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Author: Cord A Scott
Publisher: Naval Institute Press
ISBN: 1612514782
Category : History
Languages : en
Pages : 214
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Book Description
Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat—from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country’s most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.
Author: Cord A Scott
Publisher: Naval Institute Press
ISBN: 1612514782
Category : History
Languages : en
Pages : 214
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Book Description
Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat—from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country’s most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.
Author: Mariko Tamaki
Publisher: Archie Comic Publications
ISBN: 1645762068
Category : Comics & Graphic Novels
Languages : en
Pages : 32
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Book Description
There’s a new girl in Riverdale and she’s turning everyone’s heads—and NOT everyone is happy about that! Who is Katy Keene and why is she so Insta-famous and beloved in Riverdale? And, moreover, why is she quickly becoming Archie’s biggest competition? Find out in this brand new story arc from the creative team of writers Mariko Tamaki and Kevin Panetta and artist Laura Braga—just in time for the brand new CW series Katy Keene!
Author: Archie Goodwin
Publisher:
ISBN: 9781683960843
Category : Comics & Graphic Novels
Languages : en
Pages : 0
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Book Description
This reprint of the all-star war-comics anthology is an expanded edition, with a cover gallery featuring all of Frazetta's painted covers and exclusive interviews with Goodwin and publisher James Warren.
Author: Scott Tipton
Publisher: IDW Publishing
ISBN: 1684068037
Category : Comics & Graphic Novels
Languages : en
Pages : 148
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Book Description
The captains of the Original Series, The Next Generation, Voyager, and Deep Space Nine meet for the first time in a contest of unwilling champions! When a dispute between godlike beings threatens the galaxy, it will take all of Starfleet's best captains to stop them. Join James T. Kirk, Jean-Luc Picard, Kathryn Janeway, and Benjamin Sisko as they go head-to-head in a competition that will determine the fate of the Earth and beyond. Will they be able to emerge victorious, or will they be torn apart by THE Q CONFLICT?
Author: Tatiana Prorokova
Publisher: Rutgers University Press
ISBN: 081359099X
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Cultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.
Author: Stuart Bailie
Publisher:
ISBN: 9781527220478
Category : Northern Ireland
Languages : en
Pages : 287
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Book Description
Author: Harriet E. H. Earle
Publisher:
ISBN: 9781496825636
Category : Comic books, strips, etc
Languages : en
Pages : 0
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Book Description
A study of the distinctive manner in which comics portray trauma and war
Author: Benjamin Dix
Publisher: New Internationalist
ISBN: 1780265166
Category : History
Languages : en
Pages : 278
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Book Description
In the tradition of Maus, Persepolis, Palestine and The Breadwinner, Vanni is a graphic novel focusing on the conflict between the Sri Lankan government and the 'Tamil Tigers', told from the perspective of a single family. This moving, exceptional graphic novel portrays the personal experiences of modern warfare, the processes of forced migration and the struggles of seeking asylum in Europe. Inspired by Dix's experience of working in Sri Lanka for the United Nations during the war, Vanni draws upon over four years of meticulous research, includes first-hand interviews, references from official reports and cross-referencing with experts in the field. Elegantly drawn by Lindsay Pollock, and with a real sense of immediacy, Vanni takes readers through the otherwise unimaginable struggles, horrors and life-changing decisions families and individuals are forced to make when caught in conflict.
Author: Harriet E. H. Earle
Publisher: Univ. Press of Mississippi
ISBN: 1496812476
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. In Comics, Trauma, and the New Art of War, Harriet E. H. Earle brings together two distinct areas of research--trauma studies and comics studies--to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways.
Author: Nate Powell
Publisher:
ISBN: 9781684065042
Category :
Languages : en
Pages : 0
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Book Description