Author: Johann Nepomuk Hummel
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 112
Book Description
Complete piano sonatas: No. 1, op. 2, no. 3, C major ; No. 2, op. 13, E flat major ; No. 3, op. 20, F minor ; No. 4, op. 38, C major
The International Cyclopedia of Music and Musicians
Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
Vladimir Horowitz
In the Process of Becoming
Author: Janet Schmalfeldt
Publisher: Oxford University Press
ISBN: 0190258187
Category : Music
Languages : en
Pages : 350
Book Description
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's account of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and listeners, and when music itself became a topic for renewed philosophical investigation. A recurring metaphor in early nineteenth-century philosophical writings is the notion of becoming. In the Process of Becoming explores the idea of "form coming into being" in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms. Due to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. Schmalfeldt's unique analytic method captures the dynamic, quasi-narrative nature of such transformations. This experiential approach invites listeners and performers to participate in the interpretation of processes by which, for example, brooding introduction-like openings become main themes and huge formal expansions offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of a quest for novel, intensely self-reflective modes of communication.
Publisher: Oxford University Press
ISBN: 0190258187
Category : Music
Languages : en
Pages : 350
Book Description
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's account of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and listeners, and when music itself became a topic for renewed philosophical investigation. A recurring metaphor in early nineteenth-century philosophical writings is the notion of becoming. In the Process of Becoming explores the idea of "form coming into being" in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms. Due to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. Schmalfeldt's unique analytic method captures the dynamic, quasi-narrative nature of such transformations. This experiential approach invites listeners and performers to participate in the interpretation of processes by which, for example, brooding introduction-like openings become main themes and huge formal expansions offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of a quest for novel, intensely self-reflective modes of communication.
Musical Courier and Review of Recorded Music
9 Sonatas
Author: Domenico Scarlatti
Publisher:
ISBN:
Category : Sonatas (Harpsichord)
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Sonatas (Harpsichord)
Languages : en
Pages : 48
Book Description
Catalogs
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 700
Book Description
The Monthly Musical Record
The Musical Times and Singing-class Circular
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 486
Book Description
Heinrich Schenker
Author: Benjamin Ayotte
Publisher: Routledge
ISBN: 1000143562
Category : Music
Languages : en
Pages : 348
Book Description
This book consists of over 1,500 citations to both primary sources and the burgeoning secondary literature of Heinrich Schenker, annotated and subdivided by category. The citations are supplemented with indices cross-referencing entries according to individual works and analytical topic.
Publisher: Routledge
ISBN: 1000143562
Category : Music
Languages : en
Pages : 348
Book Description
This book consists of over 1,500 citations to both primary sources and the burgeoning secondary literature of Heinrich Schenker, annotated and subdivided by category. The citations are supplemented with indices cross-referencing entries according to individual works and analytical topic.