Author: Agnes V. Persson
Publisher: De Proprietatibus Litterarum. Series Practica
ISBN:
Category : Drama
Languages : en
Pages : 164
Book Description
No detailed description available for "Comic character in Restoration drama".
Comic Character in Restoration Drama
Author: Agnes V. Persson
Publisher: De Proprietatibus Litterarum. Series Practica
ISBN:
Category : Drama
Languages : en
Pages : 164
Book Description
No detailed description available for "Comic character in Restoration drama".
Publisher: De Proprietatibus Litterarum. Series Practica
ISBN:
Category : Drama
Languages : en
Pages : 164
Book Description
No detailed description available for "Comic character in Restoration drama".
Comic Character in Restoration Drama
Author: Agnes V. Persson
Publisher: De Proprietatibus Litterarum. Series Practica
ISBN:
Category : Drama
Languages : en
Pages : 164
Book Description
No detailed description available for "Comic character in Restoration drama".
Publisher: De Proprietatibus Litterarum. Series Practica
ISBN:
Category : Drama
Languages : en
Pages : 164
Book Description
No detailed description available for "Comic character in Restoration drama".
The Playgoer's Handbook to Restoration Drama
Author: Malcolm Elwin
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 266
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 266
Book Description
The Rover
Author: Aphra Behn
Publisher: Joe Books Ltd
ISBN: 1987955684
Category : Drama
Languages : en
Pages : 190
Book Description
The magic of Naples during Carnival inspires love between a disparate group of local citizens and visiting Englishmen.
Publisher: Joe Books Ltd
ISBN: 1987955684
Category : Drama
Languages : en
Pages : 190
Book Description
The magic of Naples during Carnival inspires love between a disparate group of local citizens and visiting Englishmen.
Restoration Comedy in Performance
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521274210
Category : Drama
Languages : en
Pages : 292
Book Description
An exploration of the ways in which Restoration comedy was performed, using the costume, customs, manners and behaviour of the age as a way of understanding its theatre and drama. It also considers problems encountered in early twentieth century revivals of plays by authors such as Etherege, Dryden, Congreve and Farquhar.
Publisher: Cambridge University Press
ISBN: 9780521274210
Category : Drama
Languages : en
Pages : 292
Book Description
An exploration of the ways in which Restoration comedy was performed, using the costume, customs, manners and behaviour of the age as a way of understanding its theatre and drama. It also considers problems encountered in early twentieth century revivals of plays by authors such as Etherege, Dryden, Congreve and Farquhar.
Prologues and Epilogues of Restoration Theater
Author: Diana Solomon
Publisher: University of Delaware
ISBN: 1611494230
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.
Publisher: University of Delaware
ISBN: 1611494230
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.
Character's Theater
Author: Lisa A. Freeman
Publisher: University of Pennsylvania Press
ISBN: 0812201949
Category : Drama
Languages : en
Pages : 307
Book Description
If the whole world acted the player, how did the player act the world? In Character's Theater, Lisa A. Freeman uses this question to test recent critical discussion of eighteenth-century literature and culture. Much current work, she observes, focuses on the concept of theatricality as both the governing metaphor of social life and a primary filter of psychic perception. Hume's "theater of the mind," Adam Smith's "impartial spectator," and Diderot's "tableaux" are all invoked by theorists to describe a process whereby the private individual comes to internalize theatrical logic and apprehend the self as other. To them theatricality is a critical mechanism of modern subjectivity but one that needs to be concealed if the subject's stability is to be maintained. Finding that much of this discussion about the "Age of the Spectator" has been conducted without reference to the play texts or actual theatrical practice, Freeman turns to drama and discovers a dynamic model of identity based on eighteenth-century conceptualizations of character. In contrast to the novel, which cultivated psychological tensions between private interiority and public show, dramatic characters in the eighteenth century experienced no private thoughts. The theater of the eighteenth century was not a theater of absorption but rather a theater of interaction, where what was monitored was not the depth of character, as in the novel, but the arc of a genre over the course of a series of discontinuous acts. In a genre-by-genre analysis of plays about plays, tragedy, comedies of manners, humours, and intrigue, and sentimental comedy, Freeman offers an interpretive account of eighteenth-century drama and its cultural work and demonstrates that by deploying an alternative model of identity, theater marked a site of resistance to the rise of the subject and to the ideological conformity enforced through that identity formation.
Publisher: University of Pennsylvania Press
ISBN: 0812201949
Category : Drama
Languages : en
Pages : 307
Book Description
If the whole world acted the player, how did the player act the world? In Character's Theater, Lisa A. Freeman uses this question to test recent critical discussion of eighteenth-century literature and culture. Much current work, she observes, focuses on the concept of theatricality as both the governing metaphor of social life and a primary filter of psychic perception. Hume's "theater of the mind," Adam Smith's "impartial spectator," and Diderot's "tableaux" are all invoked by theorists to describe a process whereby the private individual comes to internalize theatrical logic and apprehend the self as other. To them theatricality is a critical mechanism of modern subjectivity but one that needs to be concealed if the subject's stability is to be maintained. Finding that much of this discussion about the "Age of the Spectator" has been conducted without reference to the play texts or actual theatrical practice, Freeman turns to drama and discovers a dynamic model of identity based on eighteenth-century conceptualizations of character. In contrast to the novel, which cultivated psychological tensions between private interiority and public show, dramatic characters in the eighteenth century experienced no private thoughts. The theater of the eighteenth century was not a theater of absorption but rather a theater of interaction, where what was monitored was not the depth of character, as in the novel, but the arc of a genre over the course of a series of discontinuous acts. In a genre-by-genre analysis of plays about plays, tragedy, comedies of manners, humours, and intrigue, and sentimental comedy, Freeman offers an interpretive account of eighteenth-century drama and its cultural work and demonstrates that by deploying an alternative model of identity, theater marked a site of resistance to the rise of the subject and to the ideological conformity enforced through that identity formation.
The Attitude of the Dramatists of the Eighteenth Century Towards the Country and External Nature
Author: Anna Kathryn Thies
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 228
Book Description
Sir George Etherege
Author: David Mann
Publisher: Hall Reference Books
ISBN:
Category :
Languages : en
Pages : 174
Book Description
Publisher: Hall Reference Books
ISBN:
Category :
Languages : en
Pages : 174
Book Description
The Cambridge Companion to English Restoration Theatre
Author: Deborah Payne Fisk
Publisher: Cambridge University Press
ISBN: 9780521588126
Category : Drama
Languages : en
Pages : 326
Book Description
Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
Publisher: Cambridge University Press
ISBN: 9780521588126
Category : Drama
Languages : en
Pages : 326
Book Description
Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.