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Author: Elaine Fantham
Publisher: University of Toronto Press
ISBN: 1487596847
Category : History
Languages : en
Pages : 271
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Book Description
Of all stylistic devices, imagery has the greatest appeal to the imagination, but is also the most likely to offend, either by staleness or by tasteless excess. This volume establishes some of the limitations which govern figurative language in Latin speech and prose by exploring such questions as these: From what physical or social contexts is Latin imagery derived? To what extent is it influenced by the primacy of Greek as a cultural language and the derivation of the earliest Latin literature from Greek models? How are the metaphors expressed in terms of syntax, through verb, noun, adjective, or a combination of syntactical forms? How are the form and content of imagery related to the literary genre? In this study Professor Fantham analyses in detail the conservative imagery of Terence and of Cicero's letters, contrasting this naturalistic language with the fantasies of Plautus and the formalization of Cicero's speeches. A separate chapter on the de Oratore shows how the thematic and structural use of metaphor and analogy provide balance and continuity, giving Latin prose imagery its full role in a mature classical work of art. Numerous illustrative passages from Greek New Comedy, Terence, Plautus, and Cicero are reproduced in the text.
Author: Elaine Fantham
Publisher: University of Toronto Press
ISBN: 1487596847
Category : History
Languages : en
Pages : 271
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Book Description
Of all stylistic devices, imagery has the greatest appeal to the imagination, but is also the most likely to offend, either by staleness or by tasteless excess. This volume establishes some of the limitations which govern figurative language in Latin speech and prose by exploring such questions as these: From what physical or social contexts is Latin imagery derived? To what extent is it influenced by the primacy of Greek as a cultural language and the derivation of the earliest Latin literature from Greek models? How are the metaphors expressed in terms of syntax, through verb, noun, adjective, or a combination of syntactical forms? How are the form and content of imagery related to the literary genre? In this study Professor Fantham analyses in detail the conservative imagery of Terence and of Cicero's letters, contrasting this naturalistic language with the fantasies of Plautus and the formalization of Cicero's speeches. A separate chapter on the de Oratore shows how the thematic and structural use of metaphor and analogy provide balance and continuity, giving Latin prose imagery its full role in a mature classical work of art. Numerous illustrative passages from Greek New Comedy, Terence, Plautus, and Cicero are reproduced in the text.
Author: Karl Christ
Publisher: Univ of California Press
ISBN: 9780520045668
Category : History
Languages : en
Pages : 306
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Book Description
Author: Elaine Fantham
Publisher: Walter de Gruyter
ISBN: 3110229331
Category : History
Languages : en
Pages : 665
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Book Description
This volume presents closely connected articles by Elaine Fantham, which deal with Roman responses to Greek literature on three major subjects: the history and criticism of Latin poetry and rhetoric, women in Roman life and dramatic poetry and the poetic representation of children in relation to their mothers and teachers. The volume opens with papers on Roman comedy: Menaechmi, Trinummus, Hautontimorumenos, papers on women of the demimonde in Truculentus and Eunuchus, Cistellaria and Poenulus. The second part deals with rhetoric, including the subject of imitation as a stylistic feature, the study of performance comparing oratory and comedy and of declamation. Papers on Ovid's Fasti include a study of failed rape-scenes and papers concerned with women's cults. The last part (Senecan tragedy, Lucan, Statius) focuses on Lucan's Civil War and his treatment of Caesar as well as Statius' Thebaid and Achilleid.
Author: Neil Bernstein
Publisher: University of Toronto Press
ISBN: 1442693037
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
Only four Roman epic poems survive from the Flavian period (69-96 AD): Valerius Flaccus's Argonautica, Statius's Thebaid and Achilleid, and Silius Italicus's Punica. Neil W. Bernstein argues that these poems contain depictions of kinship that are significantly different from earlier epic and examines these representations in the context of the social, political, and aesthetic changes of the early Imperial period. The author analyses various kinds of kinship, including biological relationships, elective relationships such as marriage and adoption, and the symbolic bonds of social and political allegiances, to illuminate the complex ways in which the Roman upper class asserted their status with or without noble lineage. A fresh and fascinating look at not only Roman poetry, but the epic tradition itself, In the Image of the Ancestors is essential reading for classicists and literary historians.
Author: Tommaso Spinelli
Publisher:
ISBN: 1009282247
Category : History
Languages : en
Pages : 306
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Book Description
This is the first in-depth exploration of the extent and significance of Ovidian intertexts in Statius' Thebaid, with particular emphasis on the interplay between poetics, politics, and material culture. Introducing New Historicist, Cultural Materialistic, and Intermedial approaches to Latin literature, it suggests that, despite their Virgilian patina, Statius' depictions of landscapes, heroes, and gods are pervaded by verbal and semantic allusions to Ovid's mythical narratives. This multi-layered allusivity not only prompts alternative readings of the Augustan classics, but also challenges the reader's perceptions of the Augustanising worldview that the urban landscape of Flavian Rome was arguably meant to convey. The poetic and political significance of Statius' Theban saga thereby moves from critically rewriting the Aeneid to reflecting on the new socio-political issues of Flavian Rome. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Jeri Blair Debrohun
Publisher: University of Michigan Press
ISBN: 9780472112760
Category : History
Languages : en
Pages : 284
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Book Description
Studies how Propertius transformed the elegiac form, using Callimachean style as a starting point
Author: Richard Hunter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311074757X
Category : Literary Criticism
Languages : en
Pages : 924
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Book Description
This volume collects the most recent essays of Richard Hunter, one of the world's leading experts in the field of Greek and Latin literature. The essays range across all periods of ancient literature from Homer to late antiquity, with a particular focus not just on the texts in their original contexts, but also on how they were interpreted and exploited for both literary and more broadly cultural purposes later in antiquity. Taken together, the essays sketch a picture of a continuous tradition of critical and historical engagement with the literature of the past from the period of Aristophanes and then Plato and Aristotle in classical Athens to the rich prose literature of the Second Sophistic. Richard Hunter's earlier essays are collected in On Coming After (Berlin 2008).
Author: Dorota Dutsch
Publisher: John Wiley & Sons
ISBN: 1118958004
Category : Literary Criticism
Languages : en
Pages : 551
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Book Description
An important addition to contemporary scholarship on Plautus and Plautine comedy, provides new essays and fresh insights from leading scholars A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus’ dramatic composition, the relation of Plautus’ works to Roman social history, and his influence on later dramatists through the centuries. Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus’ works—plays that are meant to be viewed and experienced—to reveal new meaning and contemporary relevance. Chapters organized thematically offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus’ reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus Translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion: Addresses the most recent trends in the study of Roman comedy Features discussions on religion, imperialism, slavery, war, class, gender, and sexuality in Plautus’ work Highlights recent scholarship on representation of socially vulnerable characters Discusses Plautus’ work in relation to Roman stages, actors, audience, and culture Examines the plot construction, characterization, and comic techniques in Plautus’ scripts Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to Plautus is an important resource for scholars, instructors, and students of both ancient and modern drama, comparative literature, classics, and history, particularly Roman history.
Author: Robert Germany
Publisher: Oxford University Press
ISBN: 0198738730
Category : Art
Languages : en
Pages : 211
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Book Description
This volume considers the phenomenon of mimetic contagion, whereby works of art draw viewers into direct imitation of themselves, and how it operates within specific historical contexts. Terence's Eunuch is used as a case study, situating the motif within the peculiarities of mid-second-century BC Rome and its anxieties about the power of art.
Author: Alison Sharrock
Publisher: Cambridge University Press
ISBN: 1139482645
Category : History
Languages : en
Pages : 334
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Book Description
For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.
