Complete Cello Sonatas: Op. 5 Nos. 1-2; Op. 69; Op. 102 Nos. 1-2 PDF Download
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Author:
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 999
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Book Description
Beethoven's complete sonatas for Cello and Piano. Contains Piano Score and separate Cello Part. Sonata No. 1 Op. 5, No. 1 F Major Sonata No. 2 Op. 5, No. 2 G Minor Sonata No. 3 Op. 69 A Major Sonata No. 4 Op. 102, No. 1 C Major Sonata No. 5 Op. 102, No. 2 D Major
Author:
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 999
Get Book
Book Description
Beethoven's complete sonatas for Cello and Piano. Contains Piano Score and separate Cello Part. Sonata No. 1 Op. 5, No. 1 F Major Sonata No. 2 Op. 5, No. 2 G Minor Sonata No. 3 Op. 69 A Major Sonata No. 4 Op. 102, No. 1 C Major Sonata No. 5 Op. 102, No. 2 D Major
Author: Christine Ammer
Publisher: Infobase Publishing
ISBN: 1438130090
Category : Music
Languages : en
Pages : 513
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Book Description
"The Facts On File Dictionary of Music provides in-depth explanations and examples of more than 3
Author: Ludwig van Beethoven
Publisher: Courier Corporation
ISBN: 0486264416
Category : Music
Languages : en
Pages : 174
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Book Description
All five sonatas for cello and piano, and three sets of variations on themes by Mozart and Handel. Basic works of the chamber music repertoire, reprinted from the authoritative Breitkopf & Hartel edition. "
Author: Thomas Schmidt-Beste
Publisher: Cambridge University Press
ISBN: 1107310547
Category : Music
Languages : en
Pages : 279
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Book Description
What is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.
Author: Leander Jan De Bekker
Publisher: London : A. & C. Black, Limited
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 784
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Book Description
Author: Leander Jan De Bekker
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 724
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Book Description
Author: Paul Griffiths
Publisher: Penguin UK
ISBN: 0141909765
Category : Music
Languages : en
Pages : 1400
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Book Description
This superbly authoratitive new work provides a comprehensive A-Z guide to some 1000 years of Western music. It explores in detail the lives and achievements of a vast range of composers, as well as looking at such key topics as music history (from medieval plainchant to contemporary minimalism), performers, theory and jargon. Throught Griffiths skilfully blends lightly worn scholarship with personal insight, whether examining the emotional colouring that different musical keys achieve or charting the rise and development of the symphony.
Author: Louis Potter
Publisher: Alfred Music
ISBN: 1457400359
Category : Music
Languages : en
Pages : 248
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Book Description
The author's stated purpose in writing The Art of Cello Playing is to present a progressive sequence of commentary and material as a basis for acquiring a sound technical foundation and basic playing competence to prepare the player for exploring the rich solo, orchestral, and chamber music literature of the instrument. To that end he has produced a comprehensive textbook and reference manual on beginning to advanced cello technique with emphasis on the vital beginning foundation. Louis Potter Jr., is particularly well qualified to make this contribution from his wide experience in teaching both classes and individuals at Michigan State University and at National Music Camp, Interlochen, Michigan.
Author: Janet Schmalfeldt
Publisher: Oxford University Press
ISBN: 0190656123
Category : Music
Languages : en
Pages : 344
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Book Description
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.
Author: Alfred Brendel
Publisher: Biteback Publishing
ISBN: 1849549613
Category : Music
Languages : en
Pages : 473
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Book Description
Alfred Brendel, one of the greatest pianists of our time, is renowned for his masterly interpretations of Haydn, Mozart, Beethoven, Schubert and Liszt, and has been credited with rescuing from oblivion the piano music of Schubert's last years. Far from having merely one string to his bow, however, Brendel is also one of the world's most remarkable writers on music - possessed of the rare ability to bring the clarity and originality of expression that characterised his performances to the printed page. The definitive collection of his award-winning writings and essays, Music, Sense and Nonsense combines all of his work originally published in his two classic books, Musical Thoughts and Afterthoughts and Music Sounded Out, along with significant new material on a lifetime of recording, performance habits and reflections on life and art. As well as providing stimulating reading, this new edition provides a unique insight into the exceptional mind of one of the outstanding musicians of the twentieth and twenty-first centuries. Whether discussing Bach or Beethoven, Schubert or Schoenberg, Brendel's reflections are illuminating and challenging, a treasure for the specialist and the music lover alike.
