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Author: Agnes V. Persson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111655245
Category : Language Arts & Disciplines
Languages : en
Pages : 152
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Book Description
No detailed description available for "Comic character in Restoration drama".
Author: Agnes V. Persson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111655245
Category : Language Arts & Disciplines
Languages : en
Pages : 152
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Book Description
No detailed description available for "Comic character in Restoration drama".
Author: Henry Ten Eyck Perry
Publisher:
ISBN:
Category : Comedy
Languages : en
Pages : 168
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Book Description
Author: Andrew P. Williams
Publisher: Edwin Mellen Press
ISBN:
Category : Drama
Languages : en
Pages : 214
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Book Description
This study illustrates the social, cultural and sexual variables which went into the fop's comic characterization, as well as acting as a model for individual character analysis on the Restoration stage. The critical methodology employed in analyzing the fop's comic function can be utilized within a range of dramatic studies not exclusively focused on the Restoration. Through an examination of a range of both canonical and lesser known dramatic comedies, the text shows that issues of sexuality, male effeminancy and social prejudice were indelibly connected with the fop."
Author: Susan J. Owen
Publisher: Manchester University Press
ISBN: 9780719049675
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
This book introduces students to drama from the Restoration of Charles II in 1660 to the early 18th Century. Susan Owen offers representative coverage of new forms of drama in this period, and of ways in which old forms are altered. Her study covers heroic drama, comedy, tragedy, tragi-comedy, and Shakespeare adaptations, by focusing on specific 'dramatic highlights' and giving close reading of particular plays.
Author: Aphra Behn
Publisher: Joe Books Ltd
ISBN: 1987955684
Category : Drama
Languages : en
Pages : 190
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Book Description
The magic of Naples during Carnival inspires love between a disparate group of local citizens and visiting Englishmen.
Author: J. Douglas Canfield
Publisher: University Press of Kentucky
ISBN: 0813157528
Category : Drama
Languages : en
Pages : 328
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Book Description
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field.
Author: Deborah Payne Fisk
Publisher: Cambridge University Press
ISBN: 9780521588126
Category : Drama
Languages : en
Pages : 326
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Book Description
Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 420
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Book Description
For contents, see Author Catalog.
Author:
Publisher: Hal Leonard Corporation
ISBN: 9781557831194
Category : Performing Arts
Languages : en
Pages : 148
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Book Description
(Applause Acting Series). The art of acting in restoration comedy, the buoyant, often bowdy romps which celebrated the reopening of the English theatres after Cromwell's dour reign, is the subject of Simon Callow's bold investigation. There is cause again to celebrate as Callow, one of Britain's foremost actors, aims to restore the form to all its original voluptuous vigor. Callow shows the way to attain clarity and hilarity in some of the most delightful roles ever conceived for the theatre.
Author: John McVeagh
Publisher: Routledge
ISBN: 1351879405
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Though once a favourite of no fewer than four English monarchs, Restoration playwright Thomas Durfey has long been neglected by scholars. In his own day he had a lowly reputation in the world of polite letters - before his death his plays had more or less ceased to be produced; his 'serious' poems had died long before that, and even his songs were soon thought of as common property or 'folk' songs. In this new study, author John McVeagh re-examines Durfey's literary output, finding merit and interest where it has long been presumed that none existed, and restoring Durfey to his proper place in late 17th- and early 18th-century literature. Durfey's creative lifetime spanned the entire Restoration period and continued into and beyond the reign of Queen Anne. McVeagh's book studies his continuing ability to adapt to shifts in taste, fashion and personnel in the world of the theatre. It examines in detail his numerous experiments in new kinds of dramatic writing, both responding to and influencing the conditions of theatrical and artistic production. Among the topics covered are Durfey's attempts to feminize Restoration comedy, his political satires in drama in the late Stuart years, his anticipations of sentimental comedy, his search for a new language for lower class tragedy, and his musical-dramatic experimentations in the 1680s and 1690s, focusing particularly on his collaborative work with Matthew Locke, Samuel Ackroyde, John Eccles, Daniel and Henry Purcell and other composers. In addition, the author discusses Durfey's numerous satiric, narrative and other poems, and relates his writings to their social, political and cultural contexts. The book includes a performance record, listing the plays by performance date. The record includes such information, if known, as: where it was performed; by what company; cast list; to whom it was dedicated; a brief description of the prologue and epilogue; when it was published; what music it contained; and details of any revivals.
