischer Basis auf.
Author: Charles Dickens
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 674
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