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Author: Dina Fainberg
Publisher: Johns Hopkins University Press
ISBN: 1421438445
Category : History
Languages : en
Pages : 373
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Book Description
Foreign correspondents played a crucial role in promoting the ideas and values of the Cold War. As they brought the foreign world to their Soviet and American readers, these journalists projected their own ideologies onto their reporting. In an age of mutual acrimony and closed borders, journalists were among the few individuals who crossed the Iron Curtain. Their reporting strongly influenced the ways that policy makers, pundits, and ordinary people came to understand the American or the Soviet "other." In Cold War Correspondents, Dina Fainberg examines how Soviet and American journalists covered the rival superpower and how two distinctive sets of truth systems, professional practices, and political cultures shaped international reporting. Fainberg explores private and public interactions among multiple groups that shaped coverage of the Cold War adversary, including journalists and their sources, editors, news media executives, government officials, diplomats, American pundits, Soviet censors, and audiences on both sides. Foreign correspondents, Fainberg argues, were keen analytical observers who aspired to understand their host country and probe its depths. At the same time, they were fundamentally shaped by their cultural and institutional backgrounds—to the point that their views of the rival superpower were refracted through values of their own culture. International reporting grounded and personalized the differences between the two nations, describing the other side in readily recognizable, self-referential terms. Fundamentally, Fainberg demonstrates, Americans and Soviets during the Cold War came to understand themselves through the creation of images of each other. Drawing on interviews with veteran journalists and Soviet dissidents, Cold War Correspondents also uses previously unexamined Soviet and US government records, newspaper and news agency archives, rare Soviet cartoons, and individual correspondents' personal papers, letters, diaries, books, and articles. Striking black-and-white photos depict foreign correspondents in action. Taken together, these sources illuminate a rich history of private and professional lives at the heart of the superpower conflict.
Author: Dina Fainberg
Publisher: Johns Hopkins University Press
ISBN: 1421438445
Category : History
Languages : en
Pages : 373
Get Book Here
Book Description
Foreign correspondents played a crucial role in promoting the ideas and values of the Cold War. As they brought the foreign world to their Soviet and American readers, these journalists projected their own ideologies onto their reporting. In an age of mutual acrimony and closed borders, journalists were among the few individuals who crossed the Iron Curtain. Their reporting strongly influenced the ways that policy makers, pundits, and ordinary people came to understand the American or the Soviet "other." In Cold War Correspondents, Dina Fainberg examines how Soviet and American journalists covered the rival superpower and how two distinctive sets of truth systems, professional practices, and political cultures shaped international reporting. Fainberg explores private and public interactions among multiple groups that shaped coverage of the Cold War adversary, including journalists and their sources, editors, news media executives, government officials, diplomats, American pundits, Soviet censors, and audiences on both sides. Foreign correspondents, Fainberg argues, were keen analytical observers who aspired to understand their host country and probe its depths. At the same time, they were fundamentally shaped by their cultural and institutional backgrounds—to the point that their views of the rival superpower were refracted through values of their own culture. International reporting grounded and personalized the differences between the two nations, describing the other side in readily recognizable, self-referential terms. Fundamentally, Fainberg demonstrates, Americans and Soviets during the Cold War came to understand themselves through the creation of images of each other. Drawing on interviews with veteran journalists and Soviet dissidents, Cold War Correspondents also uses previously unexamined Soviet and US government records, newspaper and news agency archives, rare Soviet cartoons, and individual correspondents' personal papers, letters, diaries, books, and articles. Striking black-and-white photos depict foreign correspondents in action. Taken together, these sources illuminate a rich history of private and professional lives at the heart of the superpower conflict.
Author: Nathan Hale
Publisher: Abrams
ISBN: 1647004837
Category : Juvenile Nonfiction
Languages : en
Pages : 136
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Book Description
Discover the Korean War through the eyes of the journalist who covered it in this installment of the New York Times bestselling graphic novel series In 1950, Marguerite Higgins (1920–1966) was made bureau chief of the Far East Asia desk for the New York Herald Tribune. Tensions were high on the Korean peninsula, where a border drawn after WWII split the country into North and South. When the North Korean army crossed the border with Soviet tanks, it was war. Marguerite was there when the Communists captured Seoul. She fled with the refugees heading south, but when the bridges were blown over the Han River, she was trapped in enemy territory. Her eyewitness account of the invasion was a newspaper smash hit. She risked her life in one dangerous situation after another––all for the sake of good story. Then she was told that women didn’t belong on the frontlines. The United States Army officially ordered her out of Korea. She appealed to General Douglas MacArthur, and he personally lifted the ban on female war correspondents, which allowed her the chance to report on many of the major events of the Korean War. Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!
Author: Marvin Kalb
Publisher: Brookings Institution Press
ISBN: 0815738978
Category : Biography & Autobiography
Languages : en
Pages : 355
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Book Description
A personal journey through some of the darkest moments of the cold war and the early days of television news Marvin Kalb, the award-winning journalist who has written extensively about the world he reported on during his long career, now turns his eye on the young man who became that journalist. Chosen by legendary broadcaster Edward R. Murrow to become one of what came to be known as the Murrow Boys, Kalb in this newest volume of his memoirs takes readers back to his first days as a journalist, and what also were the first days of broadcast news. Kalb captures the excitement of being present at the creation of a whole new way of bringing news immediately to the public. And what news. Cold War tensions were high between Eisenhower's America and Khrushchev's Soviet Union. Kalb is at the center, occupying a unique spot as a student of Russia tasked with explaining Moscow to Washington and the American public. He joins a cast of legendary figures along the way, from Murrow himself to Eric Severeid, Howard K. Smith, Richard Hottelet, Charles Kuralt, and Daniel Schorr among many others. He finds himself assigned as Moscow correspondent of CBS News just as the U2 incident—the downing of a US spy plane over Russian territory—is unfolding. As readers of his first volume, The Year I Was Peter the Great, will recall, being the right person, in the right place, at the right time found Kalb face to face with Khrushchev. Assignment Russia sees Kalb once again an eyewitness to history—and a writer and analyst who has helped shape the first draft of that history.
Author: Greg McLaughlin
Publisher:
ISBN: 9781783717590
Category : War
Languages : en
Pages : 267
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Book Description
The War Correspondent looks at the role of the war reporter today: the attractions and the risks of the job; the challenge of objectivity and impartiality in the war zone; the danger of journalistic independence being compromised by military control, censorship, and public relations; as well as the commercial and technological pressures of an intensely concentrated, competitive news media environment. This new edition substantially updates the original, ending with an extended section on the return of history and ideology to the reporting of international conflict, and interviews with prominent war and foreign correspondents including John Pilger, Robert Fisk, Mary Dvesky, and Alex Thomson.
Author: Seymour Topping
Publisher: LSU Press
ISBN: 0807137308
Category : Biography & Autobiography
Languages : en
Pages : 488
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Book Description
The well-known New York Times correspondent narrates his experiences reporting on some of major events and conflicts of the years following World War II and discusses his interviews with such political figures as Mao Tse Tung and Fidel Castro.
Author: Nathan Hale
Publisher: Abrams
ISBN: 1647007771
Category : Juvenile Nonfiction
Languages : en
Pages : 152
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Book Description
Experience the New York Times bestselling graphic novel—now as a deluxe, oversized edition featuring 15 brand-new pages of mini-comics The Bigger & Badder editions of Nathan Hale’s Hazardous Tales continues! Nathan Hale (the author’s namesake) was America’s first spy, a Revolutionary War hero who famously said “I only regret that I have but one life to lose for my country” before being hanged by the British. In Nathan Hale’s Hazardous Tales, author Hale channels his historical döppelganger to present history’s roughest, toughest, strangest stories. This book tackles the story of Nathan Hale himself, who was an officer for the American rebels in the Revolutionary War and was eventually hanged for spying. This special edition of One Dead Spy features a larger trim size, a deluxe package, and 16 pages of bonus material, including research photos, sketches, and mini-comics from the author. Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!
Author: Martha Gellhorn
Publisher: Open Road + Grove/Atlantic
ISBN: 0802191169
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair). For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by “the premier war correspondent of the twentieth century” (Ward Just, The New York Times Magazine). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. “I wrote very fast, as I had to,” she says, “afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place.” As Merle Rubin noted in his review of this volume for The Christian ScienceMonitor, “Martha Gellhorn’s courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event.”
Author: Judith Mackrell
Publisher: Vintage
ISBN: 0385547692
Category : Biography & Autobiography
Languages : en
Pages : 522
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Book Description
The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent. "Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women "Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms with men. The Correspondents follows six remarkable women as their lives and careers intertwined: Martha Gellhorn, who got the scoop on Ernest Hemingway on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller, who went from being a Vogue cover model to the magazine’s official war correspondent; Sigrid Schultz, who hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, a “society girl columnist” turned combat reporter; Clare Hollingworth, the first English journalist to break the news of World War II; and Helen Kirkpatrick, the first woman to report from an Allied war zone with equal privileges to men. From chasing down sources and narrowly dodging gunfire to conducting tumultuous love affairs and socializing with luminaries like Eleanor Roosevelt, Picasso, and Man Ray, these six women are captured in all their complexity. With her gripping, intimate, and nuanced portrait, Judith Mackrell celebrates these courageous reporters who risked their lives for the scoop.
Author: Lindsey Hilsum
Publisher: Farrar, Straus and Giroux
ISBN: 0374175594
Category : Biography & Autobiography
Languages : en
Pages : 401
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Book Description
A New York Times Book Review Editors' Choice. Finalist for the Costa Biography Award and long-listed for the Andrew Carnegie Medal for Excellence. Named a Best Book of 2018 by Esquire and Foreign Policy. An Amazon Best Book of November, the Guardian Bookshop Book of November, and one of the Evening Standard's Books to Read in November "Now, thanks to Hilsum’s deeply reported and passionately written book, [Marie Colvin] has the full accounting that she deserves." --Joshua Hammer, The New York Times The inspiring and devastating biography of Marie Colvin, the foremost war reporter of her generation, who was killed in Syria in 2012, and whose life story also forms the basis of the feature film A Private War, starring Rosamund Pike as Colvin. When Marie Colvin was killed in an artillery attack in Homs, Syria, in 2012, at age fifty-six, the world lost a fearless and iconoclastic war correspondent who covered the most significant global calamities of her lifetime. In Extremis, written by her fellow reporter Lindsey Hilsum, is a thrilling investigation into Colvin’s epic life and tragic death based on exclusive access to her intimate diaries from age thirteen to her death, interviews with people from every corner of her life, and impeccable research. After growing up in a middle-class Catholic family on Long Island, Colvin studied with the legendary journalist John Hersey at Yale, and eventually started working for The Sunday Times of London, where she gained a reputation for bravery and compassion as she told the stories of victims of the major conflicts of our time. She lost sight in one eye while in Sri Lanka covering the civil war, interviewed Gaddafi and Arafat many times, and repeatedly risked her life covering conflicts in Chechnya, East Timor, Kosovo, and the Middle East. Colvin lived her personal life in extremis, too: bold, driven, and complex, she was married twice, took many lovers, drank and smoked, and rejected society’s expectations for women. Despite PTSD, she refused to give up reporting. Like her hero Martha Gellhorn, Colvin was committed to bearing witness to the horrifying truths of war, and to shining a light on the profound suffering of ordinary people caught in the midst of conflict. Lindsey Hilsum’s In Extremis is a devastating and revelatory biography of one of the greatest war correspondents of her generation.
Author: Chris Dubbs
Publisher: U of Nebraska Press
ISBN: 1640123172
Category : History
Languages : en
Pages : 406
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Book Description
When World War I began, war reporting was a thoroughly masculine bastion of journalism. But that did not stop dozens of women reporters from stepping into the breach, defying gender norms and official restrictions to establish roles for themselves--and to write new kinds of narratives about women and war. Chris Dubbs tells the fascinating stories of Edith Wharton, Nellie Bly, and more than thirty other American women who worked as war reporters. As Dubbs shows, stories by these journalists brought in women from the periphery of war and made them active participants--fully engaged and equally heroic, if bearing different burdens and making different sacrifices. Women journalists traveled from belligerent capitals to the front lines to report on the conflict. But their experiences also brought them into contact with social transformations, political unrest, labor conditions, campaigns for women's rights, and the rise of revolutionary socialism. An eye-opening look at women's war reporting, An Unladylike Profession is a portrait of a sisterhood from the guns of August to the corridors of Versailles. Purchase the audio edition.
