Collection of Gaberbocchus Press Christmas Cards, Greeting Cards, Postcards and Other Printed Ephemera PDF Download
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Author: J. J. Grandville
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Languages : en
Pages :
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Author: J. J. Grandville
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Languages : en
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Author: Gregynog Press
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Category : Printing
Languages : en
Pages :
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Author: CROW'S NEST PRESS.
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Languages : en
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Author:
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Languages : en
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Author: Aralia Press
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Category : Christmas cards
Languages : en
Pages :
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A collection of illustrated Christmas cards, each with a printed poem, from Michael, Dianne, Brent and Alysia Peich for the years 1983-2004. Illustrations on the Christmas cards are by John DePol, Nadya Brown, Christie Charbonneau Wells, Lisa Daly, and Simon Brett. Includes the Christmas card sent by Charlee & Richard Wilbur, which was also the same card sent by the Piechs in 2003 and the 2003 Christmas card sent by Simon & Juliet [Brett], which was also the 2002 Christmas card sent by the Peichs.
Author: Christmas Cards--Ephemera
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Languages : en
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Author: Dorothea Dietrich
Publisher:
ISBN: 9780521498913
Category : Art
Languages : en
Pages : 240
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At the end of World War I, the German artist Kurt Schwitters dramatically broke with dominant artistic traditions by adopting collage as the primary medium for his literary and visual production. In The Collages of Kurt Schwitters: Tradition and Innovation, Dorothea Dietrich demonstrates how collages function for the artist. Characterising Schwitters's work as the product of the deep social and political crises of the Weimar Republic, Dietrich challenges the prevalent outlook that twentieth-century art can be reduced to a revolutionary struggle of avant-garde artists against an entrenched artistic tradition. The Collages of Kurt Schwitters argues for a more nuanced view, in which revolutionary art forms are exposed as containing much that is traditional and, indeed, reactionary.
Author: A.L. Rees
Publisher: Bloomsbury Publishing
ISBN: 1838714197
Category : Performing Arts
Languages : en
Pages : 208
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Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
Author: Mary Ann Caws
Publisher: U of Nebraska Press
ISBN:
Category : Art
Languages : en
Pages : 880
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"An anthology of international manifestos from nineteenth and twentieth century movements in art, literature, and culture, which chronicle the opinions of modern intellectuals about the direction of aesthetics and society." --
Author: Celina Jeffery
Publisher: Intellect (UK)
ISBN: 9781783203376
Category : Art
Languages : en
Pages : 0
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Book Description
In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. One effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore the many ways that artists have introduced new curatorial ways of thinking and talking about artistic culture. Taking a deliberately multidisciplinary and cross-cultural focus, The Artist as Curator will fill a gap in museum and curatorial studies, offering a thorough and diverse treatment of various approaches to the historical and changing role of the artist as curator that should appeal to scholars, curators, and artists alike.
