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Author: Aaron Abeyta
Publisher: University Press of Colorado
ISBN: 0870816152
Category : Poetry
Languages : en
Pages : 109
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Book Description
In Colcha, Aaron Abeyta blends the contrasting rhythms of the English and Spanish languages, finding music in a simple yet memorable lyricism without losing the complexity and mystery of personal experience. His forty-two poems take the reader on a journey through a contemplative personal history that explores communal, political and societal issues as well as the individual experiences of family and friends.
Author: Aaron Abeyta
Publisher: University Press of Colorado
ISBN: 0870816152
Category : Poetry
Languages : en
Pages : 109
Get Book Here
Book Description
In Colcha, Aaron Abeyta blends the contrasting rhythms of the English and Spanish languages, finding music in a simple yet memorable lyricism without losing the complexity and mystery of personal experience. His forty-two poems take the reader on a journey through a contemplative personal history that explores communal, political and societal issues as well as the individual experiences of family and friends.
Author: Suzanne Pollock MacAulay
Publisher: University of Arizona Press
ISBN: 9780816520299
Category : Crafts & Hobbies
Languages : en
Pages : 228
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Book Description
In the San Luis Valley of southern Colorado, there thrives a folk tradition with links to both the past and future. Colcha embroidery is a traditional Spanish colonial style of textile, bed covering, or wall hanging dating from the early nineteenth century. In the first book to consider this craft, Suzanne MacAulay provides a detailed account of this folk art tradition that is both old and constantly renewing itself, presenting a sensitive portrayal of artists and the contexts in which they live and work. Stitching Rites reveals how art, history, and memory interweave in a rich creative web. Based on archival research and on extensive interviews with artists, the book reveals the personal motivations of the embroiderers and their relationships with their work, with each other, with their community, and with outsiders. Through stitchers like Josephine Lobato and the San Luis Ladies Sewing Circle, MacAulay shows how colcha creation is bound up in a perpetual round of cultural commentary and self-reflection. MacAulay includes detailed descriptions of changes in stitching techniques, themes, and styles to show the impact of a wide range of outside influences on the lives of the artists and on the art form. She also provides a discussion of New Mexican Carson colchas and their place in the collector market. By focusing on the individual creative act, she shows how colcha embroidery is used to record how a stitcher's memories of her life are intertwined with the history of her community. Through this picture of a community of embroiderers, MacAulay helps us to understand their stitching rites and sheds new light on the relationship between Hispanic and Anglo cultures.
Author: Dora Gonzales de Martínez
Publisher: Sunstone Press
ISBN: 0865342261
Category : Embroidery
Languages : en
Pages : 134
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Book Description
The riddles in this book represent a wide variety of types from the poetic to those with hidden or double meaning. All of the riddles, however, have the flavor of daily life in New Mexico.
Author: Norma E. Cantú
Publisher: University of Illinois Press
ISBN: 9780252070129
Category : Social Science
Languages : en
Pages : 284
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Book Description
The first anthology to focus specifically on the topic of Chicana expressive culture, Chicana Traditions features the work of native scholars: Chicanas engaged in careers as professors and students, performing artists and folklorists, archivists and museum coordinators, and community activists. Blending narratives of personal experience with more formal, scholarly discussions, Chicana Traditions tells the insider story of a professional woman mariachi performer and traces the creation and evolution of the escaramuza charra (all-female precision riding team) within the male-dominated charreada, or Mexican rodeo. Other essays cover the ranchera (country or rural) music of the transnational performer Lydia Mendoza, the complex crossover of Selena's Tejano music, and the bottle cap and jar lid art of Goldie Garcia. Framed by the Chicana feminist concept of the borderlands, a formative space where cultures and identities converge, Chicana Traditions offers a lively commentary on how women continue to invent, reshape, and transcend their traditional culture.
Author: Mary Caroline Montaño
Publisher:
ISBN: 9780826321367
Category : Art
Languages : en
Pages : 408
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Book Description
A comprehensive overview of New Mexican folk arts from the 16th century to the present time.
Author: Nancy C. Benson
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 172
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Book Description
"Colcha embroidery, growing out out of a Spanish love of needlework, flourished in the hands of colonial women in the isolated province of New Mexico. They wished to add not only warmth but beauty to their otherwise-practical bedding. They worked their brightly dyed homespun yarn in a long couching stitch to create the flowing needlework that came to be called "colcha embroidery". Women stitched fanciful designs not only on cloth treasures to be passed through generations but on everyday objects that were brightened by colcha. Into their embroidery they sewed their place in history as independent women, proud of their Hispanic heritage and ability to bring beauty to articles that helped them survive in the often harsh and dangerous environment. A century later, colcha was on its way to oblivion. Like many traditional crafts, this art form that required so much skill and patience was becoming obsolete as inexpensive and abundant commercial cloth, modern styles, and machine-made products became more desirable and available." "Fast-forward to the 1930s and the Arte Antiguo, a colcha club founded by twelve Hispanic women in the Espanola Valley of Northern New Mexico who gather monthly to socialize and invigorate the fading art form. Spearheaded by the vibrant Teofila Ortiz Lujan, the club heroically sought to rescue colcha and bring it back to its rightful place as a cherished custom." "Featuring exquisite examples from museums and private collections, New Mexico Colcha Club looks at the historical roots of colcha, its role in the lives of New Mexican women, and examines the various styles that evolved through its history. At the core of the book, though, is the ever-lively Teofila, leading the women of the Arte Antiguo in their very personal mission to save for posterity the tradition that had so sustained them culturally Traveling to churches to examine vintage altar cloths, sketching old patterns, and hunting through attics and archives in search of examples of the antique embroidery, the Arte Antiguo endeavored to save colcha from extinction and initiate a revival of the beloved style. Esther Lujan Vigil, daughter of Teofila, is the inheritor of her mother's vision. Through her own embroidery and instruction of others in the craft, she continues Teofila's leadership of colcha's renaissance and carries on the rich cultural, historical and artistic tradition."--BOOK JACKET.
Author: William Wroth
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 120
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Book Description
Over 80 accurate drawings of New Mexican colonial embroidery, Hispanic weaving designs, and plans for two looms, a spinning wheel, a warp roller, and a wool winder. Formulas for vegetable dyes are also included. the renderings were made by Carmen Espinosa, Nellie Dunton, Gisella Lacher, and others during the 1930s from authentic pieces of Spanish colonial embroidery and blankets in museums, private collections, and still in use in homes. The drawings have been retraced from the mimeographed Trade and Industrial Bulletins distributed to vocational schools in northern New Mexico by the State Department of Vocational Education as "representative examples" for students. Likewise, today's weavers, embroiderers, collectors, scholars, and anyone who has had the opportunity to buy or view such pieces will appreciate these detailed, authentic drawings of New Mexican textiles -- Back cover.
Author: Brian S. Bauer
Publisher: University of Texas Press
ISBN: 0292717725
Category : History
Languages : en
Pages : 204
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Book Description
The Inca empire was the largest state in the Americas at the time of the Spanish invasion in 1532. From its political center in the Cuzco Valley, it controlled much of the area included in the modern nations of Ecuador, Peru, Chile, and Bolivia. But how the Inca state became a major pan-Andean power is less certain. In this innovative work, Brian S. Bauer challenges traditional views of Inca state development and offers a new interpretation supported by archaeological, historical, and ethnographic evidence. Spanish chroniclers of the sixteenth and seventeenth centuries attributed the rapid rise of Inca power to a decisive military victory over the Chanca, their traditional rivals, by Pachacuti Inca Yupanqui. By contrast, Bauer questions the usefulness of literal interpretations of the Spanish chronicles and provides instead a regional perspective on the question of state development. He suggests that incipient state growth in the Cuzco region was marked by the gradual consolidation and centralization of political authority in Cuzco, rather than resulting from a single military victory. Synthesizing regional surveys with excavation, historic, and ethnographic data, and investigating broad categories of social and economic organization, he shifts the focus away from legendary accounts and analyzes more general processes of political, economic, and social change.
Author: Linda Tigges
Publisher: Sunstone Press
ISBN: 1611394430
Category : History
Languages : en
Pages : 533
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Book Description
On their return to New Mexico from El Paso after the 1680 Pueblo Revolt, the New Mexican settlers were confronted with continuous raids by hostile Indians tribes, disease and an inhospitable landscape. In spite of this, in the early and mid-eighteenth century, the New Mexicans went about their daily lives as best they could, as shown in original documents from the time. The documents show them making deals, traveling around the countryside and to and from El Paso and Mexico City, complaining about and arguing with each other, holding festivals, and making plans for the future of their children. It also shows them interacting with the presidio soldiers, the Franciscan friars and Inquisition officials, El Paso and Chihuahua merchants, the occasional Frenchman, and their Pueblo Indian allies. Because many of the documents include oral testimony, we are able to read what they had to say, sometimes angry, asking for help, or giving excuses for their behavior, as written down by a scribe at the time. This book includes fifty-four original handwritten documents from the early and mid-eighteenth century. Most of the original documents are located in the Spanish Archives of New Mexico, although some are from the Bancroft Library at the University of California at Berkeley, the Archivo General de la Nacion in Mexico City, and elsewhere. They were selected for their description of Spanish Colonial life, of interest to the many descendants of the characters that appear in them, and because they tell a good story. A translation and transcription of each document is included as well as a synopsis, background notes, and biographical notes. They can be considered a companion, in part, to Ralph Emerson Twitchell’s 1914 two volumes, The Spanish Archives of New Mexico, summarizing the documents of the Spanish Archives of New Mexico, now available in new editions from Sunstone Press.
Author: Suzanne P. MacAulay
Publisher: University of Arizona Press
ISBN: 0816541795
Category : Social Science
Languages : en
Pages : 225
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Book Description
In the San Luis Valley of southern Colorado, there thrives a folk tradition with links to both the past and future. Colcha embroidery is a traditional Spanish colonial style of textile, bed covering, or wall hanging dating from the early nineteenth century. In the first book to consider this craft, Suzanne MacAulay provides a detailed account of this folk art tradition that is both old and constantly renewing itself, presenting a sensitive portrayal of artists and the contexts in which they live and work. Stitching Rites reveals how art, history, and memory interweave in a rich creative web. Based on archival research and on extensive interviews with artists, the book reveals the personal motivations of the embroiderers and their relationships with their work, with each other, with their community, and with outsiders. Through stitchers like Josephine Lobato and the San Luis Ladies Sewing Circle, MacAulay shows how colcha creation is bound up in a perpetual round of cultural commentary and self-reflection. MacAulay includes detailed descriptions of changes in stitching techniques, themes, and styles to show the impact of a wide range of outside influences on the lives of the artists and on the art form. She also provides a discussion of New Mexican Carson colchas and their place in the collector market. By focusing on the individual creative act, she shows how colcha embroidery is used to record how a stitcher's memories of her life are intertwined with the history of her community. Through this picture of a community of embroiderers, MacAulay helps us to understand their stitching rites and sheds new light on the relationship between Hispanic and Anglo cultures.
