Composite Deities in Indian Art and Literature PDF Download
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Author: Shanti Lal Nagar
Publisher:
ISBN:
Category : Arts, Indic
Languages : en
Pages : 238
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Book Description
Author: Shanti Lal Nagar
Publisher:
ISBN:
Category : Arts, Indic
Languages : en
Pages : 238
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Book Description
Author: Nirmala Yadav
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
Author: Adalbert J. Gail
Publisher: Motilal Banarsidass Publishe
ISBN: 9788120829442
Category : Art, Ancient
Languages : en
Pages : 264
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Book Description
About the Book : The articles collected in this volume, which were originally presented in the panels on art and epigraphy at the 12th World Sanskrit Conference in Helsinki, Finland, illustrate the depth, diversity and sophistication of recent studies in
Author: Dipak Chandra Bhattacharyya
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 118
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Book Description
Illustrations: 46 b/w figures Description: This is the first-ever exclusive study of the composite images of Indian iconography. Of the five chapters of the book, the one on Supreme Form can legitimately claim to be the first-ever comprehensive treatment of the theme concerned. The emphasis has been on the study of the socio-historical perspective of the images. The critical apparatus used consists of original source-materials, both published and unpublished. Copious textual citations and visual documentation in the form of more than forty illustrations of images lend authenticity to the volume which doubtless is a significant scholarly contribution to the iconological study of Indian art.
Author: Bernard Faure
Publisher: University of Hawaii Press
ISBN: 0824857720
Category : Religion
Languages : en
Pages : 514
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Book Description
Written by one of the leading scholars of Japanese religion, Protectors and Predators is the second installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism—specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual. Throughout he engages theoretical insights drawn from structuralism, post-structuralism, and Actor-Network Theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikkyō). His work is particularly significant given its focus on the deities’ multiple and shifting representations, overlappings, and modes of actions rather than on individual characters and functions. In Protectors and Predators Faure argues that the “wild” gods of Japan were at the center of the medieval religious landscape and came together in complex webs of association not divisible into the categories of “Buddhist,” “indigenous,” or “Shinto.” Furthermore, among the most important medieval gods, certain ones had roots in Hinduism, others in Daoism and Yin-Yang thought. He displays vast knowledge of his subject and presents his research—much of it in largely unstudied material—with theoretical sophistication. His arguments and analyses assume the centrality of the iconographic record as a complement to the textual record, and so he has brought together a rich and rare collection of more than 170 color and black-and-white images. This emphasis on iconography and the ways in which it complements, supplements, or deconstructs textual orthodoxy is critical to a fuller comprehension of a set of medieval Japanese beliefs and practices and offers a corrective to the traditional division of the field into religious studies, which typically ignores the images, and art history, which oftentimes overlooks their ritual and religious meaning. Protectors and Predators and its companion volumes should persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold.
Author: Gudrun Bühnemann
Publisher: Gonda Indological Studies
ISBN:
Category : Art
Languages : en
Pages : 380
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Book Description
Volume I: The Pantheon of the Mantramahodadhi; Volume II: The Pantheons of the Prapañcasāra and the Śāradātilaka. With illustrations.
Author: Malik Mohamed
Publisher: Taylor & Francis
ISBN: 1003830951
Category : Social Science
Languages : en
Pages : 398
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Book Description
In The Foundations of the Composite Culture in India, the focus of the author is the process of establishment of Hindu-Muslim unity as a result of historical, social and cultural factors over a period of ten centuries. Traversing this era, he reveals how the Muslim rulers contributed to such harmony and how the two cultures exchanged and accepted each other's tenets to enrich and formulate a composite Indian culture. To explore the foundations on which the complex culture of India rests, the author examines the contribution of Sufism which inherently connotes syncretism and tolerance, as well as the simultaneous rise of the Bhakti movement in medieval India. This title is co-published with Aakar Books. Print editions not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
Author: Neeta Yadav
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 286
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Book Description
The Scholarly Work Throws Light On The Artistic, Aesthetic, Literary And Philosophical Aspects Of The Ardhanarisvara Form Of Siva. Providing A Conceptual And Historical Background Of The Doctrines Relating To Siva And Sakti Worship It Involves An Iconographical Study Of The Ardhanarisvara Image.
Author: Udai Prakash Arora
Publisher: Anamika Pub & Distributors
ISBN:
Category : History
Languages : en
Pages : 182
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Book Description
Selected conference papers of Indian History and Culture Society held at M.J.P. Rohilkhand University, 1993.
Author: Heather Elgood
Publisher: A&C Black
ISBN: 0304707392
Category : Religion
Languages : en
Pages : 261
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Book Description
The roots between the Hindu religion and the wider culture are deep and uniquely complex. No study of either ancient or contemporary Indian culture can be undertaken without a clear understanding of Hindu visual arts and their sources in religious belief and practice. Defining what is meant by religion - no such term exists in Sanskrit - and what is understood by Hindu ideals of beauty, Heather Elgood provides the best synthesis and critical study of recent scholarship on the topic. In addition, this book offers critical background information for anyone interested in the social and anthropological roots of artistic creativity, as well as the rites, practices and beliefs of the hundreds of millions of Hindus in the world today.
