Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : American literature
Languages : en
Pages : 2832
Book Description
Catalog of Copyright Entries. New Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : American literature
Languages : en
Pages : 2832
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : American literature
Languages : en
Pages : 2832
Book Description
Music, Books on Music, and Sound Recordings
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 624
Book Description
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 624
Book Description
The Guitar and Its Music
Author: James Tyler
Publisher:
ISBN: 019816713X
Category : Guitar
Languages : en
Pages : 349
Book Description
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Publisher:
ISBN: 019816713X
Category : Guitar
Languages : en
Pages : 349
Book Description
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Dictionary Catalog of the Music Collection
Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 772
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 772
Book Description
Catalogue
Author: May and May (Firm)
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 234
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 234
Book Description
Dance and Instrumental Diferencias in Spain During the 17th and Early 18th Centuries: History and background, music and dance
Author: Maurice Esses
Publisher: Pendragon Press
ISBN: 9780945193081
Category : Juvenile Nonfiction
Languages : en
Pages : 908
Book Description
V. 1. History and background, music and dance -- v. 2. Musical transcriptions -- v. 3. The notes in Spanish and other languages from the sources.
Publisher: Pendragon Press
ISBN: 9780945193081
Category : Juvenile Nonfiction
Languages : en
Pages : 908
Book Description
V. 1. History and background, music and dance -- v. 2. Musical transcriptions -- v. 3. The notes in Spanish and other languages from the sources.
The Spanish Baroque Guitar
Author: Neil D. Pennington
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 344
Book Description
Spanien im 17./18. Jh.: kultureller Hintergrund, Musikleben; Typologie der spanischen Barockgitarre: Instrument, Notation, Stimmung, Spieltechnik, Ornamentation; spanische Quellen für Barockgitarre; der "musikalische Zirkel" und das"musikalische Labyrint"; die "Passacalles y obras..." (1732); Rolle der Barockgitarre in der spanischen Gesellschaft; Transkription rechnet mit "bordones", gibt aber bei "campanella"-Passagen die höhere Oktave in runder Klammer an; gegenwärtig die umfassendste Studie des spanischen Quellenmaterials für Barockgitarre
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 344
Book Description
Spanien im 17./18. Jh.: kultureller Hintergrund, Musikleben; Typologie der spanischen Barockgitarre: Instrument, Notation, Stimmung, Spieltechnik, Ornamentation; spanische Quellen für Barockgitarre; der "musikalische Zirkel" und das"musikalische Labyrint"; die "Passacalles y obras..." (1732); Rolle der Barockgitarre in der spanischen Gesellschaft; Transkription rechnet mit "bordones", gibt aber bei "campanella"-Passagen die höhere Oktave in runder Klammer an; gegenwärtig die umfassendste Studie des spanischen Quellenmaterials für Barockgitarre
LEV
Author:
Publisher:
ISBN:
Category : Catalogs, Publishers'
Languages : es
Pages : 1418
Book Description
Publisher:
ISBN:
Category : Catalogs, Publishers'
Languages : es
Pages : 1418
Book Description
Books from Around the World
Author: California State Library. State Information & Reference Center
Publisher:
ISBN:
Category : Foreign language publications
Languages : en
Pages : 118
Book Description
Publisher:
ISBN:
Category : Foreign language publications
Languages : en
Pages : 118
Book Description
Catalogue of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 960
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 960
Book Description