Comping Techniques PDF Download
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Author: Suzanne West
Publisher: Watson-Guptill Publications
ISBN: 9780823007677
Category : Computers
Languages : en
Pages : 164
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Book Description
Author: Suzanne West
Publisher: Watson-Guptill Publications
ISBN: 9780823007677
Category : Computers
Languages : en
Pages : 164
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Book Description
Author: Jeb Patton
Publisher:
ISBN: 9781883217785
Category : Musical accompaniment
Languages : en
Pages : 268
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Book Description
This book covers topics such as comping rhythms, left hand comping, trombone voicings, bepop comping, and open voicings. With an introduction, transcriptions, interviews, and appendix. The CDs contain example and play-along tracks.
Author: Mdecks Music
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
Have instant access to the complete online piano course with video lessons, workouts and jazz standard demos. This is volume 2, dedicated to minor key, walking bass lines and comping rhythms. Learn the most effective 4-note rootless voicings for chords found in the Jazz Standards repertoire. Every voicing in this piano course is a 4-note rootless voicing in closed position. There's a lesson and a 5-minute workout for each key. Practice and learn this essential set of voicings and take your playing to the next level. Includes complete charts with Piano Solos using 4-note rootless voicings on the left hand.
Author: Mark Harrison
Publisher: Hal Leonard Corporation
ISBN: 1476825130
Category : Music
Languages : en
Pages : 127
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Book Description
(Keyboard Instruction). This book with audio will give you a complete rock piano workout in both modern and classic styles! You'll develop your rhythmic feel, dexterity, hand coordination, and voicing skills as you work through the fun, authentic examples. These pieces will help you use your rock piano technique in a musical, stylistically effective way. Each audio music sample is recorded at several tempos, so you can choose the one that's right for you as you play along with the rock rhythm section.
Author: Andrew Green
Publisher: Mel Bay Publications
ISBN: 1619117282
Category : Music
Languages : en
Pages : 137
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Book Description
For most of the recorded history of jazz, the piano has been the main, and usually the only, comping instrument. This text will help guitarists get a handle on the most important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book, they are isolated for study in particular sections. The book and accompanying audio cover voice leading, multi-use voicings, voicing variations, passing chords, harmonized scales, intervallic comping, rhythm and studies (blues, standard, modern and modal). Includes access to online audio.
Author: Andrew Green
Publisher: Mel Bay Publications
ISBN: 1619118408
Category : Music
Languages : en
Pages : 112
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Book Description
When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your technique. If you can't play certain types of ideas, you are simply not going to conceive of them while you are improvising. Even if you could, it wouldn't matter, since you couldn't play them anyway. This book presents serious chops-building technical studies for single note lines and chords. Plus, the examples feature a lot of harmonic content. The material is written in standard notation.
Author: JENS. LARSEN
Publisher: WWW.Fundamental-Changes.com
ISBN: 9781789330243
Category :
Languages : en
Pages : 70
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Book Description
Learn modern jazz guitar and theory with virtuoso Jens Larsen
Author: Gary Motley
Publisher: Taylor & Francis
ISBN: 1003829708
Category : Music
Languages : en
Pages : 214
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Book Description
Harmonic Development and Contrapuntal Techniques for the Jazz Pianist serves as a guide for harmonic expansion and development for jazz piano, offering pianists both a rationale and methods to improve contrapuntal hand techniques. The text focuses on the relationship between theory and execution and both of those components’ usefulness in creating a jazz sound at the piano. This kinaesthetic method provides the learner with a systematic approach to harmonic movement, revealing options that may not have been otherwise apparent. This method will allow pianists to add depth and dimension to their chord voicings in the same way that vocalists and wind instrumentalists give character and shape to the notes they create. Key features include musical examples ranging from singular chord construction to sophisticated harmonic progressions and song application. Performance exercises are provided throughout the text. Learners and instructors are encouraged to create their own exercises. Related ancillaries at harmoniccounterpoint.com include: Musical examples Audio tracks Performance exercises Written assignments Intended for the learner who is reasonably familiar with essential jazz harmony, this textbook will be both a significant resource for the advanced player and a fundamental component for the learner in a structured academic musical setting.
Author: Jerald Simon
Publisher: Jerald Simon
ISBN: 9781948274111
Category :
Languages : en
Pages :
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Book Description
100 Different Ways to play the same song. Piano students learn 100 fun left hand patterns to take any music and change it up 100 different ways. Also included in the book is the FUN FAKEBOOK which includes 100 piano pieces in facebook format where the melody (Right Hand - treble clef) and the given chords for each measure are shown. The students can then fake or make up a left hand pattern to go along with the melody.
Author: Barry Galbraith
Publisher: Alfred Music
ISBN: 9781562240400
Category : Music
Languages : en
Pages : 0
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Book Description
From the great recording artist and studio guitarist Barry Galbraith comes the first comprehensive material on the art of jazz guitar comping. This book contains jazz voicings and rhythms for a range of standards and blues, and bass parts are shown in treble clef. The recordings on the play-along CD feature excellent stereo separations, with Barry on guitar and Milt Hinton on bass, making improvisation practice fun
