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Author: Ruth Nevo
Publisher: Routledge
ISBN: 1136557121
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal complexity and their naturalistic verisimilitude.
Author: Ruth Nevo
Publisher: Routledge
ISBN: 1136557121
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal complexity and their naturalistic verisimilitude.
Author: William C. Carroll
Publisher: Princeton University Press
ISBN: 1400854814
Category : Drama
Languages : en
Pages : 304
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Book Description
This book argues that the idea of metamorphosis is central to both the theory and practice of Shakespearean comedy. It offers a synthesis of several major themes of Shakespearean comedy--identity, change, desire, marriage, and comic form--under the master trope of transformation. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Larry S. Champion
Publisher: Harvard University Press
ISBN: 9780674271418
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The evolution of Shakespeare's comedy, in Larry Champion's view, is apparent in the expansion of his comic vision to include a complete reflection of human life while maintaining a comic detachment for the audience. Like the other popular dramatists of Elizabethan England, Shakespeare used the diverse comic motifs and devices which time and custom had proved effective. He went further, however, and created progressively deeper levels of characterization and plot interaction, thereby forming characters who were not merely devices subordinated to the needs of the plot. Shakespeare's development as a comic playwright, suggests Champion, was "consistently in the direction of complexity or depth of characterization." His earliest works, like those of his contemporaries, are essentially situation comedies: the humor arises from action rather than character. There is no significant development of the main characters; instead, they are manipulated into situations which are humorous as a result, for example, of mistaken identity or slapstick confusion. The ensuing phase of Shakespeare's comedy sets forth plots in which the emphasis is on identity rather than physical action, a revelation of character which occurs in one of two forms: either a hypocrite is exposed for what he actually is or a character who has assumed an unnatural or abnormal pose is forced to realize and admit the ridiculousness of his position. In the final comedies involving sin and sacrificial forgiveness, however, character development is concerned with a "transformation of values." Although each of the comedies is discussed, Champion concentrates on nine, dividing them according to the complexity of characterization. He pursues as well the playwright's efforts to achieve for the spectator the detached stance so vital to comedy. Shakespeare obtained this perspective, Champion observes, through experimentation with the use of material mirroring the main action--mockery, parody, or caricature--and through the use of a "comic pointer" who is himself involved in the action but is sufficiently independent of the other characters to provide the audience with an omniscient view.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438112602
Category : Criticism
Languages : en
Pages : 209
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Book Description
Presents a collection of essays discussing aspects of William Shakespeare's comedy portraying the ageless battle between the sexes.
Author: Alexander Leggatt
Publisher: Routledge
ISBN: 1136556494
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
First published in 1987. This study removes some of the critical puzzles that Shakespeare's comedies of love have posed in the past. The author shows that what distinguishes the comedies is not their similarity but their variety - the way in which each play is a new combination of essentially similar ingredients, so that, for example, the boy/girl changes in The Merchant of Venice are seen to have a quite different significance from those in As You Like It.
Author: Leo Salingar
Publisher: Cambridge University Press
ISBN: 0521308569
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
A collection of essays concerned with aspects of dramatic form in works by Shakespeare and his contemporaries.
Author: G. Beiner
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634677
Category : Drama
Languages : en
Pages : 332
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Book Description
"As the poetics is based on the texts (not derived by deduction or theoretical extension from some principle of poetics), so it is applied as a tool of analysis to the texts and used in conjunction with evaluation. The underlying assumption is that the task of poetics is instrumental, and that its usefulness has to be demonstrated and verified in practice. Hence, the division of the book into two parts. As Part I formulates a poetics on the basis of the texts, so Part II applies the poetics to the major texts - always within the dynamics of the multiple-plot and multi-layered perspective on a play. Part II focuses in detail on The Merry Wives of Windsor, The Merchant of Venice, and Twelfth Night, analyzing the agons and placing them in relation to the comedy of love and the perspective of folly."--Jacket.
Author: Robert S. Knapp
Publisher: Princeton University Press
ISBN: 1400859964
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
This book explores the reasons for the lasting freshness and modernity of Shakespeare's plays, while revising the standard history of English medieval and Renaissance drama. Robert Knapp argues that changes in the authority of English monarchs, in the differentiation and integration of English society, in the realization of human figures on stage, and in the understanding of signs helped produce scripts that still compel us to the act of interpretation. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Silvia Bigliazzi
Publisher: Taylor & Francis
ISBN: 104008561X
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
Revisiting Shakespeare’s Italian Resources is about the complex dynamics of transmission and transformation of the Italian sources of twelve Shakespearean plays, from The Two Gentlemen of Verona to Cymbeline. It focuses on the works of Sir Giovanni Fiorentino, Da Porto, Bandello, Ariosto, Dolce, Pasqualigo, and Groto, as well as on commedia dell’arte practices. This book discusses hitherto unexamined materials and revises received interpretations, disclosing the relevance of memorial processes within the broad field of intertextuality vis-à-vis conscious reuses and intentional practices.
Author: Various
Publisher: Routledge
ISBN: 1000519384
Category : Literary Criticism
Languages : en
Pages : 3794
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Book Description
This 14-volume set contains titles originally published between 1926 and 1992. An eclectic mix, this collection examines Shakespeare’s work from a number of different perspectives, looking at history, language, performance and more it includes references to many of his plays as well as his sonnets.
