Author: Terence Dwyer
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 92
Book Description
Composing with Tape Recorders
Author: Terence Dwyer
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 92
Book Description
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 92
Book Description
Composing with Tape Recorders
Author: Terence Dwyer
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 0
Book Description
Composing with tape recorders
Author: Terence Dwyer
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 74
Book Description
Composing with Tape Recorders
Author: Terence Dwyer
Publisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
Komponieren mit dem Tonbandgerät
Author: Terence Dwyer
Publisher:
ISBN: 9783129689707
Category : Composition (Music)
Languages : en
Pages : 72
Book Description
Publisher:
ISBN: 9783129689707
Category : Composition (Music)
Languages : en
Pages : 72
Book Description
Computers & Composing
Author: Jeanne W. Halpern
Publisher: SIU Press
ISBN: 9780809311460
Category : Computers
Languages : en
Pages : 164
Book Description
Intended to (1) acquaint teachers with the potential of computers, (2) show them what changes writers may have to make in their composing habits, and (3) inform teachers of the changes they may have to make in course syllabi to prepare students for the demands of the electronic world, this book examines the impact of technology on composition instruction. The first chapter discusses the capabilities and rapidly growing use in the business and professional world of such electronic technology as telecommunication systems and audio and electronic mail systems. The second chapter distills information about dictation and word processing systems from an extensive review of research literature and from interviews with computer users and trainers at various business sites across the country. Based on this, the third chapter outlines the curricula required to enable students to be effective composers at the computer. The fourth chapter contains forecasts of the kinds of research still needed for teachers to develop fruitful programs and strategies in the composition classroom. Appendixes include materials from the interviews, and information on audio mail systems and dictation processes. (HTH)
Publisher: SIU Press
ISBN: 9780809311460
Category : Computers
Languages : en
Pages : 164
Book Description
Intended to (1) acquaint teachers with the potential of computers, (2) show them what changes writers may have to make in their composing habits, and (3) inform teachers of the changes they may have to make in course syllabi to prepare students for the demands of the electronic world, this book examines the impact of technology on composition instruction. The first chapter discusses the capabilities and rapidly growing use in the business and professional world of such electronic technology as telecommunication systems and audio and electronic mail systems. The second chapter distills information about dictation and word processing systems from an extensive review of research literature and from interviews with computer users and trainers at various business sites across the country. Based on this, the third chapter outlines the curricula required to enable students to be effective composers at the computer. The fourth chapter contains forecasts of the kinds of research still needed for teachers to develop fruitful programs and strategies in the composition classroom. Appendixes include materials from the interviews, and information on audio mail systems and dictation processes. (HTH)
Composing Electronic Music
Author: Curtis Roads
Publisher: Oxford University Press
ISBN: 0199911401
Category : Music
Languages : en
Pages : 513
Book Description
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.
Publisher: Oxford University Press
ISBN: 0199911401
Category : Music
Languages : en
Pages : 513
Book Description
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.
The San Francisco Tape Music Center
Author: David W. Bernstein
Publisher: Univ of California Press
ISBN: 0520256174
Category : Music
Languages : en
Pages : 348
Book Description
DVD, entitled Wow and flutter, contains recordings of concerts at the festival, held Oct. 1-2. 2004, RPI Playhouse, Rensselaer Polytechnic Institute, Troy, N.Y.
Publisher: Univ of California Press
ISBN: 0520256174
Category : Music
Languages : en
Pages : 348
Book Description
DVD, entitled Wow and flutter, contains recordings of concerts at the festival, held Oct. 1-2. 2004, RPI Playhouse, Rensselaer Polytechnic Institute, Troy, N.Y.
Electronic Music Composition for Beginners
Author: Robert Train Adams
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN:
Category : Music
Languages : en
Pages : 312
Book Description
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN:
Category : Music
Languages : en
Pages : 312
Book Description
Practical Recording Techniques
Author: Bruce Bartlett
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 508
Book Description
This hands-on, practical guide is for beginning and intermediate recording engineers, producers, musicians, and radio enthusiasts. In a step-by-step, easy to read format, the book prepares the reader for work in a home studio, a small professional studio, or an on-location recording session.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 508
Book Description
This hands-on, practical guide is for beginning and intermediate recording engineers, producers, musicians, and radio enthusiasts. In a step-by-step, easy to read format, the book prepares the reader for work in a home studio, a small professional studio, or an on-location recording session.