Author: Jutta-Annette Bruhn
Publisher: Dumbarton Oaks
ISBN: 9780884022190
Category : Antiques & Collectibles
Languages : en
Pages : 76
Book Description
This catalogue focuses on numismatic gold jewelry, from pendants set with coins and medallions to stamped pseudo-medallions, or a combination of both. Special attention is given to the technical issues of mounting techniques.
Coins and Costume in Late Antiquity
Author: Jutta-Annette Bruhn
Publisher: Dumbarton Oaks
ISBN: 9780884022190
Category : Antiques & Collectibles
Languages : en
Pages : 76
Book Description
This catalogue focuses on numismatic gold jewelry, from pendants set with coins and medallions to stamped pseudo-medallions, or a combination of both. Special attention is given to the technical issues of mounting techniques.
Publisher: Dumbarton Oaks
ISBN: 9780884022190
Category : Antiques & Collectibles
Languages : en
Pages : 76
Book Description
This catalogue focuses on numismatic gold jewelry, from pendants set with coins and medallions to stamped pseudo-medallions, or a combination of both. Special attention is given to the technical issues of mounting techniques.
The World of Roman Costume
Author: Judith Lynn Sebesta
Publisher: Univ of Wisconsin Press
ISBN: 9780299138547
Category : Art
Languages : en
Pages : 298
Book Description
Thirteen scholarly and well-illustrated essays survey, document and elucidate over a thousand years of Roman garments and accessories, including Etruscan influences, Near Eastern fashions and the transition towards early Christian garb.
Publisher: Univ of Wisconsin Press
ISBN: 9780299138547
Category : Art
Languages : en
Pages : 298
Book Description
Thirteen scholarly and well-illustrated essays survey, document and elucidate over a thousand years of Roman garments and accessories, including Etruscan influences, Near Eastern fashions and the transition towards early Christian garb.
Silver and Society in Late Antiquity
Author: Ruth E. Leader-Newby
Publisher: Routledge
ISBN: 1351900072
Category : History
Languages : en
Pages : 391
Book Description
The spectacular hoards of late antique silver - Mildenhall, Thetford, Sevso - discovered since the middle of the last century have aroused much interest in this luxury art form. But what did these pieces mean to their owners, and why was silverware so important in late antiquity? Silver and Society in Late Antiquity examines such questions through an integrated, synthetic analysis of the history of silver in the Roman empire between 300 and 650 AD, focusing upon the cultural significance of this luxury art form in all its different manifestations--sacred, imperial and domestic. Ruth Leader-Newby looks at a wide range of objects from both the eastern and western halves of the Roman empire - including Britain - in order to determine silver's role in the wider sphere of late antique visual culture, asking questions about the relative significance of individual forms of artistic production, and their relationship with each other. In doing so, key issues for the artistic and cultural history of late antiquity are raised - the use of the imperial image, the visual construction of the sacred in Christianity, the cohesive social role of elite intellectual culture, and the Christianization of the domestic sphere. As this book demonstrates, when studied in its historical context, silver can substantially enrich our understanding of late Roman art and culture.
Publisher: Routledge
ISBN: 1351900072
Category : History
Languages : en
Pages : 391
Book Description
The spectacular hoards of late antique silver - Mildenhall, Thetford, Sevso - discovered since the middle of the last century have aroused much interest in this luxury art form. But what did these pieces mean to their owners, and why was silverware so important in late antiquity? Silver and Society in Late Antiquity examines such questions through an integrated, synthetic analysis of the history of silver in the Roman empire between 300 and 650 AD, focusing upon the cultural significance of this luxury art form in all its different manifestations--sacred, imperial and domestic. Ruth Leader-Newby looks at a wide range of objects from both the eastern and western halves of the Roman empire - including Britain - in order to determine silver's role in the wider sphere of late antique visual culture, asking questions about the relative significance of individual forms of artistic production, and their relationship with each other. In doing so, key issues for the artistic and cultural history of late antiquity are raised - the use of the imperial image, the visual construction of the sacred in Christianity, the cohesive social role of elite intellectual culture, and the Christianization of the domestic sphere. As this book demonstrates, when studied in its historical context, silver can substantially enrich our understanding of late Roman art and culture.
Social and Political Life in Late Antiquity - Volume 3.1
Author: William Bowden
Publisher: BRILL
ISBN: 9047407601
Category : History
Languages : en
Pages : 687
Book Description
This collection of papers, arising from the conference series Late Antique Archaeology, examines the social and political structures of the late antique period and the ways in which they are manifested in the archaeological and textual record.
Publisher: BRILL
ISBN: 9047407601
Category : History
Languages : en
Pages : 687
Book Description
This collection of papers, arising from the conference series Late Antique Archaeology, examines the social and political structures of the late antique period and the ways in which they are manifested in the archaeological and textual record.
Postcolonising the Medieval Image
Author: Eva Frojmovic
Publisher: Routledge
ISBN: 1351867237
Category : Art
Languages : en
Pages : 418
Book Description
Postcolonial theories have transformed literary, historical and cultural studies over the past three decades. Yet the study of medieval art and visualities has, in general, remained Eurocentric in its canon and conservative in its approaches. 'Postcolonising', as the eleven essays in this volume show, entails active intervention into the field of medieval art history and visual studies through a theoretical reframing of research. This approach poses and elicits new research questions, and tests how concepts current in postcolonial studies - such as diaspora and migration, under-represented artistic cultures, accented art making, displacement, intercultural versus transcultural, hybridity, presence/absence - can help medievalists to reinvigorate the study of art and visuality. Postcolonial concepts are deployed in order to redraft the canon of medieval art, thereby seeking to build bridges between medievalist and modernist communities of scholars. Among the varied topics explored in the volume are the appropriation of Roman iconography by early medieval Scandinavian metalworkers, multilingualism and materiality in Anglo-Saxon culture, the circulation and display of Islamic secular ceramics on Pisan churches, cultural negotiation by Jewish minorities in Central Europe and the Iberian peninsula, Holy Land maps and medieval imaginative geography, and the uses of Thomas Becket in the colonial imaginary of the Plantagenet court.
Publisher: Routledge
ISBN: 1351867237
Category : Art
Languages : en
Pages : 418
Book Description
Postcolonial theories have transformed literary, historical and cultural studies over the past three decades. Yet the study of medieval art and visualities has, in general, remained Eurocentric in its canon and conservative in its approaches. 'Postcolonising', as the eleven essays in this volume show, entails active intervention into the field of medieval art history and visual studies through a theoretical reframing of research. This approach poses and elicits new research questions, and tests how concepts current in postcolonial studies - such as diaspora and migration, under-represented artistic cultures, accented art making, displacement, intercultural versus transcultural, hybridity, presence/absence - can help medievalists to reinvigorate the study of art and visuality. Postcolonial concepts are deployed in order to redraft the canon of medieval art, thereby seeking to build bridges between medievalist and modernist communities of scholars. Among the varied topics explored in the volume are the appropriation of Roman iconography by early medieval Scandinavian metalworkers, multilingualism and materiality in Anglo-Saxon culture, the circulation and display of Islamic secular ceramics on Pisan churches, cultural negotiation by Jewish minorities in Central Europe and the Iberian peninsula, Holy Land maps and medieval imaginative geography, and the uses of Thomas Becket in the colonial imaginary of the Plantagenet court.
Late Antique and Medieval Art of the Mediterranean World
Author: Eva R. Hoffman
Publisher: John Wiley & Sons
ISBN: 1405182075
Category : Art
Languages : en
Pages : 444
Book Description
Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books
Publisher: John Wiley & Sons
ISBN: 1405182075
Category : Art
Languages : en
Pages : 444
Book Description
Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books
Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900
Author: Ildar H. Garipzanov
Publisher: Oxford University Press
ISBN: 0198815018
Category : Design
Languages : en
Pages : 404
Book Description
Graphic Signs Of Authority in Late Antiquity and the Early Middle Ages offers a cultural history of the graphic monogrammatic tools from antiquity to the Middle Ages. It examines the sign of the cross, christograms, monograms, and other similar devices, and how they were used during a time of great socio-political and religious change.
Publisher: Oxford University Press
ISBN: 0198815018
Category : Design
Languages : en
Pages : 404
Book Description
Graphic Signs Of Authority in Late Antiquity and the Early Middle Ages offers a cultural history of the graphic monogrammatic tools from antiquity to the Middle Ages. It examines the sign of the cross, christograms, monograms, and other similar devices, and how they were used during a time of great socio-political and religious change.
Catalogue of the Byzantine and Early Mediaeval Antiquities in the Dumbarton Oaks Collection
Author: Dumbarton Oaks
Publisher: Dumbarton Oaks
ISBN: 9780884023012
Category : Art objects, Byzantine
Languages : en
Pages : 454
Book Description
Publisher: Dumbarton Oaks
ISBN: 9780884023012
Category : Art objects, Byzantine
Languages : en
Pages : 454
Book Description
Beyond the Battlefields
Author: Edward Bragg
Publisher: Cambridge Scholars Publishing
ISBN: 1527565629
Category : History
Languages : en
Pages : 275
Book Description
Beyond the Battlefields explores the relationship between warfare and society in the Graeco-Roman world through the various lenses of history, art, literature and archaeology. The study of ancient warfare often evokes images of crusty old scholars pouring over battle tactics and strategy. This book, a collection of thirteen essays by young scholars, examines the political, social, economic and artistic affects of war in ancient society in Greece and Rome, from Homeric times to the sixth century AD. Essays focus on a wide range of topics from espionage and ancient spin doctors to fantasies of peace in the Iliad and triumphal plants. Each article in this book presents the next scholarly generation’s new and dynamic approach to ancient warfare and seeks to demonstrate how much there is still to learn and understand about ancient society and warfare if we venture beyond the battlefields. “This volume represents a new wave of interest in warfare as a far more than merely military phenomenon.” Professors Brian Campbell and Hans Van Wees, excerpt from the Introduction.
Publisher: Cambridge Scholars Publishing
ISBN: 1527565629
Category : History
Languages : en
Pages : 275
Book Description
Beyond the Battlefields explores the relationship between warfare and society in the Graeco-Roman world through the various lenses of history, art, literature and archaeology. The study of ancient warfare often evokes images of crusty old scholars pouring over battle tactics and strategy. This book, a collection of thirteen essays by young scholars, examines the political, social, economic and artistic affects of war in ancient society in Greece and Rome, from Homeric times to the sixth century AD. Essays focus on a wide range of topics from espionage and ancient spin doctors to fantasies of peace in the Iliad and triumphal plants. Each article in this book presents the next scholarly generation’s new and dynamic approach to ancient warfare and seeks to demonstrate how much there is still to learn and understand about ancient society and warfare if we venture beyond the battlefields. “This volume represents a new wave of interest in warfare as a far more than merely military phenomenon.” Professors Brian Campbell and Hans Van Wees, excerpt from the Introduction.
A Companion to Seals in the Middle Ages
Author:
Publisher: BRILL
ISBN: 9004391444
Category : History
Languages : en
Pages : 431
Book Description
A Companion to Seals in the Middle Ages is a cross-disciplinary collection of fourteen essays on medieval sigillography. It is organized thematically, and it emphasizes important, often cutting-edge, methodologies for the study of medieval seals and sealing cultures. As the chronological, temporal and geographic scope of the essays in the volume suggests, the study of the medieval seal—its manufacture, materiality, usage, iconography, inscription, and preservation—is a rich endeavour that demands collaboration across disciplines as well as between scholars working on material from different regions and periods. It is hoped that this collection will make the study of medieval seals more accessible and will stimulate students and scholars to employ and further develop these material and methodological approaches to seals. Contributors are Adrian Ailes, Elka Cwiertnia, Paul Dryburgh, Emir O. Filipovi, Oliver Harris, Philippa Hoskin, Ashley Jones, Andreas Lehnertz, John McEwan, Elizabeth A. New, Jonathan Shea, Caroline Simonet, Angelina A. Volkoff, and Marek L. Wójcik.
Publisher: BRILL
ISBN: 9004391444
Category : History
Languages : en
Pages : 431
Book Description
A Companion to Seals in the Middle Ages is a cross-disciplinary collection of fourteen essays on medieval sigillography. It is organized thematically, and it emphasizes important, often cutting-edge, methodologies for the study of medieval seals and sealing cultures. As the chronological, temporal and geographic scope of the essays in the volume suggests, the study of the medieval seal—its manufacture, materiality, usage, iconography, inscription, and preservation—is a rich endeavour that demands collaboration across disciplines as well as between scholars working on material from different regions and periods. It is hoped that this collection will make the study of medieval seals more accessible and will stimulate students and scholars to employ and further develop these material and methodological approaches to seals. Contributors are Adrian Ailes, Elka Cwiertnia, Paul Dryburgh, Emir O. Filipovi, Oliver Harris, Philippa Hoskin, Ashley Jones, Andreas Lehnertz, John McEwan, Elizabeth A. New, Jonathan Shea, Caroline Simonet, Angelina A. Volkoff, and Marek L. Wójcik.