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Author: Florian Dobmeier
Publisher: Cambridge Scholars Publishing
ISBN: 1527544680
Category : Art
Languages : en
Pages : 220
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Book Description
To celebrate the first ten years of the international forum Collecting and Display, as well as the launch of a dedicated series of publications “Collecting Histories”, in 2014, a conference dedicated to new directions in terms of collecting, display, visitor experience and the use of modern media in today’s museums was held at museums of the city of Memmingen in Bavaria. Speakers looked into whether and how the engagement with the history of collections, in their diverse permutations, has influenced and modified modern museology. This volume looks forward towards a future which oftentimes looks bleak due to funding cuts, lack of appreciation of cultural history and a sometimes dubious art trade in times of looting and vandalism. On the positive side, the future of museums and museology nonetheless offers exciting prospects as far as diverse possibilities of display, as well as museology courses taught at universities worldwide, are concerned; not to forget the rising visitor numbers at many of the great museums worldwide. Collecting and Display (www.collectinganddisplay.com) is an international forum founded by three scholars in 2004. The group has been running a research seminar at the Institute of Historical Research at the University of London since 2005 and in Florence from 2008 to 2012. The forum has organised international summer conferences in London, Ottobeuren, Florence, Irsee and Jerusalem since 2006.
Author: Florian Dobmeier
Publisher: Cambridge Scholars Publishing
ISBN: 1527544680
Category : Art
Languages : en
Pages : 220
Get Book Here
Book Description
To celebrate the first ten years of the international forum Collecting and Display, as well as the launch of a dedicated series of publications “Collecting Histories”, in 2014, a conference dedicated to new directions in terms of collecting, display, visitor experience and the use of modern media in today’s museums was held at museums of the city of Memmingen in Bavaria. Speakers looked into whether and how the engagement with the history of collections, in their diverse permutations, has influenced and modified modern museology. This volume looks forward towards a future which oftentimes looks bleak due to funding cuts, lack of appreciation of cultural history and a sometimes dubious art trade in times of looting and vandalism. On the positive side, the future of museums and museology nonetheless offers exciting prospects as far as diverse possibilities of display, as well as museology courses taught at universities worldwide, are concerned; not to forget the rising visitor numbers at many of the great museums worldwide. Collecting and Display (www.collectinganddisplay.com) is an international forum founded by three scholars in 2004. The group has been running a research seminar at the Institute of Historical Research at the University of London since 2005 and in Florence from 2008 to 2012. The forum has organised international summer conferences in London, Ottobeuren, Florence, Irsee and Jerusalem since 2006.
Author: Bruce Altshuler
Publisher: Princeton University Press
ISBN: 1400849357
Category : Art
Languages : en
Pages : 208
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Book Description
Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.
Author: Graeme Were
Publisher: Berghahn Books
ISBN: 0857453645
Category : Art
Languages : en
Pages : 248
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Book Description
By exploring the processes of collecting, which challenge the bounds of normally acceptable practice, this book debates the practice of collecting ‘difficult’ objects, from a historical and contemporary perspective; and discusses the acquisition of objects related to war and genocide, and those purchased from the internet, as well as considering human remains, mass produced objects and illicitly traded antiquities. The aim is to apply a critical approach to the rigidity of museums in maintaining essentially nineteenth-century ideas of collecting; and to move towards identifying priorities for collection policies in museums, which are inclusive of acquiring ‘difficult’ objects. Much of the book engages with the question of the limits to the practice of collecting as a means to think through the implementation of new strategies.
Author: Simon J. Knell
Publisher: Routledge
ISBN: 1351916424
Category : History
Languages : en
Pages : 236
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Book Description
Collecting is a key function of museums. Its apparent simplicity belies a complexity of questions and issues which make all collecting imprecise and unrepresentative. This book exposes the many meanings of collections, the different perspectives taken by different cultures, and the institutional response to the collecting problem. One major concern is omission, whether this be determined by politics, professional ethics, the law or social agenda. How did curators collect during the war in Croatia? What were the problems of trying to collect the ’old’ South Africa when the new one was born? Can museums collect from groups which seem to ’deviate’ from society’s norms? How has the function of museums affected the practices of international trade? Can museums collect successfully if collecting agenda are being set externally? Museums and the Future of Collecting encourages museums to move away from the collecting of isolated tokens; to move beyond the collecting policy and to understand more clearly the intellectual function of what they do. Here examples are given from Australia, Sweden, Canada, Spain, Britain and Croatia which provide this intellectual understanding and many practical tools for evaluating a future collecting strategy.
Author: Anne Higonnet
Publisher: Periscope
ISBN: 9781934772928
Category : Art
Languages : en
Pages : 0
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Book Description
By 1850 cash-flush Americans like J.P. Morgan, Henry Clay Frick, Isabella Stewart Gardner, Henry E. Huntington, Arabella Huntington, and Mildred and Robert Bliss went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. From the outset, these collectors planned to present their trophies to the public as museums in which they could dictate each and every detail of the arrangements. Drawing on a decade of research, Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds. Also references the Hertford family, Sir Richard and Lady Amelie Wallace, Le duc d'Amale and others.
Author: Georgina S Walker
Publisher: Routledge
ISBN: 1351370510
Category : Business & Economics
Languages : en
Pages : 288
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Book Description
The Private Collector’s Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction. By exploring a range of in-depth contemporary case studies, the book aims for a more complex understanding of the private collector’s museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private–public engagement in general. Providing a new analysis of philanthropy, public access and the museum, The Private Collector’s Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues.
Author: Petrina Foti
Publisher: Routledge
ISBN: 1351174320
Category : Art
Languages : en
Pages : 229
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Book Description
Computer technology has transformed modern society, yet curators wishing to reflect those changes face difficult challenges in terms of both collecting and exhibiting. Collecting and Exhibiting Computer-Based Technology examines how curators at the history and technology museums of the Smithsonian Institution have met these challenges. Focusing on the curatorial process, the book explores the ways in which curators at the institution have approached the accession and display of technological artifacts. Such collections often have comparatively few precedents, and can pose unique dilemmas. In analysing the Smithsonian’s approach, Foti takes in diverse collection case studies ranging from DNA analyzers to Herbie Hancock’s music synthesizers, from iPods to born-digital photographs, from the laptop used during the filming of the television program Sex and the City to "Stanley" the self-driving car. Using her proposed model of "expert curation", she synthesizes her findings into a more universal framework for undertanding the curatorial methods associated with computer technology and reflects on what it means to be a curator in a postdigital world. Collecting and Exhibiting Computer-Based Technology offers a detailed analysis of curatorial practice in a relatively new field that is set to grow exponentially. It will be useful reading for curators, scholars, and students alike.
Author: Steven Miller
Publisher: Routledge
ISBN: 1000576388
Category : Art
Languages : en
Pages : 164
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Book Description
Museum Collecting Lessons explains how and why museums meet their fundamental duty to collect. It is the first book of its kind to explore the diverse ways these unique institutions acquire what is preserved and used for exhibitions, programs, publications, and online applications. The 11 chapters that make up the volume are written by museum practitioners working in art, history, and science museums in the United States, Canada, and India. Together, the essays provide fascinating insights into a wide variety of significant acquisitions and museum collecting initiatives. The authors explain customary collecting methods, including donation, purchase, and field retrieval. Commonly shared acquisition denominators are also covered and include mission pertinence, quality control, the feasibility and legality of acquisition, personnel and volunteer involvement, and long-term retention assurances. The philosophies and realities presented within the case studies shine light on recent debates about who is included or excluded in museum collections – especially when it comes to race, ethnicity, gender, political perspectives, places of habitation, and economic status. Museum Collecting Lessons reflects upon past and ongoing issues relating to museum acquisition practices. Offering valuable insights about philosophical, practical, and ethical collecting practices, the book will be of interest to aspiring, beginner, and experienced museum professionals around the world.
Author: John E. Simmons
Publisher: Rowman & Littlefield
ISBN: 1442263636
Category : Business & Economics
Languages : en
Pages : 327
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Book Description
This comprehensive history of museums begins with the origins of collecting in prehistory and traces the evolution of museums from grave goods to treasure troves, from the Alexandrian Temple of the Muses to the Renaissance cabinets of curiosities, and onto the diverse array of modern institutions worldwide. The development of museums as public institutions is explored in the context of world history with a special emphasis on the significance of objects and collecting. The book examines how the successful exportation of the European museum model and its international adaptations have created public institutions that are critical tools in diverse societies for understanding the world. Rather than focusing on a specialized aspect of museum history, this volume provides a comprehensive synthesis of museums worldwide from their earliest origins to the present. Museums: A History tells the fascinating story of how museums respond to the needs of the cultures that create them. Readers will come away with an understanding of: the comprehensive history of museums from prehistoric collections to the present the evolution of museums presented in the context of world history the development of museums considered in diverse cultural contexts global perspective on museums the object-centered history of museums museums as memory institutions A constant theme throughout the book is that ,useums have evolved to become institutions in which objects and learning are associated to help human beings understand the world around them. Illustrations amplify the discussions.
Author: Annika Fisher
Publisher: Bard Graduate Center
ISBN: 9781941792162
Category :
Languages : en
Pages : 394
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Book Description
In early twentieth-century Berlin, the museumsdebate was set into motion with Wilhelm von Bode's sweeping proposal to reorganize a group of the city's museums. Between 1907 and 1910, two particularly striking series of articles appeared in the journal Museumskunde: Journal for the Administration and Technology of Public and Private Collections. The first was a six-part essay by Otto Lauffer on history museums and the second was a ten-part piece by Oswald Richter regarding ethnographic museums, and both initiated a century of important dialogue. Presented together here as Collecting, Displaying, and Interpreting Material Culture, these first full English translations of the two book-length articles remain unequalled presentations about the different implications of art, historical, and ethnographic museums. They show how sophisticated the discussion of museums and museum display was in the early twentieth century, and how much could be gained from revisiting these reflections today. Accompanied with short commentaries by a group of museum professionals, these translations and associated commentaries allow for an intervention and intensification of the current level of debate about museums, one that will further invigorated by the opening of the Humboldt Forum in Berlin in 2019.
