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Author: Harald Arnkil
Publisher: Aalto korkeakoulusäätiö
ISBN: 9526404041
Category : Art
Languages : en
Pages : 302
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Book Description
Colours are all around us and they affect our daily lives, but what exactly are they and what is their function? A closer look at colours raises many questions: Can colour be measured? How does changing illumination affect the perception of colours? What is colour harmony? Do colours affect our emotions? Colours in the Visual World provides answers to these and other questions. It inspires the reader to discover and creatively use colour by tapping artistic knowledge and recent findings of perceptual science. Colours in the Visual World is a resource of colour facts and phenomena for students of art, design, and architecture, as well as all those interested in the world of colour. The book is based on the author’s over 20 years of experience in teaching, researching and creating with colour. Each chapter includes assignments that serve as a starting point for independent study and experimentation. A glossary helps to clarify colour concepts and terminology.
Author: Harald Arnkil
Publisher: Aalto korkeakoulusäätiö
ISBN: 9526404041
Category : Art
Languages : en
Pages : 302
Get Book Here
Book Description
Colours are all around us and they affect our daily lives, but what exactly are they and what is their function? A closer look at colours raises many questions: Can colour be measured? How does changing illumination affect the perception of colours? What is colour harmony? Do colours affect our emotions? Colours in the Visual World provides answers to these and other questions. It inspires the reader to discover and creatively use colour by tapping artistic knowledge and recent findings of perceptual science. Colours in the Visual World is a resource of colour facts and phenomena for students of art, design, and architecture, as well as all those interested in the world of colour. The book is based on the author’s over 20 years of experience in teaching, researching and creating with colour. Each chapter includes assignments that serve as a starting point for independent study and experimentation. A glossary helps to clarify colour concepts and terminology.
Author: Frank Jacobus
Publisher: Goff Books
ISBN: 9781939621351
Category : Architecture
Languages : en
Pages : 0
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Book Description
The Visual Biography of Color is a first chance at a second look at color, which is so often overlooked in every day living. While other books discuss the phenomenon of color from a cultural perspective, The Visual Biography of Color reveals color through time by using information graphics and other forms of data visualization to visually describe color's cultural role. The book moves the reader through the visible spectrum, as they turn the pages they exist inside of red, then orange, then yellow. In red, they encounter the evolution of red states in the U.S., the compilation of every red subway line in every major world city collapsed onto a single page, and they see a radiant wheel that displays every major song that has red in its title. As they continue to move through the book they'll read about how artists, musicians, and other great thinkers have considered individual colors. Color is vital as a communicating cultural mechanism. Instead of a pure revelation of conceit, the book embraces what one might consider high-brow and low-brow culture, embracing colloquialisms and idioms that reveal how deeply embedded the idea of color is in our color full world.
Author: Arthur Schopenhauer
Publisher: Chronicle Books
ISBN: 1616890053
Category : Design
Languages : en
Pages : 168
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Book Description
During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci's Trattato della Pittura were written and published in Germany: Arthur Schopenhauer's On Vision and Colors and Philipp Otto Runge's Color Sphere. For Schopenhauer, vision is wholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge's Color Sphere and essay "The Duality of Color" contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a "mathematical figure of various philosophical reflections." By bringing these two visionary color theories together within a broad theoretical context—philosophy, art, architecture, and design—this volume uncovers their enduring influence on our own perception of color and the visual world around us.
Author: Helga Kolb
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Andrew J. Elliot
Publisher: Cambridge University Press
ISBN: 1316395332
Category : Psychology
Languages : en
Pages : 1737
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Book Description
We perceive color everywhere and on everything that we encounter in daily life. Color science has progressed to the point where a great deal is known about the mechanics, evolution, and development of color vision, but less is known about the relation between color vision and psychology. However, color psychology is now a burgeoning, exciting area and this Handbook provides comprehensive coverage of emerging theory and research. Top scholars in the field provide rigorous overviews of work on color categorization, color symbolism and association, color preference, reciprocal relations between color perception and psychological functioning, and variations and deficiencies in color perception. The Handbook of Color Psychology seeks to facilitate cross-fertilization among researchers, both within and across disciplines and areas of research, and is an essential resource for anyone interested in color psychology in both theoretical and applied areas of study.
Author: Roy S. Berns
Publisher: Getty Publications
ISBN: 1606064819
Category : Art
Languages : en
Pages : 210
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Book Description
“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.
Author: Patrick Syme
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 84
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Book Description
Author: Sarah Wilson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
This work focuses on the series of encounters between the most prominent French philosophers of the 1960s and 1970s and the artists of their times, most particularly the protagonists of the Narrative Figuration movement.
Author: Marilyn DeLong
Publisher: A&C Black
ISBN: 1472520157
Category : Design
Languages : en
Pages : 289
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Book Description
From products we use to clothes we wear, and spaces we inhabit, we rely on colour to provide visual appeal, data codes and meaning. Color and Design addresses how we understand and experience colour, and through specific examples explores how colour is used in a spectrum of design-based disciplines including apparel design, graphic design, interior design, and product design. Through highly engaging contributions from a wide range of international scholars and practitioners, the book explores colour as an individual and cultural phenomenon, as a pragmatic device for communication, and as a valuable marketing tool. Color and Design provides a comprehensive overview for scholars and an accessible text for students on a range of courses within design, fashion, cultural studies, anthropology, sociology and visual and material culture. Its exploration of colour in marketing as well as design makes this book an invaluable resource for professional designers. It will also allow practitioners to understand how and why colour is so extensively varied and offers such enormous potential to communicate.
Author: Victoria Finlay
Publisher: Getty Publications
ISBN: 1606064290
Category : Art
Languages : en
Pages : 122
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Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
