Author: Milton Wilfred Grenfell
Publisher: W. W. Norton
ISBN: 9780393733006
Category : Architecture
Languages : en
Pages : 0
Book Description
Architectural details indispensable to everyone in the drafting room today.
Comparative Architectural Details
Author: Milton Wilfred Grenfell
Publisher: W. W. Norton
ISBN: 9780393733006
Category : Architecture
Languages : en
Pages : 0
Book Description
Architectural details indispensable to everyone in the drafting room today.
Publisher: W. W. Norton
ISBN: 9780393733006
Category : Architecture
Languages : en
Pages : 0
Book Description
Architectural details indispensable to everyone in the drafting room today.
Comparative Architectural Details
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 60
Book Description
Comparative Architectural Details: 1939
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 72
Book Description
A History of Architecture on the Comparative Method
Author: Sir Banister Fletcher
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1400
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1400
Book Description
Displaying the Orient
Author: Zeynep Ç Elik
Publisher: Univ of California Press
ISBN: 9780520074941
Category : Architecture
Languages : en
Pages : 268
Book Description
Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century. Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.
Publisher: Univ of California Press
ISBN: 9780520074941
Category : Architecture
Languages : en
Pages : 268
Book Description
Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century. Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.
Genealogy of Modern Architecture
Author: Kenneth Frampton
Publisher:
ISBN: 9783037783696
Category : Architecture
Languages : en
Pages : 320
Book Description
"A Genealogy of Modern Architecture" is a reference work on modern architecture by Kenneth Frampton, one of today's leading architectural theorists. Conceived as a genealogy of twentieth century architecture from 1924 to 2000, it compiles some sixteen comparative analyses of canonical modern buildings ranging from exhibition pavilions and private houses to office buildings and various kinds of public institutions. The buildings are compared in terms of their hierarchical spatial order, circulation structure and referential details. The analyses are organized so as to show what is similar and different between two paired types, thus revealing how modern tradition has been diversely inflected. Richly illustrated, "A Genealogy of Modern Architecture" is a new standard work in architectural education.
Publisher:
ISBN: 9783037783696
Category : Architecture
Languages : en
Pages : 320
Book Description
"A Genealogy of Modern Architecture" is a reference work on modern architecture by Kenneth Frampton, one of today's leading architectural theorists. Conceived as a genealogy of twentieth century architecture from 1924 to 2000, it compiles some sixteen comparative analyses of canonical modern buildings ranging from exhibition pavilions and private houses to office buildings and various kinds of public institutions. The buildings are compared in terms of their hierarchical spatial order, circulation structure and referential details. The analyses are organized so as to show what is similar and different between two paired types, thus revealing how modern tradition has been diversely inflected. Richly illustrated, "A Genealogy of Modern Architecture" is a new standard work in architectural education.
A History of Architecture on the Comparative Method for the Student, Craftsman, and Amateur
Author: Banister Fletcher
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 804
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 804
Book Description
Sir Banister Fletcher's A History of Architecture
Author: Sir Banister Fletcher
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1416
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1416
Book Description
Thinking Design Hb
Author: LECHNER
Publisher:
ISBN: 9783038602460
Category :
Languages : en
Pages : 492
Book Description
A clearly distilled architectural atlas based on 144 major designs from ancient times to the twenty-first century, showcasing the cultural dimension of building. However disparate the style or ethos, beneath architecture's pluralism lies a number of categorical typologies. In Thinking Design, Austrian architect Andreas Lechner has condensed his profound typological understanding into a single book. Divided into three chapters--Tectonics, Type, and Topos--Lechner's book reflects upon twelve fundamental typologies: theater, museum, library, state, office, recreation, religion, retail, factory, education, surveillance, and hospital. Encompassing a total of 144 carefully selected examples of classic designs and buildings, ranging across an epic sweep from antiquity to the present, the book not only explains the fundamentals of collective architectural knowledge but traces the interconnected reiterations that lie at the heart of architecture's transformative power. As such, Thinking Design outlines a new building theory rooted in the act of composition as an aesthetic determinant of architectural form. This emphasis on composition in the design process over the more commonplace aspects of function, purpose, or atmosphere makes it more than a mere planning manual. It reveals also the cultural dimension of architecture that gives it the ability to transcend not only use cycles but entire epochs. Each example is meticulously illustrated with a newly drawn elevation or axonometric projection, floor plan, and section, not only invigorating the underlying ideas but also making the book an ideal comparative compendium.
Publisher:
ISBN: 9783038602460
Category :
Languages : en
Pages : 492
Book Description
A clearly distilled architectural atlas based on 144 major designs from ancient times to the twenty-first century, showcasing the cultural dimension of building. However disparate the style or ethos, beneath architecture's pluralism lies a number of categorical typologies. In Thinking Design, Austrian architect Andreas Lechner has condensed his profound typological understanding into a single book. Divided into three chapters--Tectonics, Type, and Topos--Lechner's book reflects upon twelve fundamental typologies: theater, museum, library, state, office, recreation, religion, retail, factory, education, surveillance, and hospital. Encompassing a total of 144 carefully selected examples of classic designs and buildings, ranging across an epic sweep from antiquity to the present, the book not only explains the fundamentals of collective architectural knowledge but traces the interconnected reiterations that lie at the heart of architecture's transformative power. As such, Thinking Design outlines a new building theory rooted in the act of composition as an aesthetic determinant of architectural form. This emphasis on composition in the design process over the more commonplace aspects of function, purpose, or atmosphere makes it more than a mere planning manual. It reveals also the cultural dimension of architecture that gives it the ability to transcend not only use cycles but entire epochs. Each example is meticulously illustrated with a newly drawn elevation or axonometric projection, floor plan, and section, not only invigorating the underlying ideas but also making the book an ideal comparative compendium.
American Town Plans
Author: Keller Easterling
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 130
Book Description
This book and Hypercard Stack on suburbia lets users "modify the built world at will."-E. Ball, The Village Voice
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 130
Book Description
This book and Hypercard Stack on suburbia lets users "modify the built world at will."-E. Ball, The Village Voice