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Author: Arthur L. Guptill
Publisher: Watson-Guptill
ISBN: 0823045293
Category : Art
Languages : en
Pages : 257
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Book Description
Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.
Author: Arthur L. Guptill
Publisher: Watson-Guptill
ISBN: 0823045293
Category : Art
Languages : en
Pages : 257
Get Book Here
Book Description
Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.
Author: Markus S Agerer
Publisher:
ISBN:
Category :
Languages : en
Pages : 126
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Book Description
This is a book about composition in drawings. You can learn how to create your own pictures and how to make impressive picture compositions while drawing. In this book you will learn the basics and the most important rules of image design. You will also learn about psychological backgrounds that influence the way we perceive pictures.Important contents at a glance: -What does image composition in drawing mean? -Organizational principles of picture development -Psychological foundations of image composition -Proper image subdivision -The Golden Section -The Golden Spiral -The Rule of Thirds -Diagonal method -Graphic design elements -Surface and form in design -Contrast for better compositions -How to implement perspective and space -Light and shadow Many paintings from the world of art serve as pictorial examples here, which should contribute to an ideal understanding of the theory. In addition, many of my own drawings and illustrations can be found in the book, with which I describe more precisely the principles that my picture compositions are based on.
Author: Ian Roberts
Publisher: Penguin
ISBN: 1581809247
Category : Art
Languages : en
Pages : 145
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Book Description
Create Better Compositions by Design The path to better painting begins with Mastering Composition. This effective guide blends clear, visual instruction with 5 step-by-step demonstrations to show you how to plan and paint your best work yet. Composition is the key, and here you'll learn to design paintings with new skill and confidence. It all begins with the armature or structure of the picture plane. Every great painting has one, and you'll see through several famous examples exactly how the Old Masters used armatures to create movement, narrative, harmony and fluidity. Based on these examples, you'll practice what you've learned following a series of hands-on demonstrations. Once you understand the basic principles of design, you'll be amazed at how quickly and effectively your compositions come together. Soon you will be painting more boldly and confidently than ever before with less reworking and overworking. Whether you're a beginner looking for basic instruction or a more advanced painter troubleshooting a specific problem, the proven methods in this book will work for you. Ideal for all mediums, Mastering Composition gives you the knowledge you need to create powerful paintings out of every subject.
Author: Frank Webb
Publisher:
ISBN: 9781626540668
Category : Art
Languages : en
Pages : 146
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Book Description
Create compelling paintings by mastering compositional techniques While happy accidents may occasionally contribute to producing strong, eye-catching paintings, conscious painting is more important. According to author Frank Webb, "Composition is more important than fact, technique, or subject." To create compelling, expressive works, you must make the composition the foundation of your plan. This book provides example-by-example demonstrations of how you can achieve this. The works of 24 professional artists included in this book give you an over-the-shoulder look at how to apply composition techniques. Armed with this information, you can paint a powerful picture and--just as importantly--analyze and improve a work that has gone wrong. "Strengthen Your Paintings with Dynamic Composition" is an indispensable addition to the artist's library that you will read and re-read. Webb's memorable instruction will guide the beginner through composition challenges and serve as a reference for the more experienced painter. Frank Webb, a professional artist since 1947, is a Dolphin Fellow of the American Watercolor Society, which he has represented in international exhibitions in Canada, New York, England, Scotland, and Mexico City. A guest instructor in all 50 states, juror, and lecturer, Webb has received over 110 major medals and awards from national competitions, including six from the American Watercolor Society. Collectors of Webb's paintings include National Taiwan Arts Education Center, Baylor University, Palmer Museum of Art at Penn State University, Portland Museum of Art, and South Arkansas Arts Center, to name a few.Webb is featured in "Who's Who in American Art" and "Who's Who in the East," and he is also a member of the Allied Artists of America, Audubon Artists, the Rocky Mountain National Watermedia Association, and many other art associations."
Author: Edgar Alwin Payne
Publisher:
ISBN: 9780939370115
Category : Composition (Art)
Languages : en
Pages : 170
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Book Description
7th Edition, 8th printing of the original 1941 publication, many added color plates and addenda by Evelyn Payne Hatcher, the artist/author's daughter. A must for art collectors, artists, teachers and art dealers.
Author: Henry Rankin Poore
Publisher: Courier Corporation
ISBN: 9780486233581
Category : Art
Languages : en
Pages : 110
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Book Description
A painting's technique, color, and perspective may all be excellent, yet the painting will fail unless its composition succeeds. Composition is the harmonious arranging of the component parts of a work of art into a unified whole. Henry Poore examines the works of old masters and moderns in this book and uses these examples to explain the principles of compositions in art. All the paintings that the author analyzes are illustrated in the text ? 166 illustrations, including 9 in full color. Thirty-two diagrams by the author accompany his textural discussion of such topics as the importance of balance, entrance and exit, circular observation, angular composition, composition with one or more units, and light and shade. Balance is the most important of these topics, and it is considered in the greatest detail ? balance of the steelyard, vertical and horizontal balance, and so on. A complete index enables the reader to locate his own specific areas of interest. To see how a painting by Czanne, Goya, or Hopper, for example, follows definite principles of composition allows the practicing artist or art student to learn composition from the finest instructors ? the artists themselves. This book is also very useful to the art devotee, who will find his appreciation of the subject greatly enhanced.
Author: Mitchell Albala
Publisher: Watson-Guptill
ISBN: 0823008347
Category : Art
Languages : en
Pages : 202
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Book Description
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.
Author: Greg Albert
Publisher: Penguin
ISBN: 1440317518
Category : Art
Languages : en
Pages : 128
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Book Description
Create art that's more attractive, interesting and eye-catching! Even if your perspective is accurate, your subject realistic and colors vibrant, a weak composition - predictable, repetitious or monotonous - means a weak painting. The Simple Secret to Better Painting ensures that your compositions work every time. It's an insightful artistic philosophy that boils down the many technical principles of composition into a single master rule that's easy to remember and apply: Never make any two intervals the same. You can make every painting more interesting, dynamic and technically sound by varying intervals of distance, length and space, as well as intervals of value and color. The rule also applies to balance, shape and the location of your painting's focal point. Greg Albert illustrates these lessons with eye-opening examples from both beginning and professional artists, including Frank Webb, Tony Couch, Kevin Macpherson, Charles Reid, Tony Van Hasselt and more. You'll discover that the ONE RULE is the only rule of composition you need to immediately improve your work - the moment your brush touches the canvas.
Author: Arthur Wesley Dow
Publisher: Franklin Classics
ISBN: 9780343382995
Category :
Languages : en
Pages : 144
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Michel Jacobs
Publisher:
ISBN:
Category : Composition
Languages : en
Pages : 174
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Book Description
