Elementary Color PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Elementary Color PDF full book. Access full book title Elementary Color by Milton Bradley. Download full books in PDF and EPUB format.
Author: Milton Bradley
Publisher: BoD – Books on Demand
ISBN: 3752333960
Category : Fiction
Languages : en
Pages : 118
Get Book Here
Book Description
Reproduction of the original: Elementary Color by Milton Bradley
Author: Barbara H. O'Connor
Publisher: Lippincott Williams & Wilkins
ISBN: 9780683066241
Category : Medical
Languages : en
Pages : 358
Get Book Here
Book Description
This essential guide can help readers identify blood type cells, which are difficult to categorize, and explains the morphologic characteristics of peripheral blood cells in detail. Some of the book's features include: color photographs that depict each stage of cell maturation in the exact sequence of development; comparative photographs of difficult-to-identify cells from different cell lines with adjacent diagrams and instructions in chart form; and an explanation of the entire differential procedure, with mathematical guidelines.
Author: Josef Albers
Publisher: Yale University Press
ISBN: 0300179359
Category : Art
Languages : en
Pages : 210
Get Book Here
Book Description
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.
Author: Milton Bradley
Publisher: BoD – Books on Demand
ISBN: 3752333960
Category : Fiction
Languages : en
Pages : 118
Get Book Here
Book Description
Reproduction of the original: Elementary Color by Milton Bradley
Author: Joshua Yumibe
Publisher: Rutgers University Press
ISBN: 0813552982
Category : Performing Arts
Languages : en
Pages : 215
Get Book Here
Book Description
Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful. Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.
Author: Tom Fraser
Publisher: Chronicle Books
ISBN: 9780811842105
Category : Design
Languages : en
Pages : 232
Get Book Here
Book Description
The eye, the camera's lens, and the computer screen all treat color differently. This important addition to the designer's reference library helps resolve the differences among the numerous media that contemporary designers work with every day. Comprehensive in scope, it brings together key elements of color theory, practice, and application, addressing a wide range of issues specific to graphic design in both print and digital media. Beyond step-by-step techniques for managing color in modern graphic design practice, Designer's Color Manual also addresses topics which help designers understand color in a variety of disciplines, looking at historical color systems, color in art, and the psychology of color, among dozens of other topics. Author and designer Tom Fraser also takes other graphics-related practices into account -- interior design, digital rendering, packaging and merchandise design -- aiding the designer in mastering the far-reaching effects of color in almost any project. Heavily illustrated with over 1,000 color images, Designer's Color Manual addresses an area that's been gray for too long in the full-color world of contemporary design.
Author: Janet Best
Publisher: Elsevier
ISBN: 0857095536
Category : Psychology
Languages : en
Pages : 672
Get Book Here
Book Description
Given its importance in analysing and influencing the world around us, an understanding of colour is a vital tool in any design process. Colour design provides a comprehensive review of the issues surrounding the use of colour, from the fundamental principles of what colour is to its important applications across a vast range of industries.Part one covers the main principles and theories of colour, focusing on the human visual system and the psychology of colour perception. Part two goes on to review colour measurement and description, including consideration of international standards, approval methods for textiles and lithographic printing, and colour communication issues. Forecasting colour trends and methods for design enhancement are then discussed in part three along with the history of colour theory, dyes and pigments, and an overview of dye and print techniques. Finally, part four considers the use of colour across a range of specific applications, from fashion, art and interiors, to food and website design.With its distinguished editor and international team of contributors, Colour design is an invaluable reference tool for all those researching or working with colour and design in any capacity. - Provides a comprehensive review of the issues surrounding the use of colour in textiles - Discusses the application of colour across a vast range of industries - Chapters cover the theories, measurement and description of colour, forecasting colour trends and methods for design enhancement
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 706
Get Book Here
Book Description
Author: Nicholas Gaskill
Publisher: U of Minnesota Press
ISBN: 1452957630
Category : Literary Criticism
Languages : en
Pages : 366
Get Book Here
Book Description
The first major literary and cultural history of color in America, 1880–1930 Chromographia tells the story of how color became modern and how literature, by engaging with modern color, became modernist. From the vivid pictures in children’s books to the bold hues of abstract painting, from psychological theories of perception to the synthetic dyes that brightened commercial goods, color concerned both the material stuff of modernity and its theoretical and artistic formulations. Chromographia spans these diverse practices to reveal the widespread effects on U.S. literature and culture of the chromatic revolution that unfolded at the turn of the twentieth century. In analyzing color experience through the lens of U.S. writers (including Charlotte Perkins Gilman, L. Frank Baum, Stephen Crane, Charles Chesnutt, Gertrude Stein, Nella Larsen, and William Carlos Williams), Chromographia argues that modern aesthetic techniques are inseparable from the theories and technologies that drove modern color. Nicholas Gaskill shows how literature registered the social worlds within which chromatic technologies emerged, and also experimented with the ideas about perception, language, and the sensory environment that accompanied their proliferation. Chromographia is the only study of modern color in U.S. literature. It presents a new reading of perception in literature and a theory of experience that uses color to move beyond the usual divisions of modern thought.
Author: Aaron Fine
Publisher: Bloomsbury Publishing
ISBN: 1350027286
Category : Design
Languages : en
Pages : 377
Get Book Here
Book Description
Giving an overview of the history of color theory from ancient and classical cultures to contemporary contexts, this book explores important critical principles and provides practical guidance on the use of color in art and design. Going beyond a simple recitation of what has historically been said about color, artist and educator Aaron Fine provides an intellectual history, critiquing prevailing Western ideas on the subject and challenging assumptions. He analyses colonialist and gendered attitudes, materialist and romanticist perspectives, spiritualist approaches to color, color in the age of reproduction, and modernist and post-modernist color strategies. Highlighted throughout are examples of the ways in which attitudes towards color have been impacted by the legacy of colonialism and are tied up with race, gender, and class. Topics covered include color models, wheels and charts, color interaction and theories of perception, with over 150 images throughout. By placing under-examined tenets of color theory such as the color wheel and color primaries within the Western industrial context that generated them, Fine helps you to connect color choices to color meanings and apply theory to practice.
Author: Jeffrey Saletnik
Publisher: University of Chicago Press
ISBN: 0226819396
Category : Art
Languages : en
Pages : 225
Get Book Here
Book Description
An incisive analysis of the pedagogy of influential artist and teacher Josef Albers. An extraordinary teacher whose influence continues today, Josef Albers helped shape the Bauhaus school in Germany and established the art and design programs at Black Mountain College in North Carolina and Yale University. His books about color theory have informed generations, and his artworks are included in the canon of high-modernist non-representational art. The pedagogy Albers developed was a dynamic approach to teaching that transcended the modernist agendas and cultivated a material way of thinking among his students. With this book, Jeffrey Saletnik explores the origins of Albers’s teaching practices and their significance in conveying attitudes about form, material, and sensory understanding to artists Eva Hesse and Richard Serra. He demonstrates how pedagogy is a framework that establishes the possibility for artistic discourse and how the methods through which artists learn are manifested in their individual practices. Tracing through lines from Albers’s training in German educational traditions to his influence on American postwar art, Josef Albers, Late Modernism, and Pedagogic Form positions Albers’s pedagogy as central to the life of modernism.
