Boswelliana the Commonplace Book of James Boswell PDF Download
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Author: Charles Rogers
Publisher: BoD – Books on Demand
ISBN: 3368818376
Category : Fiction
Languages : en
Pages : 374
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Book Description
Reprint of the original, first published in 1874.
Author: Charles Rogers
Publisher: BoD – Books on Demand
ISBN: 3368818376
Category : Fiction
Languages : en
Pages : 374
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Book Description
Reprint of the original, first published in 1874.
Author: Thomas Jefferson
Publisher: Princeton University Press
ISBN: 069119372X
Category : History
Languages : en
Pages : 698
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Book Description
As a law student and young lawyer in the 1760s, Thomas Jefferson began writing abstracts of English common law reports. Even after abandoning his law practice, he continued to rely on his legal commonplace book to document the legal, historical, and philosophical reading that helped shape his new role as a statesman. Indeed, he made entries in the notebook in preparation for his mission to France, as president of the United States, and near the end of his life. This authoritative volume is the first to contain the complete text of Jefferson’s notebook. With more than 900 entries on such thinkers as Beccaria, Montesquieu, and Lord Kames, Jefferson’s Legal Commonplace Book is a fascinating chronicle of the evolution of Jefferson’s searching mind. Jefferson’s abstracts of common law reports, most published here for the first time, indicate his deepening commitment to whig principles and his incisive understanding of the political underpinnings of the law. As his intellectual interests and political aspirations evolved, so too did the content and composition of his notetaking. Unlike the only previous edition of Jefferson’s notebook, published in 1926, this edition features a verified text of Jefferson’s entries and full annotation, including essential information on the authors and books he documents. In addition, the volume includes a substantial introduction that places Jefferson’s text in legal, historical, and biographical context.
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3368152734
Category : Fiction
Languages : en
Pages : 290
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Book Description
Reprint of the original.
Author: Samuel Longhurst
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: Richard Whately
Publisher:
ISBN:
Category : Christianity
Languages : en
Pages : 344
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Book Description
Author: Samantha Matthews
Publisher: Oxford University Press
ISBN: 0192599844
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Author: Angus Vine
Publisher: Oxford University Press
ISBN: 0192537628
Category : Literary Criticism
Languages : en
Pages : 455
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Book Description
This book examines one of the most pervasive, but also perplexing, textual phenomena of the early modern world: the manuscript miscellany. Faced with multiple problems of definition, categorization, and (often conflicting) terminology, modern scholars have tended to dismiss the miscellany as disorganized and chaotic. Miscellaneous Order radically challenges that view by uncovering the various forms of organization and order previously hidden in early modern manuscript books. Drawing on original literary and historical research, and examining both the materiality of early modern manuscripts and their contents, this book sheds new light on the transcriptive and archival practices of early modern Britain, as well as on the broader intellectual context of manuscript culture and its scholarly afterlives. Based on extensive archival research, and interdisciplinary in both subject and matter, Miscellaneous Order focuses on the myriad kinds of manuscript compiled and produced in the early modern era. Showing that the miscellany was essential to the organization of knowledge across a range of genres and disciplines, from poetry to science, and from recipe books to accounts, it proposes a new model for understanding the proliferation of manuscript material in the sixteenth and seventeenth centuries. By restoring attention to 'miscellaneous order' in this way, it shows that we have fundamentally misunderstood how early modern men and women read, wrote, and thought. Rather than a textual form characterized by an absence of order, the miscellany, it argues, operated as an epistemically and aesthetically productive system throughout the early modern period.
Author: Laura Estill
Publisher: Rutgers University Press
ISBN: 1644530473
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences. Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton’s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare’s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, “different readers [bring] the text to life in different ways.” By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Alina Bacall-Zwirn
Publisher: U of Nebraska Press
ISBN: 9780803261785
Category : History
Languages : en
Pages : 156
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Book Description
"You know, a lot of people like to talk about it, and I'm always pushing, pushing away, you know, I'm always pushing. I hate to remember, I hate to talk about it." But in the wake of her husband's death, and afraid that the story would never be told, Alina Bacall-Zwirn, a survivor of the Warsaw ghetto and four Nazi concentration camps, decided to remember and to bear witness to the history she and her husband suffered together. In a unique format that combines personal testimony, photographs, letters, legal documents and contributions from Alina's family; No Common Place interweaves a survivor's story with her reflections on the impact of her traumatic past on herself and her family. ø As it follows Alina through conversations with Jared Stark and with interviewers at the Fortunoff Video Archive for Holocaust Testimonies, and as it records her participation in the dedication ceremonies of the U.S. Holocaust Memorial Museum, the books speaks to the importance of the individual's voice in shaping collective memory of the Holocaust. The supporting materials?chronology, maps, and notes?allow the survivor's voice to serve as a guide to the study of the Holocaust and its aftermath.
Author: Carla Mazzio
Publisher: Psychology Press
ISBN: 9780415920537
Category : Civilization, Modern
Languages : en
Pages : 432
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Book Description
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
