Author: H. Crocker
Publisher: Springer
ISBN: 0230601170
Category : Literary Criticism
Languages : en
Pages : 205
Book Description
This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body's unsettling capacity.
Comic Provocations
Author: H. Crocker
Publisher: Springer
ISBN: 0230601170
Category : Literary Criticism
Languages : en
Pages : 205
Book Description
This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body's unsettling capacity.
Publisher: Springer
ISBN: 0230601170
Category : Literary Criticism
Languages : en
Pages : 205
Book Description
This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body's unsettling capacity.
The Provocative Colette
Author: Annie Goetzinger
Publisher: NBM
ISBN: 1681121727
Category : Comics & Graphic Novels
Languages : en
Pages : 130
Book Description
Movie "Colette" coming in September starring Keira Knightley! From her marriage at the age of 20, until her divorce, this snapshot of Colette's life focuses on her formative years. Incredibly complex, powerfully determined, truly gifted, Colette challenged herself to reinvent her life and assert herself as a free woman. In her day, her behavior scandalized and vexed the establishment. But in the end, she helped to free women in their thinking and became member and then president of France's prestigious Académie Goncourt, among many other honors as one of France's preeminent authors. For mature readers.
Publisher: NBM
ISBN: 1681121727
Category : Comics & Graphic Novels
Languages : en
Pages : 130
Book Description
Movie "Colette" coming in September starring Keira Knightley! From her marriage at the age of 20, until her divorce, this snapshot of Colette's life focuses on her formative years. Incredibly complex, powerfully determined, truly gifted, Colette challenged herself to reinvent her life and assert herself as a free woman. In her day, her behavior scandalized and vexed the establishment. But in the end, she helped to free women in their thinking and became member and then president of France's prestigious Académie Goncourt, among many other honors as one of France's preeminent authors. For mature readers.
Provocauteurs and Provocations
Author: Maria San Filippo
Publisher: Indiana University Press
ISBN: 0253052157
Category : Performing Arts
Languages : en
Pages : 271
Book Description
Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms. While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations, award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex. Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies—from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity—to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape.
Publisher: Indiana University Press
ISBN: 0253052157
Category : Performing Arts
Languages : en
Pages : 271
Book Description
Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms. While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations, award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex. Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies—from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity—to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape.
Comic Book Nation
Author: Bradford W. Wright
Publisher: JHU Press
ISBN: 9780801874505
Category : Art
Languages : en
Pages : 364
Book Description
A history of comic books from the 1930s to 9/11.
Publisher: JHU Press
ISBN: 9780801874505
Category : Art
Languages : en
Pages : 364
Book Description
A history of comic books from the 1930s to 9/11.
The Content of Our Caricature
Author: Rebecca Wanzo
Publisher: NYU Press
ISBN: 1479822191
Category : Social Science
Languages : en
Pages : 261
Book Description
Winner, 2021 Katherine Singer Kovács Book Award, given by the Society for Cinema and Media Studies Winner, 2021 Will Eisner Comic Industry Awards for Best Academic/Scholarly Work Honorable Mention, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2020 Charles Hatfield Book Prize, given by the Comic Studies Society Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its head Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States. Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard “Grass” Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed.
Publisher: NYU Press
ISBN: 1479822191
Category : Social Science
Languages : en
Pages : 261
Book Description
Winner, 2021 Katherine Singer Kovács Book Award, given by the Society for Cinema and Media Studies Winner, 2021 Will Eisner Comic Industry Awards for Best Academic/Scholarly Work Honorable Mention, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2020 Charles Hatfield Book Prize, given by the Comic Studies Society Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its head Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States. Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard “Grass” Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed.
Peter Cannon: Thunderbolt #1
Author: Kieron Gillen
Publisher: Dynamite Entertainment
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 33
Book Description
His level of genius is matched only by his heroics, and in humanity’s darkest hour, he’s the hero they need the most—alas, poor humanity. Peter Cannon—the man known as Thunderbolt—is only too happy to leave civilization to face its end. Kieron Gillen (The Wicked + the Divine) teams up with powerhouse artist Caspar Wijngaard (Doctor Aphra) as he returns to the superhero genre with a dark, humorous and relentless love song to the genre. Well, "Love Song" in a Leonard Cohen Love Song kind of way. Peter Cannon, Thunderbolt: saving a world he hates.
Publisher: Dynamite Entertainment
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 33
Book Description
His level of genius is matched only by his heroics, and in humanity’s darkest hour, he’s the hero they need the most—alas, poor humanity. Peter Cannon—the man known as Thunderbolt—is only too happy to leave civilization to face its end. Kieron Gillen (The Wicked + the Divine) teams up with powerhouse artist Caspar Wijngaard (Doctor Aphra) as he returns to the superhero genre with a dark, humorous and relentless love song to the genre. Well, "Love Song" in a Leonard Cohen Love Song kind of way. Peter Cannon, Thunderbolt: saving a world he hates.
The Visual Language of Comics
Author: Neil Cohn
Publisher: A&C Black
ISBN: 1441174516
Category : Language Arts & Disciplines
Languages : en
Pages : 240
Book Description
Drawings and sequential images are an integral part of human expression dating back at least as far as cave paintings, and in contemporary society appear most prominently in comics. Despite this fundamental part of human identity, little work has explored the comprehension and cognitive underpinnings of visual narratives-until now. This work presents a provocative theory: that drawings and sequential images are structured the same as language. Building on contemporary theories from linguistics and cognitive psychology, it argues that comics are written in a visual language of sequential images that combines with text. Like spoken and signed languages, visual narratives use a lexicon of systematic patterns stored in memory, strategies for combining these patterns into meaningful units, and a hierarchic grammar governing the combination of sequential images into coherent expressions. Filled with examples and illustrations, this book details each of these levels of structure, explains how cross-cultural differences arise in diverse visual languages of the world, and describes what the newest neuroscience research reveals about the brain's comprehension of visual narratives. From this emerges the foundation for a new line of research within the linguistic and cognitive sciences, raising intriguing questions about the connections between language and the diversity of humans' expressive behaviours in the mind and brain.
Publisher: A&C Black
ISBN: 1441174516
Category : Language Arts & Disciplines
Languages : en
Pages : 240
Book Description
Drawings and sequential images are an integral part of human expression dating back at least as far as cave paintings, and in contemporary society appear most prominently in comics. Despite this fundamental part of human identity, little work has explored the comprehension and cognitive underpinnings of visual narratives-until now. This work presents a provocative theory: that drawings and sequential images are structured the same as language. Building on contemporary theories from linguistics and cognitive psychology, it argues that comics are written in a visual language of sequential images that combines with text. Like spoken and signed languages, visual narratives use a lexicon of systematic patterns stored in memory, strategies for combining these patterns into meaningful units, and a hierarchic grammar governing the combination of sequential images into coherent expressions. Filled with examples and illustrations, this book details each of these levels of structure, explains how cross-cultural differences arise in diverse visual languages of the world, and describes what the newest neuroscience research reveals about the brain's comprehension of visual narratives. From this emerges the foundation for a new line of research within the linguistic and cognitive sciences, raising intriguing questions about the connections between language and the diversity of humans' expressive behaviours in the mind and brain.
Holy F*ck
Author: Nick Marino
Publisher: Holy F*ck Tp
ISBN: 9781632290977
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
Sister Maria has recruited two horny drug-fueled weirdos to stop the apocalypse. Their names? Jesus and Satan. Can these biblical frenemies help this nun with a gun defeat an army of pissed off mythological gods? Only one thing's for sure -- it's gonna be a wild ride Collecting the controversially-contagious Holy F*ck #1-4.
Publisher: Holy F*ck Tp
ISBN: 9781632290977
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
Sister Maria has recruited two horny drug-fueled weirdos to stop the apocalypse. Their names? Jesus and Satan. Can these biblical frenemies help this nun with a gun defeat an army of pissed off mythological gods? Only one thing's for sure -- it's gonna be a wild ride Collecting the controversially-contagious Holy F*ck #1-4.
The Fabliaux
Author:
Publisher: W. W. Norton & Company
ISBN: 0871403579
Category : Literary Criticism
Languages : en
Pages : 1017
Book Description
Bawdier than "The Canterbury Tales, " this is the first major English translation of the most scandalous and irreverent poetry in Western literature. Contains 69 poems with a parallel Old French text.
Publisher: W. W. Norton & Company
ISBN: 0871403579
Category : Literary Criticism
Languages : en
Pages : 1017
Book Description
Bawdier than "The Canterbury Tales, " this is the first major English translation of the most scandalous and irreverent poetry in Western literature. Contains 69 poems with a parallel Old French text.
Chaucerotics
Author: Geoffrey W. Gust
Publisher: Springer
ISBN: 3319897462
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
Chaucerotics examines the erotic language in Chaucerian literature through a unique lens, utilizing the tools of “pornographic literary theory” to open up Chaucer’s ribald poetry to fresh modes of analysis. By introducing and applying the notion of “Chaucerotics,” this study argues for a more historically-nuanced and theoretically-sophisticated understanding of the obscene content in Chaucer’s fabliaux and Troilus and Criseyde. This book demonstrates that the sexually suggestive language of this magisterial Middle English poet could stimulate and titillate various literary audiences in late medieval England, and even goes so far as to suggest that Chaucer might well be understood as the “Father of English pornography” for playing a notable, liminal role in the development of porn as a literary genre. In making this case, Geoffrey W. Gust presents an insightful account of an important intellectual issue and opens up the subject of premodern pornography to consideration in a way that is new and highly provocative.
Publisher: Springer
ISBN: 3319897462
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
Chaucerotics examines the erotic language in Chaucerian literature through a unique lens, utilizing the tools of “pornographic literary theory” to open up Chaucer’s ribald poetry to fresh modes of analysis. By introducing and applying the notion of “Chaucerotics,” this study argues for a more historically-nuanced and theoretically-sophisticated understanding of the obscene content in Chaucer’s fabliaux and Troilus and Criseyde. This book demonstrates that the sexually suggestive language of this magisterial Middle English poet could stimulate and titillate various literary audiences in late medieval England, and even goes so far as to suggest that Chaucer might well be understood as the “Father of English pornography” for playing a notable, liminal role in the development of porn as a literary genre. In making this case, Geoffrey W. Gust presents an insightful account of an important intellectual issue and opens up the subject of premodern pornography to consideration in a way that is new and highly provocative.