Commodity Aesthetics, Ideology & Culture PDF Download
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Author: Wolfgang Fritz Haug
Publisher:
ISBN:
Category : History
Languages : en
Pages : 204
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Book Description
Author: Wolfgang Fritz Haug
Publisher:
ISBN:
Category : History
Languages : en
Pages : 204
Get Book Here
Book Description
Author: Wolfgang Fritz Haug
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 204
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Book Description
Author: Mark A. Reid
Publisher: SUNY Press
ISBN: 9780791433027
Category : Social Science
Languages : en
Pages : 164
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Book Description
In the 1960s and 1970s, the civil rights movement and other national and cultural movements fractured dominant paradigms of American identity and demanded a reformulation of American values and norms. This book borrows the moral, ethical, and political purposes of these movements to show how film, literature, photography, and television news broadcasts construct essentialist myths about race, gender, sexuality, and nation. It also examines how some visual and literary works and public reactions challenge these essentialist myths by exploring racial, sexual, and national anxieties.
Author: Thomas Docherty
Publisher: Oxford University Press
ISBN: 9780198183587
Category : Critical theory
Languages : en
Pages : 238
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Book Description
Alterities marks an advance to a new stage of critical theory. Dealing with literature from Shakespeare and Donne to Calvino, with philosophy from the medieval to the contemporary, with cinema from popular to art-film, and with political theory from Marx to Lyotard, Baudrillard, and Badiou, Thomas Docherty intervenes in all the major contemporary cultural debates to propose and practice a new criticism, whose theoretical foundations lie in a postmodern ethics, ecopolitics, and an austere attention to the radical difficulties of art. Bound together by the cohesive drive of Docherty's intelligence and the coerciveness of the arguments he enlarges about alterity and historicity, Alterities rehabilitates the question of why we bother about art, and proposes new modes of critical engagement with contemporary culture
Author: Arthur Asa Berger
Publisher: SAGE
ISBN: 9780803973572
Category : Language Arts & Disciplines
Languages : en
Pages : 226
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Book Description
'Solid and elegantly written introduction to its subject, up to speed with the current movements in the field, this is an excellent textbook for first-year students. The layout is well-conceived, and interspersed with Berger's own whimsical cartoons' - Sight and Sound
Author: Jeremy Wade Morris
Publisher: Univ of California Press
ISBN: 0520962931
Category : Music
Languages : en
Pages : 284
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Book Description
Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the “digital music commodity,” Selling Digital Music, Formatting Culture considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music’s meanings and uses. Through case studies of five key technologies—Winamp, metadata, Napster, iTunes, and cloud computing—this book explores how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CD. Morris connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music, Formatting Culture is a sounding out of music’s encounters with the interfaces, metadata, and algorithms of digital culture and of why the shifting form of the music commodity matters for the music and other media we love.
Author: The Rethinking Marxism Editorial Collective
Publisher: Taylor & Francis
ISBN: 100095014X
Category : Political Science
Languages : en
Pages : 158
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Book Description
First published in 2006.In this issue as part of the run-up to the Rethinking Marxism 2006 conference to be held at the University of Massachusetts Amherst, we devote a special section to “Setting in Motion,” the art exhibit curated by Susan Jahoda and Jesal Kapadia for RM06.
Author: Arthur Asa Berger
Publisher: Rowman & Littlefield Publishers
ISBN: 0742569217
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Is consciousness like an iceberg? Does advertising lead to the commodification of humans? What is the hidden meaning of fairy tales? In 50 Ways to Understand Communication, Arthur Asa Berger familiarizes readers with important concepts written by leading communication and cultural theorists, such as Saussure, LZvi-Strauss, de Certeau, Lasswell, McLuhan, Postman, and many others. Organized in fifty short segments, this concise guide covers a wide range of important ideas from psychoanalysis and semiology to humor, 'otherness,' and nonverbal communication. Berger's clear explanations and examples surround this assortment of influential writing, walking the uninitiated through these sometimes dense theoretical works. His selections and commentary will challenge readers to reconsider the role of communication in our culture. This engaging, accessible book is essential for students of communication and anyone interested in how we communicate in a world of rapidly changing media.
Author: Tim Cresswell
Publisher: Rowman & Littlefield
ISBN: 9780742508859
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
Engaging Film is a creative, interdisciplinary volume that explores the engagements among film, space, and identity and features a section on the use of films in the classroom as a critical pedagogical tool. Focusing on anti-essentialist themes in films and film production, this book examines how social and spatial identities are produced (or dissolved) in films and how mobility is used to create different experiences of time and space. From popular movies such as "Pulp Fiction," "Bulworth," "Terminator 2," and "The Crying Game" to home movies and avant-garde films, the analyses and teaching methods in this collection will engage students and researchers in film and media studies, cultural geography, social theory, and cultural studies.
Author: Richard Godden
Publisher: Oxford University Press
ISBN: 0192693611
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Fictions of Finance at the End of an American Century explores how an economy determines the language of those who live among its imperatives—and how it makes available to them the stories that they can and cannot tell, and the manner of their telling. Read closely, fictional narrative may expose the historical structures that determine literary language use, and that of language more generally. The study, the fourth in a quartet of studies addressing the emergence and decline of a Fordist regime of capitalist accumulation, offers an account of 'the sub-semantic whispering' that haunts the literature of the financial turn—which is to say, an account of how the complexities of words and their histories register an expanding industrial economy's organizing contradictions and failures. Reading in the light of deindustrialization and the rise of US finance capital after 1973, it deploys and elaborates on a materialist theory of language that explains how syntactic as well as semantic structures register a financializing economy's core contradictions, those associated particularly with debt, risk, and volatility. The volume listens for the under-heard syntactical breaks that punctuate language under the global hegemony of finance, breaks that express the unuttered in all utterance, taking as its exemplary texts primarily works by Bret Easton Ellis, Jayne Anne Phillips, and David Foster Wallace.
