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Author: Deborah R. Coen
Publisher: University of Chicago Press
ISBN: 022655502X
Category : History
Languages : en
Pages : 444
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Book Description
Today, predicting the impact of human activities on the earth’s climate hinges on tracking interactions among phenomena of radically different dimensions, from the molecular to the planetary. Climate in Motion shows that this multiscalar, multicausal framework emerged well before computers and satellites. Extending the history of modern climate science back into the nineteenth century, Deborah R. Coen uncovers its roots in the politics of empire-building in central and eastern Europe. She argues that essential elements of the modern understanding of climate arose as a means of thinking across scales in a state—the multinational Habsburg Monarchy, a patchwork of medieval kingdoms and modern laws—where such thinking was a political imperative. Led by Julius Hann in Vienna, Habsburg scientists were the first to investigate precisely how local winds and storms might be related to the general circulation of the earth’s atmosphere as a whole. Linking Habsburg climatology to the political and artistic experiments of late imperial Austria, Coen grounds the seemingly esoteric science of the atmosphere in the everyday experiences of an earlier era of globalization. Climate in Motion presents the history of modern climate science as a history of “scaling”—that is, the embodied work of moving between different frameworks for measuring the world. In this way, it offers a critical historical perspective on the concepts of scale that structure thinking about the climate crisis today and the range of possibilities for responding to it.
Author: Deborah R. Coen
Publisher: University of Chicago Press
ISBN: 022655502X
Category : History
Languages : en
Pages : 444
Get Book Here
Book Description
Today, predicting the impact of human activities on the earth’s climate hinges on tracking interactions among phenomena of radically different dimensions, from the molecular to the planetary. Climate in Motion shows that this multiscalar, multicausal framework emerged well before computers and satellites. Extending the history of modern climate science back into the nineteenth century, Deborah R. Coen uncovers its roots in the politics of empire-building in central and eastern Europe. She argues that essential elements of the modern understanding of climate arose as a means of thinking across scales in a state—the multinational Habsburg Monarchy, a patchwork of medieval kingdoms and modern laws—where such thinking was a political imperative. Led by Julius Hann in Vienna, Habsburg scientists were the first to investigate precisely how local winds and storms might be related to the general circulation of the earth’s atmosphere as a whole. Linking Habsburg climatology to the political and artistic experiments of late imperial Austria, Coen grounds the seemingly esoteric science of the atmosphere in the everyday experiences of an earlier era of globalization. Climate in Motion presents the history of modern climate science as a history of “scaling”—that is, the embodied work of moving between different frameworks for measuring the world. In this way, it offers a critical historical perspective on the concepts of scale that structure thinking about the climate crisis today and the range of possibilities for responding to it.
Author: R. Barton Palmer
Publisher: University of Illinois Press
ISBN: 0252054148
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of transtextual references. R. Barton Palmer argues that the Coen oeuvre forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers' unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus of this book.
Author: Ethan Coen
Publisher: Harper Collins
ISBN: 0061684880
Category : Fiction
Languages : en
Pages : 276
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Book Description
In Gates of Eden, Ethan Coen exhibits on the printed page the striking, twisted, yet devastatingly on-target vision of modern American life familiar from his movies. The world within the world we live in comes alive in fourteen brazenly original tragicomic short stories—from the Midwest mob war that fizzles due to the principals' ineptness to the trials of a deaf private eye with a blind client to a fugitive's heartbreaking explanation for having beheaded his wife, alarming in that it almost makes sense.
Author: Joel Coen
Publisher: Univ. Press of Mississippi
ISBN: 9781578068890
Category : Biography & Autobiography
Languages : en
Pages : 254
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Book Description
Collected interviews with the quirky and distinctive writer/director team of such films as Raising Arizona, Intolerable Cruelty, and Barton Fink
Author: Josh Levine
Publisher: ECW Press
ISBN: 1550224247
Category : Biography & Autobiography
Languages : en
Pages : 189
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Book Description
Full biography of the renowned film directors, the Coen brothers, and how they came to write, shoot, and direct some of the most gruesome, exhilarating, and funniest films of our time, including Barton Fink, Fargo, Blood Simple and the forthcoming George Clooney film O Brother, Where Art Thou?
Author: Lynnea Chapman King
Publisher: Rowman & Littlefield
ISBN: 0810885778
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
Joel and Ethan Coen have written and directed some of the most celebrated American films of the last thirty years. The output of their work has embraced a wide range of genres, including the neo-noirs Blood Simple and The Man Who Wasn’t There, theabsurdist comedy Raising Arizona, and the violent gangster film Miller’s Crossing. Whether producing original works like Fargo and Barton Fink or drawing on inspiration from literature, such as Charles Portis’ True Grit or Cormac McCarthy’s No Country for Old Men, the brothers put their distinctive stamp on each film. In The Coen Brothers Encyclopedia, all aspects of these gifted siblings as writers, directors, producers, and even editors—in the guise of Roderick Jaynes—are discussed. Entries in this volume focus on creative personnel behind the camera, including costume designers, art directors, and frequent contributors like cinematographer Roger Deakins and composer Carter Burwell. Recurring actors are also represented, such as Jeff Bridges, Steve Buscemi, George Clooney, John Goodman, Holly Hunter, Frances McDormand, and John Turturro. Each entry is followed by a bibliography of published sources, both in print and online. From Blood Simple to Inside Llewyn Davis, The Coen Brothers Encyclopedia is a comprehensive reference on two of the most significant filmmakers of the last three decades. An engaging examination of their work, this volume will appeal to scholars, researchers, and fans interested in this creative duo.
Author: Ryan P. Doom
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 342
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Book Description
This examination of the distinctive cinema of Joel and Ethan Coen explores the theme of violence in their wide-ranging body of work. The Brothers Coen: Unique Characters of Violence spans the career of the two-time Oscar-winning producer/director team, exploring the theme of violence that runs through a genre-spanning body of work, from the neo-noir of Blood Simple to the brutal comedy Burn After Reading (2008). In chapters focusing on major characters, Ryan Doom looks at the chaotic cinematic universe of the Coens, where violent acts inevitably have devastating, unintended consequences. The remarkable gallery of Coen characters are all here: hardboiled gangster Tom Regan from Miller's Crossing (1990), overmatched amateur kidnapper Jerry Lundergaard from Fargo (1996), accidental private eye "The Dude" from The Big Lebowski (1998), psychopathic assassin-for-hire Anton Chigurh from the 2007 Academy Award winner No Country for Old Men, and more.
Author: Dan Jolin
Publisher: Greenfinch
ISBN: 1529438500
Category : Art
Languages : en
Pages : 242
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Book Description
Gangster movie, Western, film noir, rom com, screwball, musical, even the Biblical epic... There are few genres left untouched and untwisted by sibling visionaries Joel and Ethan Coen. Since 1984's Blood Simple, the inscrutable brothers have effortlessly forged their own cinematic path, avoiding prevailing trends while crafting bold, stylish and witty movies that feel fresh and distinctive despite being deeply rooted in their creators' filmic passion and knowledge. This is a definitive guide to that path, bringing the reader through Joel and Ethan's 20 features (not counting the mezzanine) and exploring the themes, the tropes, the gags, the familiar faces - while also taking in all the Coen curios that litter this quirkily winding byway. From Texas to Minnesota, from Homer to Shakespeare, from Bluegrass to Busby Berkeley, from wrestling to bowling, from lost hats to severed toes, this book covers everything that one might reasonably consider (to use a word that would likely make Joel and Ethan wince) 'Coenesque'... And then some.
Author: Jeffrey Adams
Publisher: Columbia University Press
ISBN: 0231850816
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
The films of the Coen brothers have become a contemporary cultural phenomenon. Highly acclaimed and commercially successful, over the years their movies have attracted increasingly larger audiences and spawned a subculture of dedicated fans. Shunning fame and celebrity, Ethan and Joel Coen remain maverick filmmakers, producing and directing independent films outside the Hollywood mainstream in a unique style combining classic genres like film noir with black comedy to tell off-beat stories about America and the American Dream. This study surveys Oscar-winning films, such as Fargo (1996) and No Country for Old Men (2007), as well as cult favorites, including O Brother, Where Art Thou? (2000) and The Big Lebowski (1998). Beginning with Blood Simple (1984), it examines major themes and generic constructs and offers diverse approaches to the Coens' enigmatic films. Pointing to the pulp fiction of Dashiell Hammett, James M. Cain, and Raymond Chandler, the study appreciates the postmodern aesthetics of the Coens' intertextual creativity.
Author: Ian Nathan
Publisher: Aurum
ISBN: 1781317291
Category : Performing Arts
Languages : en
Pages : 367
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Book Description
Through in-depth and informative text written by film journalist Ian Nathan, The Coen Brothers Archive re-examines the brothers' most famous work. Featured are looks into Raising Arizona, Fargo, The Big Lebowski, O Brother, Where Art Thou?, No Country for Old Men and True Grit. Plus, some of their cult films, like The Evil Dead, Paris je t'aime, and A Serious Man. Packed with stunning images from the Kobal archives, this book will also highlight their surprising involvement in recent films like Bridge of Spies and Unbroken, as well as looking at those who they frequently collaborate with.
