Cold War Negritude PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Cold War Negritude PDF full book. Access full book title Cold War Negritude by Christopher T. Bonner. Download full books in PDF and EPUB format.
Author: Christopher T. Bonner
Publisher: Liverpool University Press
ISBN: 1837644985
Category : Literary Criticism
Languages : en
Pages : 232
Get Book Here
Book Description
Cold War Negritude is the first book-length study of francophone Caribbean literature to foreground the political context of the global Cold War. It focuses on three canonical francophone Caribbean writers—René Depestre, Aimé Césaire, and Jacques-Stephen Alexis—whose literary careers and political alignments spanned all three “worlds” of the 1950s Cold War order. As black Caribbean authors who wrote in French, who participated directly in the global communist movement, and whose engagements with Marxist thought and practice were mediated by their colonial relationship to France, these writers expressed unique insight into this bipolar system as it was taking shape. The book shows how, over the course of the 1950s, French Caribbean Marxist authors re-evaluated the literary aesthetics of Negritude and sought to develop alternatives that would be adequate to the radically changed world system of the Cold War. Through close readings of literary, theoretical, and political texts by Depestre, Césaire, and Alexis, I show that this formal shift reflected a strikingly changed understanding of what it meant to write engaged literature in the new, bipolar world order. Debates about literary aesthetics became the proxy battlefield on which Antillean writers promoted and fought for their different visions of an emancipated Caribbean modernity. Consequent to their complicated Cold War alignments, these Antillean authors developed original and unorthodox Marxist literary aesthetics that syncretized an array of socialist literary tendencies from around the globe.
Author: Christopher T. Bonner
Publisher: Liverpool University Press
ISBN: 1837644985
Category : Literary Criticism
Languages : en
Pages : 232
Get Book Here
Book Description
Cold War Negritude is the first book-length study of francophone Caribbean literature to foreground the political context of the global Cold War. It focuses on three canonical francophone Caribbean writers—René Depestre, Aimé Césaire, and Jacques-Stephen Alexis—whose literary careers and political alignments spanned all three “worlds” of the 1950s Cold War order. As black Caribbean authors who wrote in French, who participated directly in the global communist movement, and whose engagements with Marxist thought and practice were mediated by their colonial relationship to France, these writers expressed unique insight into this bipolar system as it was taking shape. The book shows how, over the course of the 1950s, French Caribbean Marxist authors re-evaluated the literary aesthetics of Negritude and sought to develop alternatives that would be adequate to the radically changed world system of the Cold War. Through close readings of literary, theoretical, and political texts by Depestre, Césaire, and Alexis, I show that this formal shift reflected a strikingly changed understanding of what it meant to write engaged literature in the new, bipolar world order. Debates about literary aesthetics became the proxy battlefield on which Antillean writers promoted and fought for their different visions of an emancipated Caribbean modernity. Consequent to their complicated Cold War alignments, these Antillean authors developed original and unorthodox Marxist literary aesthetics that syncretized an array of socialist literary tendencies from around the globe.
Author: CHRISTOPHER T. BONNER
Publisher:
ISBN: 9781837644711
Category : Caribbean literature (French)
Languages : en
Pages : 0
Get Book Here
Book Description
Cold War Negritude is the first book-length study of francophone Caribbean literature to foreground the political context of the global Cold War. It focuses on three canonical francophone Caribbean writers--René Depestre, Aimé Césaire, and Jacques-Stephen Alexis--whose literary careers and political alignments spanned all three "worlds" of the 1950s Cold War order. As black Caribbean authors who wrote in French, who participated directly in the global communist movement, and whose engagements with Marxist thought and practice were mediated by their colonial relationship to France, these writers expressed unique insight into this bipolar system as it was taking shape. The book shows how, over the course of the 1950s, French Caribbean Marxist authors re-evaluated the literary aesthetics of Negritude and sought to develop alternatives that would be adequate to the radically changed world system of the Cold War. Through close readings of literary, theoretical, and political texts by Depestre, Césaire, and Alexis, I show that this formal shift reflected a strikingly changed understanding of what it meant to write engaged literature in the new, bipolar world order. Debates about literary aesthetics became the proxy battlefield on which Antillean writers promoted and fought for their different visions of an emancipated Caribbean modernity. Consequent to their complicated Cold War alignments, these Antillean authors developed original and unorthodox Marxist literary aesthetics that syncretized an array of socialist literary tendencies from around the globe.
Author: CHRISTIAN FILOSTRAT
Publisher: Pierre Kroft Legacy Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 285
Get Book Here
Book Description
How and why négritude came to be defined by Aimé Césaire the way it did, including the author’s personal notes from interactions with Léon G. Damas, Aimé Césaire, and Leopold S. Senghor (Author’s note: I was carrying Léon G. Damas’s ashes to (French Guyana) Guyane (Damas had been one of the my advisors re Négritude doctoral dissertation.) and was making a stop in Fort de France for Cesaire’s eulogy. Césaire was at the airport to meet me, and while waiting for my bags, we exchanged our experiences with the cremation procedures of dear friends. In my case, it was that Marietta Damas had had it with people moving her husband and had given me specific directions. One of them was that Damas should not be moved anymore and should be cremated in the massive oak casket that Houphouet Boigny had bought for her. In Southeast Washington, DC, the cremation technician, to show me he was following instructions to the letter, opened the door of the oven, then lifted the lid of the casket for me to see that he had moved nothing; even the roses that Marietta had placed on the body were still there. The procedure of cremation had already started, and I could see blue flames as though from welding torches shooting everywhere, attacking the body. After a moment of reflection, Césaire, in turn, told me of his experience with Richard Wright and hearing his friend’s bones explode during the procedure. To a reflection regarding what négritude had become at the time of Damas’s death, Césaire gave me a long soliloquy, starting with Paris’s effervescence around the Paris Colonial Exposition back in the 30s and concluding with Sartre’s Black Orpheus. Black Orpheus broke the mold, turning négritude into an aesthetic of literature stripped of socio-political value. The crux of which was that négritude had become another academic subject of post - colonial studies. That was not what Senghor intended. After Black Orpheus, no one could write about négritude without mentioning ontology, epistemology, esthetics, Hegel, integrism, and so on. “You heard what I said in Dakar in 66, I don’t like the word négritude. It’s disruptive.” Then too, it bothered him that négritude had gotten disconnected from people’s reality. He then compared that disconnect with what he had witnessed in Haiti in 1944. The disconnect between the people and the intelligentsia. (Césaire’s interest in Haiti was immense. It was like a duty to visit him whenever I had been to Haiti.) (Author’s note: In 1980 I was the Cultural Attaché at the US Embassy in Dakar. Randall Robinson of Trans-Africa was visiting, and I arranged an interview with him for the Dakar daily, Le Soleil. Among the subjects discussed was the Western Sahara issue. Robinson explained his support for the Saharawis and the Polisario Front. The interview never ran. Instead, President Senghor asked me to his office. When he said, “I have a great weakness for France,” he meant it. It made no difference if I saw him every day. I could never meet him without being taken aback by how much Francité he exuded. But not this time. This time it was a furious Senghor I was meeting. He could not let views inimical to Morocco’s interests in the Senegalese media. He then gave me a long lecture about Arab racism, Morocco excepted. It didn’t help that the slave state of Mauritania, right across the Senegal River, insisted on an Arab designation. He grew bitter. I was astounded, for no one was more guarded than Senghor. But here he let it rip, perhaps because he was a few months from announcing his retirement. ) Thanks for taking the time to read this. If you liked this book, it would mean a lot if you could take a moment to leave an honest review on your favorite online store. Thanks so much! Pierre Kroft Legacy Publishers
Author: Elisa Larkin Nascimento
Publisher: Temple University Press
ISBN: 1592133525
Category : History
Languages : en
Pages : 337
Get Book Here
Book Description
An examination of how racial and gender hierarchies are intertwined in Brazil.
Author: Dr Wacyf H Ghali
Publisher: iUniverse
ISBN: 1663264260
Category : Social Science
Languages : en
Pages : 178
Get Book Here
Book Description
La Négritude: An African Social Humanism seeks to tackle accounts of African society—particularly sub-Saharan Africa—from its roots through modern times. La Négritude—meaning Blackness in French—was coined as a term in the 1930s, initially as a strategy for political resistance against French colonialism. As the resistance matured, its namesake developed to refer to being proud to be Black, proud of being a Negro—the true and correct word for defining an African Black man’s ethnicity. Instead of being disrespectful, the word became meaningful and beautiful in terms of what it portrayed. Because of the effects of slavery and colonialism, the traditional Negro-African society transformed into a modern society so different from the old one that many expressed a loss of identity culturally, politically, and economically. This study attempts to redefine and reidentify sub-Saharan Negro-African society using the traditional values that existed before or during the era of colonialism. Its goal is to instill a sense of security and unity among the people—with the understanding that adding changes from outside Negro-Africa could allow positive growth and development without fear of destroying the African character and personality.
Author: Anne Searcy
Publisher:
ISBN: 0190945109
Category : History
Languages : en
Pages : 199
Get Book Here
Book Description
This book tells the full story of the earliest Soviet-American ballet exchanges, in which the governments of the USSR and the United States sent their most prestigious ballet companies on tours to the other country. Author Anne Searcy draws on Soviet- and American- archival sources and shows the spectacular misunderstandings that happened when audiences trained to view one type of ballet saw a very different style.
Author: Louis Menand
Publisher: Farrar, Straus and Giroux
ISBN: 0374722919
Category : History
Languages : en
Pages : 880
Get Book Here
Book Description
"An engrossing and impossibly wide-ranging project . . . In The Free World, every seat is a good one." —Carlos Lozada, The Washington Post "The Free World sparkles. Fully original, beautifully written . . . One hopes Menand has a sequel in mind. The bar is set very high." —David Oshinsky, The New York Times Book Review | Editors' Choice One of The New York Times's 100 best books of 2021 | One of The Washington Post's 50 best nonfiction books of 2021 | A Mother Jones best book of 2021 In his follow-up to the Pulitzer Prize–winning The Metaphysical Club, Louis Menand offers a new intellectual and cultural history of the postwar years The Cold War was not just a contest of power. It was also about ideas, in the broadest sense—economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize–winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind. How did elitism and an anti-totalitarian skepticism of passion and ideology give way to a new sensibility defined by freewheeling experimentation and loving the Beatles? How was the ideal of “freedom” applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club and his New Yorker essays, Menand takes us inside Hannah Arendt’s Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir, Merce Cunningham and John Cage’s residencies at North Carolina’s Black Mountain College, and the Memphis studio where Sam Phillips and Elvis Presley created a new music for the American teenager. He examines the post war vogue for French existentialism, structuralism and post-structuralism, the rise of abstract expressionism and pop art, Allen Ginsberg’s friendship with Lionel Trilling, James Baldwin’s transformation into a Civil Right spokesman, Susan Sontag’s challenges to the New York Intellectuals, the defeat of obscenity laws, and the rise of the New Hollywood. Stressing the rich flow of ideas across the Atlantic, he also shows how Europeans played a vital role in promoting and influencing American art and entertainment. By the end of the Vietnam era, the American government had lost the moral prestige it enjoyed at the end of the Second World War, but America’s once-despised culture had become respected and adored. With unprecedented verve and range, this book explains how that happened.
Author: Paulette Nardal
Publisher: State University of New York Press
ISBN: 1438429487
Category : Social Science
Languages : en
Pages : 123
Get Book Here
Book Description
Key text never before in English by central figure of the Negritude movement.
Author: Alex La Guma
Publisher: Lexington Books
ISBN: 1498536034
Category : Social Science
Languages : en
Pages : 285
Get Book Here
Book Description
In 1978, the South African activist and novelist Alex La Guma (1925–1985) published A Soviet Journey, a memoir of his travels in the Soviet Union. Today it stands as one of the longest and most substantive first-hand accounts of the USSR by an African writer. La Guma’s book is consequently a rare and important document of the anti-apartheid struggle and the Cold War period, depicting the Soviet model from an African perspective and the specific meaning it held for those envisioning a future South Africa. For many members of the African National Congress and the South African Communist Party, the Soviet Union represented a political system that had achieved political and economic justice through socialism—a point of view that has since been lost with the collapse of the USSR and the end of the Cold War. This new edition of A Soviet Journey—the first since 1978—restores this vision to the historical record, highlighting how activist-intellectuals like La Guma looked to the Soviet Union as a paradigm of self-determination, decolonization, and postcolonial development. The introduction by Christopher J. Lee discusses these elements of La Guma’s text, in addition to situating La Guma more broadly within the intercontinental spaces of the Black Atlantic and an emergent Third World. Presenting a more expansive view of African literature and its global intellectual engagements, A Soviet Journey will be of interest to readers of African fiction and non-fiction, South African history, postcolonial Cold War studies, and radical political thought.
Author: Guy Viêt Levilain
Publisher:
ISBN:
Category : Black people
Languages : en
Pages : 70
Get Book Here
Book Description
